Beethoven & Mozart: Quintets for Piano and Wind

Testament: SBT1091

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Beethoven & Mozart: Quintets for Piano and Wind

Awards:

Penguin Guide

Rosette Winner

Building a Library

Historic Choice - April 2007

Label:

Testament

Catalogue No:

SBT1091
(SBT 1091)

Discs:

1

Barcode:

0749677109127

Medium:

CD
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Beethoven & Mozart: Quintets for Piano and Wind


Beethoven:

Quintet in E flat major for piano and winds, Op.16

Mozart:

Quintet for Piano and Winds in E flat, K452

Sinfonia concertante in E flat for Oboe, Clarinet, Horn, Bassoon & Orchestra, K297b

Philharmonia Orchestra, Herbert von Karajan


Walter Gieseking, Dennis Brain

Philharmonia Wind Quartet

CD

$15.50

In stock - usually despatched within 1 working day.

playQuintet In E Flat Major For Piano & Wind, K. 452 - Largo - Allegro Moderato

playQuintet In E Flat Major For Piano & Wind, K. 452 - Larghetto

playQuintet In E Flat Major For Piano & Wind, K. 452 - Rondo (Allegretto)

playQuintet In E Flat Major For Piano & Wind, Op. 16 - Grave - Allegro Ma Non Troppo

playQuintet In E Flat Major For Piano & Wind, Op. 16 - Andante Cantabile

playQuintet In E Flat Major For Piano & Wind, Op. 16 - Rondo (Allegro Ma Non Troppo)

playSinfonia Concertante In E Flat Major, K. 297b - Allegro

playSinfonia Concertante In E Flat Major, K. 297b - Adagio

playSinfonia Concertante In E Flat Major, K. 297b - Andantino Con Variazioni

Gramophone Classical Music Guide

2010

“There have never been any doubts about these performances. The horn playing in the Sinfoniaconcertante is unsurpassable and in the quintets Gieseking's lightness and his clarity and sense of style is simply beyond praise. The tempos are on the slow side in the first movement of the Mozart and the finale of the Beethoven but somehow with Gieseking, slow tempos have a way of seeming to be just about right. Richard Osborne's excellent notes quote a letter from Sidney Sutcliffe of touching modesty. Speaking of their run-through of the Mozart, he says, 'On reaching the Allegro moderato, the great man played two bars at an absolutely perfect tempo and then stopped and asked in the most gentle and hesitant manner, “Will that be all right for you?” So it was a most happy occasion although I found it a grave responsibility matching the artistry of my colleagues when Bernard [Walton], Cecil [James] and Dennis [Brain] were producing sounds of breath-taking beauty.' Breathtaking is the right word for all concerned here on one of the great chamber music records of the LP era. Considerable pains have been taken with the transfers, which now sound fresh and full bodied. Thoroughly recommended.”

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