Sonidos Latinos

Telarc: TEL3197902

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Sonidos Latinos

Awards:

Gramophone Magazine

Editor's Choice - June 2010

Label:

Telarc

Catalogue No:

TEL3197902

Discs:

1

Release date:

3rd May 2010

Barcode:

0888072319790

Medium:

CD
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Sonidos Latinos

Guitar Music of Latin America


Ayala:

Serie Americana

Barrios Mangoré:

Maxixe

Cancíon de la Hilandera

Aire de Zamba

Confesión (Confissao de Amor)

Tu Imagen

Morel, Jorge:

Recuerdos del Caribe

Mangoré (Una Danza)

Pampero

Barcarole

Jugueteando

Neves:

Chôro II

Valsa No. 3

Ponce, M:

Estrellita

3 Canciones Populares Mexicanas


David Russell (guitar)

CD

$16.50

Usually despatched in 4 - 5 working days.

This recital by renowned soloist David Russell presents the works of four Latin American masters of the guitar: Augustín Barrios Mangoré, Manuel María Ponce, Héctor Ayala, Armando Neves, and Jorge Morel.

One of the great pioneers of classical guitar, Augustín Barrios Mangoré was one of the first Latin American guitarists to appear successfully in Europe and one of the first guitarists to record. Featured on this recording is Mangoré’s “Maxixe” which is based on the Brazilian dance that became popular in Rio de Janeiro in the 1870s. Manuel María Ponce was one of the most distinguished and influential figures in Mexican music. He arranged Tres Cancíones Populares Mexicanas from 1925-26 for Segovia.

Two of the pieces on the disc written by Argentine-American guitarist and composer Jorge Morel are dedicated to David Russell, “Recuerdos del Caribe” is filled with the flavors and rhythms of the West Indies, whilst “Mangoré” is a tribute to Augustín Barrios Mangoré. Even though his career was focused on tango, Héctor Ayala still had a thorough understanding of other Latin American musical styles, as demonstrated by his “Serie Americana”.

Gramophone Magazine

June 2010

“...another very fine collection of colourful, enjoyable music that in Russell's hands speaks of a deeper humanity...As always, Russell's supreme musical intelligence is supported by a superlative technique. For fans, indispensable; for the rest, essential.”

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