Stefano Bernardi: Motetti in Cantilena & Opera Quinta

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this is a disc for those who have a more than average interest in the music of this period in history. It sheds light on an intriguing aspect of early 17th-century liturgical music. — MusicWeb International, 11th June 2013

Release Date: 26th Nov 2012
Catalogue No: TC570201
Label: Tactus
Length: 49 minutes

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Bernardi, S: Motetti in cantilena, Op. 5

Work length49:00

$26.00

$33.80

Ensemble Cantimbanco
Roberto Balconi

Sonata sesta in sinfonia

Track length2:07

$1.00

$1.30

Nativitas gloriosae

Track length1:40

$1.00

$1.30

Benedictus Deus

Track length2:08

$1.00

$1.30

Estote fortes

Track length1:12

$1.00

$1.30

O pretiosum

Track length2:04

$1.00

$1.30

Sonata terza

Track length1:39

$1.00

$1.30

Haec Dies

Track length1:25

$1.00

$1.30

Gaudeamus omnes

Track length1:22

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$1.30

Super omnia

Track length1:33

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$1.30

Exultate iusti

Track length1:57

$1.00

$1.30

Sonata quarta

Track length1:35

$1.00

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Voce mea

Track length2:03

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$1.30

Isti sunt

Track length1:23

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Hodie Christus

Track length2:12

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Invocavi

Track length2:20

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Sonata quinta

Track length1:46

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In te Domine

Track length2:27

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Viri Sancti

Track length1:50

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Anima nostra

Track length2:25

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Salvum me fac

Track length1:46

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Sonata seconda

Track length1:32

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Paratum cor meum

Track length3:02

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Cum jucunditate

Track length2:00

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Osculetur me

Track length2:01

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Gustate et videte

Track length2:06

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Sonata prima

Track length1:25

$1.00

$1.30

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The influential early 17th century Italian composer Stefano Bernardi wrote his Motetti in Cantilena in his native Verona in 1613 following a period of study and work in Rome. These world premiere recordings are performed on this CD by Ensemble Cantimbanco and its musical director Roberto Balconi. Italian priest, composer, and music theorist Stefano Bernardi was born in Verona in 1577 and was maestro di cappella at the city’s cathedral from 1611 to 1622. He later moved to Salzburg, where he was responsible for the music at the Salzburg Cathedral and composed a Te Deum for 12 choirs which was performed at the cathedral's consecration in 1628.

Bernardi's career spanned the transition from late Renaissance music to early Baroque, with some of his works in the polyphonic style of Palestrina, and others in the new concertato style. He composed both sacred and secular music, including several masses and motets as well as sinfonias and three books of madrigals. He also wrote a treatise on counterpoint which was published in 1615.

Reviews

11th June 2013

this is a disc for those who have a more than average interest in the music of this period in history. It sheds light on an intriguing aspect of early 17th-century liturgical music.

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