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The English ‘cathedral’ tradition is defined by the sound and musicianship of choristers: in New College’s case boys aged between 9 and 13. In the space of four years, these children become remarkably proficient musicians. Indeed, we might be forgiven for thinking of them solely as musicians, such is their achievement. But they are both children and musicians. And this recording celebrates their musical and vocal prowess in a ‘snapshot’ year. A mixture of solo and ensemble items surveys a wide repertory from Tallis to Jehan Alain. This recording has a fascinating documentary value, but is much more than that: it is an anthology of wonderful choral works whose musical presentation is given even greater depth by the very special qualities of boys’ voices.
Felix Mendelssohn: 3 Motets, Op. 39 (arr. E. Higginbottom)
3 Motets, Op. 39: No. 2. O praise the Lord (Laudate pueri) (arr. E. Higginbottom)
Francois Couperin: Lauda Sion salvatorem
Lauda Sion salvatorem
Wolfgang Amadeus Mozart: Ave Maria, K. 554
Ave Maria
Felix Mendelssohn: 3 Motets, Op. 39 (arr. M. Hall)
3 Motets, Op. 39: No. 1. Hear my prayer, O Lord (Veni, Domine) (arr. M. Hall)
John Ireland: Ex ore innocentium (arr. M. Hall)
Ex ore innocentium (arr. M. Hall)
Thomas Tallis: Audivi vocem
Audivi vocem
Henry Purcell: O dive custos Auriacae domus, Z. 504
O dive custos Auriacae domus, Z. 504
Giovanni Battista Pergolesi: Stabat mater
Stabat Mater
Sancta Mater
Wolfgang Amadeus Mozart: Die Zauberflote (The Magic Flute), K. 620
Die Zauberflote (The Magic Flute), K. 620, Act II: Trio: Seid uns zum zweiten Mal willkommen
Johann Sebastian Bach: Ich habe genug, BWV 82
Ich habe genug, BWV 82: Aria: Schlummert ein
Jehan Alain: Ave Maria
Ave Maria
Wolfgang Amadeus Mozart: Vesperae solennes de confessore, K. 339
Vesperae solennes de confessore, K. 339: Laudate Dominum
Click on any of the works listed above for alternative recordings.