Simone Kermes: Dramma

Sony: 88691963952

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Simone Kermes: Dramma

Awards:

BBC Music Magazine

Opera Choice - December 2012

Label:

Sony

Catalogue No:

88691963952

Discs:

1

Release date:

28th Aug 2012

Barcode:

0886919639520

Medium:

CD
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Simone Kermes: Dramma

Deluxe Version


Handel:

Lascia ch'io pianga (from Rinaldo)

with Isabella Girardeau

Hasse, J A:

Consola il genitore (from L’Olimpiade)

World premiere recording

Fra cento affanni e cento (from Artaserse)

World premiere recording

Leo:

Son qual nave in ria procella (from Zenobia in Palmira

Majo, G:

Per trionfar pugnando (from Arianna e Teseo)

World premiere recording

Pergolesi:

Sul mio cor (from Adriano in Siria)

Porpora:

Alto Giove (from Polifemo)

Vedrà turbato il mare (from Mitridate)

World premiere recording

Tace l’augello (from L’Agrippina)

World premiere recording

Empi, se mai disciolgo (from Germanico in Germania)

World premiere recording

Le limpid’onde (from Ifigenia in Aulide)

World premiere recording

Se dopo ria procella (from Germanico in Germania)

World premiere recording


Simone Kermes (soprano)

La Magnifica Comunità

CD

$18.75

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Featuring EIGHT WORLD PREMIERE RECORDINGS, the new album from German Soprano Simone Kermes further proves how deserving she is of the title “The Queen of Baroque”!

The album, titled ‘Dramma’ features a selection of the most virtuosic opera arias of this time, originally composed for castrati singers such as Farinelli and Caffarelli. The arias require highest dramatic expression and flawless vocal technique. Kermes studied these demanding compositions in extreme detail before embarking on the great challenge of recording them.

Besides the renowned Lascia ch’io pianga from Handel’s Rinaldo, Simone selected thirteen rarities and genuinely newly discovered arias, including several by the composer Nikola Porpora. She is accompanied by the ensemble La Magnifica Comunità.

playPer Trionfar Pugnando (Giuseppe De Majo - Arianna E Teseo)

playAlto Giove (Nicola Antonio Porpora - Polifemo)

playVedrà Turbato Il Mare (Nicola Antonio Porpora - Mitridate)

playTace L'augeletto (Nicola Antonio Porpora - L'Agrippina)

playEmpi, Se Mai Disciolgo (Nicola Antonio Porpora - Germanico In Germania)

playLe Limpid'onde (Nicola Antonio Porpora - Ifigenia In Aulide)

playSon Qual Nave In Ria Procella (Leonardo Leo - Zenobia In Palmira)

playConsola Il Genitore (Johann Adolf Hasse - L'Olimpiade)

playSul Mio Cor (Giovanni Battista Pergolesi - Adriano In Siria)

playSe Dopo Ria Procella (Nicola Antonio Porpora - Germanico In Germania)

playLascia Ch'io Pianga (Georg Friedrich Händel - Rinaldo)

playFra Cento Affanni E Cento (Johann Adolf Hasse - Artaserse)

The Independent

18th August 2012

“Eight of the 12 songs are world premiere recordings of unaccountably beautiful arias...Kermes treats these first airings with due care, exhibiting stately grace and poise on Porpora’s “Alto Giove”, and coping remarkably with the wide range and rapid coloratura passages of material often written for castrati, notably Giuseppe De Majo’s “Per trionfar pugnando”.”

The Observer

26th August 2012

“This collection of castrato arias includes six astonishing discoveries, many recorded for the first time...sung by the beguilingly agile Simone Kermes with delightfully pungent playing from La Magnifica Comunità. Listen through headphones for some glorious detail in the continuo.”

Gramophone Magazine

Awards Issue 2012

“Kermes's voice is hardly conventionally beautiful...she thrills with her fearless attack and coruscating coloratura...Kermes is never dull. And at her finest...her energy, technical brilliance and imagination silence criticism.”

BBC Music Magazine

December 2012

*****

“Some people find her singing mannered; I prefer to think of her as a Schwarzkopf of the Baroque - a singer in whom keen intelligence (demonstrated no less in her scholarly booklet-note), stylistic sophistication and searching imagination achieve extraordinary artistic combination. Throughout, La Magnifica Comunità, the Padua-based period band, supports her magnificently.”

Click on any of the works listed above for alternative recordings.

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