Catalogue No: 2564696144
Discs: 21
Release date: 18th Aug 2008
Barcode: 0825646961443
Medium: CDThe Gustav Leonhardt Edition anon.:
Daphne
Resonet in laudibus
A toye
Bach, J C :
Harpsichord Sonata, Op. 5 No. 2 in D major
Bach, J S :
Concerto for Flute, Violin & Harpsichord in A minor, BWV1044
Keyboard Concerto No. 2 in E major, BWV1053
Keyboard Concerto No. 3 in D major, BWV1054
Keyboard Concerto No. 4 in A major, BWV1055
Keyboard Concerto No. 5 in F minor, BWV1056
Concerto for Harpsichord & Two Recorders, BWV1057
Keyboard Concerto No. 7 in G minor, BWV1058
Oboe Concerto in D minor, BWV1059
Concerto for Two Keyboards in C minor, BMV1060
Concerto for Two Keyboards in C major, BMV1061
Concerto for Two Keyboards in C minor, BMV1062
Concerto for Three Keyboards in D minor, BWV1063
Concerto for Three Keyboards in C major, BWV1064
Concerto for Four Keyboards in A minor (after Vivaldi), BWV1065
Goldberg Variations, BWV988
Chromatic Fantasia & Fugue in D minor, BWV903
Keyboard Sonata in D Minor, BWV964
Toccata in G major, BWV916
Lute Suite No. 1 in E minor, BWV996
Sonatas for Violin & Harpsichord Nos. 1-6, BWV1014-1019
Prelude in F major, BWV927
Quodlibet, BWV524
Prelude in E major, BWV937
Trio in G minor, BWV929
So oft ich meine Tobackspfeife, BWV515a
Prelude in D minor, BWV940
Canon a 2 perpetuus, BWV1075
Canon super fa mi a 7 post tempus misicum, BWV1078
Prelude in D major, BWV925
Gib dich zufrieden, BWV511
Canon a 4 perpetuus, BWV1073
Canone doppio sopr'il soggetto, BWV1077
O Herzensangst, o Bangigkeit, BWV400
Nicht so traurig, nicht so sehr, BWV384
Dir, dir Jehovah, will ich singen, BWV452
Prelude in C major, BWV939
Fugue in C major, BWV952
Was betruebst du dich, mein Herze, BWV423
Vergiss mein nicht, BWV505
Chorale Prelude BWV691 'Wer nun den lieben Gott lässt walten'
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV992
Prelude & Fugue in A minor, BWV895
Suite in F minor, BWV823
Prelude & Fughetta in D minor, BWV899
Prelude & 'Fiddle' Fugue in D minor, BWV539
Biber :
Harmonia artificiosa-ariosa: diversi mode accordata
120.Mensa sonora: seu musica instrumentalis
Fidicinium sacro-profanum: Sonatas III, IV, V & VI
Böhm, G :
Suite No. 6 in E flat major
Suite No. 8 in F minor
Suite No. 9 in F minor
Bull, J :
Fantasia
The duchesse of brunswick's toye [most sweet and fayre]
Byrd :
Pavan in D BK52a
Pavan in D BK52b
Fantasia a 3 in C BK27
Pavan & Galliard à 6
Miserere mei
Caccini, G :
Amarilli mia bella
Couperin, F :
Offertoire sur les grands jeux
L'art de toucher le clavecin
Dowland :
Pavan
Lachrimae Pavan, P. 15
Can she excuse my wrongs? (First Booke of Songes, 1597)
Farnaby, G :
Fantasia in D
Fantasia in D
The Old Spagnoletta
Frescobaldi :
Toccata Settima
Toccata undecima (1627)
Canzon terza
Toccata in G major
Fantasia sesta sopra doi soggetti
Five Gagliardes
Froberger :
Capriccio No. II
Fantasia No. 3
Toccata No. 11 (da sonarsi alla levatione)
Ricercar II
Canzona II
Toccata No. 9
Allemande
Suite No. 18
Suite No. 12 in C major
Gibbons, O :
Pavan
Grigny :
Cromorne en taille à deux parties
Handel :
Keyboard Suite, HWV 433 in F minor
Kuhnau :
The Biblical Sonatas
Lawes, W :
Suite No. 2 a 5 in F major : fantasia
Suite No. 2 a 5 in F major : aire
Suite No. 7 in D minor : fantasia
Suite No. 7 in D minor : air 'almand'
