“Alicia de Larrocha has been playing these works, the greatest in the repertoire of Spanish piano music, all her life. Complete technical assurance in these extremely demanding works has now become taken for granted, and Larrocha isn't unique in mastering their terrors; but though there have been other distinguished interpreters, her readings have consistently remained a touchstone.
She employs plenty of subtle rubato but possesses the ability to make it sound as natural as breathing. In the true sense of that much misused word, this is classical playing, free from any superimposed striving for effect but responding fully to the music's sense of colour; and even in the densest of textures she's able to control con- flicting tonal levels. Goyescas, which can tempt the unwary into exaggerated 'expressiveness', brings forth a wealth of poetic nuance, without losing shape. The recorded quality throughout always was good and here emerges as fresh as ever. Anyone who doesn't already possess these recordings should not hesitate to acquire them now – all the more since the two discs together cost the same as one full-price one.” Gramophone Classical Music Guide, 2010
“…robust and theatrical…” Gramophone Magazine, June 2010
“Alicia de Larrocha has recorded Iberia three times with almost equal success, but her 1972 analogue version is rather special. She has a unique feeling for this repertoire, and plays with great character.” Penguin Guide, 2011 edition
Penguin Guide
