Browse: Rosenblatt Recitals (series)

Feola is everything that Rosenblatt Recitals hope to discover - a beautiful voice in its youthful prime, an artist upon the threshold of an auspicious career...at the close of 'Pace non trovo',... — Gramophone Magazine, March 2016 More…

Brownlee doesn't have anything like the deceptive ease of Pavarotti, and he could use something more of Alfredo Kraus's poise and grace; but his considerable technical elegance and attractive... — BBC Music Magazine, September 2013, 4 out of 5 stars More…

Johnson's full, lustrous tone and floating higher notes, decidedly unlike today's typical 'English' tenor, suit this repertoire well. With James Baillieu's strong if unobtrusive support, he sings... — BBC Music Magazine, March 2016, 4 out of 5 stars More…

Pratt's soprano has a very lively, glittering surface...pinpoint flickers of brilliance in Eva Dell'Acqua's 'Villanelle', a confident high E flat in Rossini's 'La fioraia fiorentina'. — Gramophone Magazine, March 2016 More…

Often her first priority with making expressive points is tone. It's hard to blame her because she has so much of it that one could almost mistake her for a mezzo-soprano...When Fauré pares the... — Gramophone Magazine, January 2014 More…

The singer most frequently brought to mind...is Victoria de los Angeles, partly because of the programme but also the vocal qualities on display: the delicacy, lightness and timbre of her soprano,... — International Record Review, June 2013 More…

[Meli is] one of the great tenor hopes of his generation. This is a fresh and lively voice that pings out of the speakers...he essays Britten’s Michelangelo Sonnets and Liszt’s Petrarch Sonnets,... — Opera Now, 4 out of 5 stars More…

Burnside brings out all the colours of Mompou's chromatic ornamentation, overlaying a firmly tonal or modal base, and is particularly adept, as in the Canço de la fira, at elucidating Mompou's... — BBC Music Magazine, June 2015, 4 out of 5 stars More…

never before has a burn come simply from listening to a vocal recital...you can easily see why she shot to fame at Los Angeles Opera...She’s so sultry, dramatic and spine-tingling. Her manner... — The Times, 24th October 2014, 3 out of 5 stars More…