Quatuor Ebène play Felix and Fanny Mendelssohn

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Quatuor Ebène play Felix and Fanny Mendelssohn

Awards:

Gramophone Magazine

Editor's Choice - April 2013

BBC Music Magazine

Chamber Choice - April 2013

BBC Music Magazine Awards 2014

Chamber Award Winner

Label:

Virgin

Catalogue No:

4645462

Discs:

1

Release date:

7th Jan 2013

Barcode:

5099946454621

Length:

76 minutes

Medium:

CD
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Quatuor Ebène play Felix and Fanny Mendelssohn


Mendelssohn:

String Quartet No. 2 in A minor, Op. 13

String Quartet No. 6 in F minor, Op. 80

Mendelssohn, Fanny:

String Quartet in E flat major


CD

$17.25

In stock - usually despatched within 1 working day.

The Quatuor Ebène turns to Mendelssohn: two quartets by Felix and one by his elder sister Fanny, who composed over 400 works and who, like her brother, died in 1847. “Felix’s quartets speak with intimacy, but are not devoid of violent, stormy emotion,” says Raphaël Merlin of the Quatuor Ebène. He praises Fanny for composing “with surprising freedom”, saying “we fell in love with her string quartet”.

In a characteristically imaginative stroke of programming, the Quatuor Ebène presents a total of three quartets by two Mendelssohns – Felix and his older sister, Fanny.

Like Felix, Fanny was a highly gifted child, but, as a woman, her life took a different path from his. Felix remained close to her and solicited and respected her opinions on his music. She, meanwhile, produced a canon of well over 400 pieces – although only one string quartet; by contrast, Felix composed seven works in the genre, one of them a youthful work that carries no opus number. This disc features the A minor quartet he composed in 1827, very much under the influence of Beethoven, and the F minor quartet of 20 years later, a highly emotional piece, expressive of the grief he felt at Fanny’s death, aged 41, in May 1847. As it turned out, the quartet was to be the last major work he composed: he himself died in November of that year, at the age of just 38.

Read Presto's complete review of this disc here.

Felix Mendelssohn: String Quartet No. 2 Op.13 in A minor

I Adagio - Allegro vivace

II Adagio non lento

III Intermezzo : Allegretto con moto

IV Presto

Fanny Mendelssohn: String Quartet in E flat major

I Adagio ma non troppo

II Allegretto

III Romanze

IV Allegro molto vivace

Felix Mendelssohn: String Quartet No. 6 Op.80 in F minor

I Allegro vivace assai

II Allegro assai

III Adagio

IV Finale: Allegro molto

BBC Music Magazine

April 2013

*****

“the Quatuor Ebène matches and in some respects exceeds [its] rivals in the commitment and physical impact of its playing...[and] employs the widest possible range of timbres and articulations in their use of non-vibrato particularly effective in the slow material that frames the entire work [Op. 13].”

The Independent

27th January 2013

***

“Quatuor Ebène's subtle performance seems designed to frame the darker soundworld of Fanny Mendelssohn's E-flat major Quartet in the best light.”

The Guardian

7th February 2013

*****

“The Ebènes probe all three works with unflinching honesty and immediacy that don't make for easy listening, but are unforgettable.”

Sunday Times

17th February 2013

“[Fanny's] quartet, played with great conviction, is worth hearing — and even, formally and harmonically, more daring than Felix’s. These are nonetheless, superb works, his finest quartets. This passionate account of the A minor is touched, as though in anticipation, by the F minor’s darkness.”

Gramophone Magazine

April 2013

“This disc abounds in the kid of full-on playing and lively engagement with the music that we've come to expect from Quatuor Ébène, caught up close and personal by the microphone...With every disc that the Ébène record, there's the unmistakable sense that they have something to say and an urgent need to say it. Not everyone will respond to their approach, but to my mind they're one of the most thrilling quartets around today.”

Presto Classical

Chris O'Reilly

7th January 2013

“The Quatuor Ebène play with the commitment and passion which they have become renowned for. Technical mastery is a given, whilst the spontaneity and homogeny of things like articulation and phrasing are remarkably consistent. The balance is excellent with solos in the inner parts just as characterised as those in the first violin.”

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