Browse: Panufnik Symphonic Works (series)

the clarity of the new recording allows all the detail of all Panufnik's remarkable scoring, relished at every moment by Borowicz...Something that should also be taken into consideration is the... — Gramophone Magazine, June 2014 More…

Katyn Epitaph makes a profound impression...the Tragic Overture shows what Panufnik absorbed from his pre-war visit to Vienna and his analysis of the music of Webern...Nothing of its rigour is... — BBC Music Magazine, August 2010, 5 out of 5 stars More…

[Sitkovetsky] does not underplay [the Violin Concerto] darkness but neither does he miss its soaring, aspirational quality...Wallfisch's performance is electric. The Piano Concerto was certainly... — Gramophone Magazine, November 2014 More…

Borowicz clearly has the expressive geometry of Panufnik's thinking under his fingers...Borowicz understands perfectly when Panufnik's dual-purpose material needs dramatising and when best to... — Gramophone Magazine, March 2012 More…

the lower strings of the Polish Radio Symphony Orchestra are taut and exciting, and the conductor Lukasz Borowicz shows himself to be an ideal interpreter of this music. — BBC Music Magazine, December 2010, 5 out of 5 stars More…

Structured in six geometrically inspired movements, the music is given a searing performance by the Polish Radio Symphony Orchestra...[Hommage a Chopin] has been recorded several times but as... — BBC Music Magazine, July 2011, 5 out of 5 stars More…

Magnificently played, Panufnik’s music could not have finer advocates and the sound is cool, crystal clear and well balanced. Indispensable listening for those interested in late-twentieth century... — MusicWeb International, April 2013 More…

the Berlin players clearly relish [Sinfonia della speranza], as they do Panufnik's ever-imaginative scoring, and the tension never lets up. Borowicz provides a firm guiding hand for this unusual... — Gramophone Magazine, October 2013 More…