Brahms: Symphony No. 4: Recorded live at Royal Festival Hall, London, 5-8 October 2008

Listen on Presto Music. Free thirty day trial. Find out more.

everything seems in focus: not just the tempo, but also the rhythmic drive and urgency seem absolutely right in the third and fourth movements...This performance gives a lively sense of what... — BBC Music Magazine, December 2010, 5 out of 5 stars More…

Release Date: 31st Aug 2010
Catalogue No: SDG705
Label: SDG
Series: Brahms Symphonies
Length: 70 minutes

Gramophone Magazine

November 2010

Editor's Choice

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

Beethoven: Coriolan Overture, Op. 62

Work length6:51

$1.00

$1.30

$1.75

Orchestre Révolutionnaire et Romantique
Sir John Eliot Gardiner

Coriolan Overture, Op. 62: Overture to Collin's Coriolan, Op. 62, "Coriolan Overture"

Track length6:51

$1.00

$1.30

$1.75

Gabrieli, G: Symphoniae Sacrae (1615)

Work length3:37

$1.00

$1.30

$1.75

Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Sir John Eliot Gardiner

Symphoniae Sacrae (1615): Sanctus-Benedictus a 12

Track length3:37

$1.00

$1.30

$1.75

Schütz: Symphoniae Sacrae III

Work length3:49

$1.00

$1.30

$1.75

Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Sir John Eliot Gardiner

Symphoniae sacrae III, Op. 12: Symphoniarum sacrarum III, Op. 12: No. 18. Saul, Saul, was verfolgst du mich, SWV 415

Track length3:49

$1.00

$1.30

$1.75

Excerpt, Bach, J S: Cantata BWV150 'Nach dir, Herr, verlanget mich'

Work length4:53

$2.00

$2.60

$3.50

Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Sir John Eliot Gardiner

Nach dir, Herr, verlanget mich, BWV 150: Meine Augen sehen stets zu dem Herrn

Track length2:00

$1.00

$1.30

$1.75

Nach dir, Herr, verlanget mich, BWV 150: Ciacona: Meine Tage in dem Leide

Track length2:53

$1.00

$1.30

$1.75

Brahms: Geistliches Lied, Op. 30

Work length5:18

$1.00

$1.30

$1.75

Monteverdi Choir, Orchestre Révolutionnaire et Romantique
Sir John Eliot Gardiner

Brahms: Fest- und Gedenksprüche, Op. 109

Work length9:11

$3.00

$3.90

$5.25

Monteverdi Choir
Sir John Eliot Gardiner

Fest- und Gedenkspruche (Festive and Memorial Verses), Op. 109: No. 1. Unsere Vater hofften auf dich

Track length1:46

$1.00

$1.30

$1.75

Fest- und Gedenkspruche (Festive and Memorial Verses), Op. 109: No. 2. Wenn ein starker Gewappneter

Track length2:42

$1.00

$1.30

$1.75

Fest- und Gedenkspruche (Festive and Memorial Verses), Op. 109: No. 3. Wo ist ein so herrlich Volk

Track length4:43

$1.00

$1.30

$1.75

Brahms: Symphony No. 4 in E minor, Op. 98

Work length37:03

$9.00

$11.60

$14.00

Orchestre Révolutionnaire et Romantique, Monteverdi Choir
Sir John Eliot Gardiner

Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo

Track length11:13

$3.00

$3.85

$1.75

Symphony No. 4 in E Minor, Op. 98: II. Andante moderato

Track length10:39

$3.00

$3.85

$5.25

Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto

Track length5:36

$1.00

$1.30

$5.25

Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro

Track length9:35

$2.00

$2.60

$1.75

About
Reviews
Explore

About

Soli Deo Gloria is proud to release the last instalment of its successful Brahms Symphony series which sees John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique explore the music of Johannes Brahms.

This album is a celebration of the Fourth Symphony and the various pieces that contributed to its making.

From baroque to romantic, and from great orchestral pieces to intimate choral works, the listener gains a wonderful insight into Brahms’s mind and music making, through pieces that he loved and inspired him.

The Fourth Symphony was described by Richard Strauss as “a giant work, great in concept an invention, masterful in its form, and yet from A to Z genuine Brahms, in a word, an enrichment to our art”. Drawing from many sources of the musical past, it is nevertheless absolutely unique.

It is impregnated with baroque influence – the Finale was directly inspired by Bach’s cantata Nach dir, Herr, verlanget mich. Brahms enjoyed conducting less known old repertoire such as Gabrieli’s Sanctus Benedictus and Schütz’s Saul, Saul. They influenced his choral writing as we can hear in the Geistliches Lied. Brahms was also famously inspired by Beethoven, and the Finale to the Fourth clearly owes to his Coriolan overture.

The booklet includes a conversation between John Eliot Gardiner and composer Hugh Wood, explaining how the pieces relate to each other and giving a moving account of Brahms as a composer and as a man.

This recording was made during the 2008 Brahms: Roots and Memories tour.

Reviews

December 2010

everything seems in focus: not just the tempo, but also the rhythmic drive and urgency seem absolutely right in the third and fourth movements...This performance gives a lively sense of what that authentic Brahms sound might have been like, and the music gains enormously - not an ounce of flab on these textures

2nd November 2010

Textures are as transparent as chamber music. Phrases and ideas are nuanced, but disciplined...In short, Gardiner and his orchestra have placed the work firmly within the classical tradition, as a natural continuation from Brahms' symphonic idol Beethoven, rather than the seamless precursor to Wagner.

December 2010

It's fascinating to hear the Bach cantata movement that inspired that Finale, with the orchestra in its comfort zone. The little-known choral pieces are done well.

17th September 2010

The symphony is upstaged by choral works (Schütz, Gabrieli, Beethoven and Brahms) which illuminate its creative background. The jewel is Brahms’s wondrous Geistliches Lied, giving the Monteverdi Choir its finest hour.

26th September 2010

this disc is a triumph of imaginative programming, an education for anyone wishing to hear the music that inspired the composer...Gardiner’s approach is the antithesis of the muddy sound of most “classic” recordings. His tempi are brisk yet flexible, as Brahms wanted, but he refuses to sentimentalise the music.

16th September 2010

Gardiner's highly energised, raw-boned account, superbly played by the ORR and never dwelling unduly on inessential expressive details, has a real sense of culmination, of the end of a creative journey that the whole series of recordings has illuminated in a genuinely original way.

12th September 2010

[The motets] provide a surprising context for the symphony, given in a transparent, analytical performance by the Orchestre Révolutionnaire et Romantique. Harmony and counterpoint gleam, with no aural smudges and not a jot of bookish didacticism.

The Independent on Sunday 12th September 2010

...the variety of tone, dynamic and texture from Orchestre Révolutionnaire et Romantique is consistently well defined...A no-prisoners account of Beethoven's Coriolan Overture opens a programme that explores Brahms' choral influences, with pristine excerpts of Gabrieli, Schütz and Bach.

METRO 3rd September 2010

Gardiner brings a delightful crispness and spontaneity to the work: he creates great sweeps of emotion without sacrificing inner details, and the Orchestre Révolutionnaire et Romantique respond to him by playing with warmth and passion.

Brahms: Symphony No. 4

CD

Downloads

Contents

Download queue