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Phantasm here offers the same flawless playing that has earned its members consistent, well-deserved accolades. Despite the brooding nature of the music, their sound is luminous and tempos are... — More…
Awards:
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Gramophone Magazine, August 2016, Editor's Choice
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Gramophone Awards, 2017, Winner - Early Music
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Building a Library, October 2017, First Choice
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Diapason d’Or de l’Année, 2017, Winner - Musique Ancienne
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True, she sails perilously close to over-sentimentalising the opening Romanza...but Fliter plays with grace and heartfelt sincerity - abetted by some lovely duetting with the SCO's bassoonist... — More…
Awards:
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Gramophone Magazine, March 2014, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Concerto
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Presto Recordings of the Year, Finalist 2014
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Although Kuniko calibrates balances, dynamics, nuances and sonorities with her expected precision, she also creates a genuine sense of repartee between the parts, as if the six original percussionists... — More…
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Berlioz: L'Enfance du Christ, Op. 25
RecommendedVéronique Gens (Marie), Alastair Miles (Herod/Ishmaelite Father), Yann Beuron (Narrator), Stephan Loges (Joseph)
Swedish Radio Symphony Orchestra & Chorus, Robin Ticciati
Beuron, still probably France's finest lyric tenor, a compelling Recitant with open, ardent tones and warm delivery...Miles is a splendidly anguished but restrained Herod and benign Ishmaelite,... — More…
Awards:
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Presto Recording of the Week, 2nd December 2013
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Gilchrist is an impressively rounded advocate. His enunciation is superb, his melodic phrasing is always wonderfully musical; he can be seductive, but at times there's an eloquent astringency... — More…
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Bruckner: Symphonie No. 2 (arr. Anthony Payne)
Royal Academy of Music Soloists Ensemble, Trevor Pinnock
The scale of Bruckner’s symphonic vision and the weight of his musical ideas are certainly preserved, and the performance is indeed persuasive...There are too many sublime moments to pick out... — More…
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Offer,
Philippe Rogier: Music from the Missae Sex His Majestys Sagbutts and Cornetts & Magnificat, Philip Cave
The Council of Trent would have been pleased: with just two voices per part, and with clear diction and articulation from the members of Magnificat, the texts are generally easy to follow. The... — More…
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Kato has an impeccable sense of rhythm and a capacity for concentration — More…
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[Pizarro] brings spaciousness and a fine balancing of inner parts, in chords and counterpoint alike, alongside a freedom and energy very much his own...his formidable technique provides the means... — More…
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