David Russell - Air on a G String

Telarc: CD80693

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David Russell - Air on a G String

Label:

Telarc

Catalogue No:

CD80693

Discs:

1

Release date:

28th April 2008

Barcode:

0089408069321

Medium:

CD
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David Russell - Air on a G String

Baroque Guitar Masterpieces


Bach, J S:

Partita in A minor for solo flute, BWV1013

Pastorale in F major, BWV590

3rd movement

Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String')

Couperin, F:

Pièces de clavecin I: Ordre 1ème in G major: Les silvains

Pièces de clavecin IV: Ordre 22ème in D major: Les tours de passe-passe

Pièces de clavecin II: Ordre 6ème in B flat: Les baricades mistérieuses

Saint-Luc:

Suite in D major, "La Prise de Gaeta"

Weiss, S:

Fantasia in C minor

Prelude (Sm. 32, from the Sonata No. 5 in G major)

Allemande (Sm. 114, from the Sonata No. 19 in F major)

Courente Royale

Tombeau For Count Logy

Allegro


David Russell (guitar)

CD

$16.75

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Air on a G String brings together works by Jacques de Saint-Luc and Silvius Leopold Weiss, two of the master lutenists of the late 17th and early 18th centuries, as well as Russell’s own transcriptions for guitar of compositions by Johann Sebastian Bach and François Couperin.

Silvius Leopold Weiss, born in Breslau (now Wroclaw, Poland) in 1686, was the most renowned member of Germany’s leading family of lutenists during the time of Johann Sebastian Bach. Weiss wrote well over eight hundred pieces for lute – more than any other composer – including some sixty solo “sonatas”. The Flemish lutenist and composer Jacques de Saint-Luc was born in 1616 in Ath, twenty miles southwest of Brussels and not far from Belgium’s present-day border with France. Couperin’s Les Silvains (The Woodland Fauns, Book I of Pièces de Clavecin [1713], Ordre 1, No. 8) is one of his earliest keyboard works of the pastoralism that figured so prominently in 18th-century French art. Tours de Passe-Passe (Book IV [1730], Ordre 22, No. 8) is a French colloquialism for “legerdemain” or “sleight-of-hand,” and in Couperin’s playfully effervescent piece indicates the crossing of hands at the keyboard."

Gramophone Magazine

August 2008

“Throughout this fine recital, Russell evokes the sound of lute and harpsichord without ignoring the additional technical and colouristic opportunities afforded him by a modern guitar. …another outstanding release by this incomparable guitarist.”

Click on any of the works listed above for alternative recordings.

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