Suite No. 7 in D minor : 'galliard'
Suite No. 3 in B-flat major : in nomine
Marini, B :
Balletto secondo a tre & a quattro
Mondonville :
6 Sonatas Op. 3
Morley :
Nancie
Muffat, Georg :
Sonata No. 2 from Armonico Tributo
Poglietti :
Ricercar primi toni
Purcell :
Rejoice in the Lord alway ('The Bell Anthem'), Z49
Blow up the trumpet in Sion, Z10
O God, thou art my god, Z35
Chacony in G minor - for Two Violins, Viola and Bass Z730
O God, thou hast cast us out, Z36
My heart is inditing, Z30
Remember not, O Lord, our offences, Z50
Overture in D minor Z771
Pavan in B flat major, Z750
Ground in D minor, ZD222
Suite in G major, Z 770
Pavan in A minor Z749
Three Parts upon a Ground in D major - Z731
Overture in G minor Z772
Suite No. 6 in D major, Z 667
Pavan for Three Violins and Bass in G minor - Z752
Sefauchi's Farewell, Z656
A New Ground in E minor, Z. T682
4-part Sonnata No. 3 in A minor - Z804
Fantasia No. 7
Fly swift ye hours, Z369
The father brave as e'er was Dane (from Who can from joy refrain?, Z342)
Return revolting rebels (from Timon of Athens, Z632)
Rameau :
Nouvelles Suites de Pièces de Clavecin: La Triomphante
L'Entretien des muses
Menuet
Pièces de Clavecin 1724: Les Tourbillons
Sarabande
La villageoise
Pièces de Clavecin en concerts
Reincken :
Choralfantasie “An Wasserflüssen Babylon”
Rosenmüller :
Sonata Settima a 4
Scarlatti, D :
Keyboard Sonata K3 in A minor
Keyboard Sonata K52 in D minor
Keyboard Sonata K215 in E major
Keyboard Sonata K216 in E major
Scheidemann :
Praeambulum in D minor
Scheidt :
Paduan a 4
Schmelzer :
Sacro-Profanus Concentus Musicus: Sonatas VII & IX
Tisdale :
Pavana Chromatica (Mrs. Katherin Tregians Paven)
Tomkins :
A sad Pavan for these distracted times
Pavan Of Three Parts
Galliard Of Three Parts
Turini :
Sonata
Gustav Leonhardt (harpsichord/organ/bass viol/virginal/narration/director ), Agnes Giebel (soprano), Marie Luise Gilles (alto), Bert van t’Hoff (tenor), Peter Christoph Runge (bass), James Bowman (countertenor), Nigel Rogers (tenor), Max van Egmond (bass), Lars Frydén (violin), Anner Bylsma (cello), Frans Brüggen (flute), Sigiswald Kuijken (violin), Wieland Kuijken (viola da gamba) & Veronika Hampe (alto viol)
The Choir of King’s College, Cambridge , Brüggen-Consort & Leonhardt-Consort, Gustav Leonhardt
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Reviews Andrew Stewart
10th January 1996
“Gustav Leonhardt's patrician demeanour and Calvinistic refusal to indulge his ego run contrary to the common trend for keyboard players to emulate performing seals. And yet he has the power to transfix an
audience, as he did throughout his Wigmore Hall recital, without the need for gratuitous showmanship or wild musical gestures. Austerity and sobriety are the names of his particular performing game, tempered by
a compelling mix of passion and commitment to the broad repertoire within his command.”
The Musical Times Howard Schott
October 1992
“Among the scholar-performers who have sparked and led the early music revival, surely none has played a greater part and exerted a more benificent influence on younger musicians and the public than Gustav
Leonhardt. Harpsichordist, organist, conductor, teacher, musicologist and editor are all roles in which he has distinguished himself.”
