Bach, J S: Sonatas & Partitas for solo violin

Zigzag: ZZT110902

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Bach, J S: Sonatas & Partitas for solo violin

Awards:

Gramophone Magazine

Editor's Choice - March 2012

Label:

Zigzag

Catalogue No:

ZZT110902

Discs:

2

Release date:

31st Oct 2011

Barcode:

3760009292512

Length:

2 hours 31 minutes

Medium:

CD (download also available)
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Bach, J S: Sonatas & Partitas for solo violin


Bach, J S:

Sonatas & Partitas for solo violin, BWV1001-1006

Pisendel:

Sonata for Violin Solo in A minor


CD - 2 discs

$23.00

(also available to download from $20.00)

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After The Four Seasons, the Bach violin concertos, and the sonatas of Matteis, Amandine Beyer presents her vision of the Sonatas and Partitas, one of the pillars of the repertoire, coupled with the solo sonata of Pisendel, the best-known German violinist of his generation, who met Bach at Weimar.

Johann Sebastian Bach: Violin Partita No. 1 in B Minor, BWV 1002

I. Allemanda

II. Double

III. Corrente

IV. Double. Presto

V. Sarabanda

VI. Double

VII. Tempo di Bourree

VIII. Double

Johann Sebastian Bach: Violin Sonata No. 2 in A Minor, BWV 1003

I. Grave

II. Fuga

III. Andante

IV. Allegro

Johann Sebastian Bach: Violin Partita No. 2 in D Minor, BWV 1004

I. Allemande

II. Courante

III. Sarabande

IV. Gigue

V. Ciaccona

Johann Sebastian Bach: Violin Sonata No. 3 in C Major, BWV 1005

I. Adagio

II. Fugue

III. Largo

IV. Allegro assai

Johann Sebastian Bach: Violin Sonata No. 1 in G Minor, BWV 1001

I. Adagio

II. Fugue: Allegro

III. Siciliana

IV. Presto

Johann Sebastian Bach: Violin Partita No. 3 in E Major, BWV 1006

I. Preludio

II. Loure

III. Gavotte en rondeau

IV. Menuett I-II

V. Bourree

VI. Gigue

Johann Georg Pisendel: Violin Sonata in A Minor

I. [Largo]

II. Allegro

III. Giga

III. Variation

Gramophone Magazine

March 2012

“These are fresh, spirited, finely judged performances. The tempi of the fast movements never seem too quick, though they often prove faster than those of other period players, and the slow movements are superbly paced...Beyer never plays on the listener's emotions but instead maintains a sliver of detachment that, in the context of her stylish performances, seems appropriate for music that is almost 300 years old...An enormously enjoyable set.”

International Record Review

February 2012

“Beyer's playing is outstanding for her consistently sensitive delivery - finely chiselled in details but always organic with a keen ear for the music's broader harmonic direction. Although it invites and deserves close attention it does not overtly seek it...Her playing is at its finest...where it is at its most self-effacing: in the ear- and finger-defying polyphony Bach frequently demands from his player.”

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