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The Italian composer Riccardo Malipiero (1914–2003), nephew of the better-known Gian Francesco Malipiero, was one of the pioneers of twelve-tone technique in Italy. His six published piano works – recorded here for the first time – encapsulate half-a-century of development, from the post-Respighian 14 variazioni of 1938, via the Bachian Invenzioni and the virtuosic Costellazioni, to the classicism of the Diario second of 1985. But Malipiero’s concern was more with individuality of expression than with modernist dogma, and he was happy to break the rules in pursuit of colour and variety.
No. 1. Calmo