Purcell: | Dido and Aeneas Mary Thomas (soprano), Honor Sheppard (soprano), Ellen Dales (soprano), Helen Watts (contralto), Robert Tear (tenor), Maurice Bevan (baritone) Oriana Concert Choir and Orchestra, Alfred Deller Hail! bright Cecilia (for St Cecilia's Day, 1683) April Cantelo (soprano), Alfred Deller (counter-tenor), Peter Salmon (counter-tenor), Wilfred Brown (tenor), Maurice Bevan (baritone), John Frost (bass), George Eskdale (solo trumpet), Leonard Friedman (violin), Eli Goren (violin), Richard Taylor (treble recorder), Stanley Taylor (treble recorder), Peter Graeme (oboe), Edward Selwyn (oboe), Philip Jones (trumpet), Denis Clift (trumpet), Alan Taylor (tympani), Anna Shuttleworth (cello and basso continuo), Francis Baines (cello and basso continuo), Denis Vaughan (harpsichord) Ambrosian Singers / Kalmar Chamber Orchestra of London, Sir Michael Tippett Welcome to all the pleasures (for St Cecilia's Day, 1683) Alfred Deller (counter-tenor), April Cantelo (soprano), Eileen McLoughlin (soprano), Gerald English (tenor), Owen Grundy (baritone), Maurice Bevan (baritone) Kalmar Chamber Orchestra, Alfred Deller Come ye songs of art, away (for Queen Mary's birthday, 1694) Alfred Deller (counter-tenor), Mark Deller (counter-tenor), Mary Thomas (soprano), Maurice Bevan (baritone) Oriana Concert Choir and Orchestra, Alfred Deller My beloved spake Alfred Deller (counter-tenor), April Cantelo (soprano), Gerald English (tenor), Maurice Bevan (baritone) Kalmar Orchestra of London, Alfred Deller Rejoice in the Lord alway ('The Bell Anthem'), Z49 Alfred Deller (counter-tenor), Mary Thomas (soprano), Honor Sheppard (soprano), Max Worthley (tenor), Robert Tear (tenor), Maurice Bevan (baritone) Oriana Concert Orchestra, Alfred Deller |