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This is a big voice with a warm Italianate tone and a fitting sense of the legato required for this repertoire. Verismo sobbing is kept to a minimum. Beczala knows exactly how to build the drama... — More…
Awards:
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Presto Recording of the Week, 15th May 2020
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Gramophone Magazine, June 2020, Recording of the Month
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Opera, July 2020, Disc of the Month
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Presto Recordings of the Year, Finalist 2020
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Opus Klassik, 2021, Male Singer of the Year
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Puccini: La fanciulla del West
RecommendedCarol Neblett (Minnie), Plácido Domingo (Dick Johnson), Sherrill Milnes (Jack Rance)
Orchestra of the Royal Opera House & Chorus of the Royal Opera House, Zubin Mehta
Awards:
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Gramophone Awards, 1978, Recording of the Year
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Puccini: Tosca Melody Moore (Tosca), Stefan Pop (Cavaradossi), Lester Lynch (Scarpia), Rundfunk-Sinfonieorchester Berlin, Carlo Montanaro
This is a performance high on drama, as all the best Toscas should be...Exchanges between the characters have a real sense of urgency and psychological tension, as all involved work hard to bring... — More…
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Remembering Tebaldi Melody Moore (soprano), Transylvania State Philharmonic Orchestra, Lawrence Foster
Does Moore sound like Tebaldi? Not exactly: a track-by-track comparison reveals subtle differences in timbre and interpretation. But this is an act of homage, not impersonation, and Tebaldi’s... — More…
Awards:
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Puccini: Il Tabarro Melody Moore (Giorgetta), Brian Jagde (Luigi), Lester Lynch (Michele), MDR Leipzig Radio Choir, Dresdner Philharmonie, Marek Janowski
In this studio recording, the three central roles go well together, though without being strikingly individual...in their best moments both Moore and Jagde find the expansiveness to allow Puccini’s... — More…
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Puccini: Madama Butterfly Melody Moore (Butterfly), Stefano Secco (Pinkerton), Elisabeth Kulman (Suzuki), Lester Lynch (Sharpless), Coro & Orquestra Gulbenkian, Lawrence Foster
In this new recording, the opera’s symphonic quality is emphasised to the max by conductor Lawrence Foster. Much of the orchestral playing, flatteringly recorded, is voluptuous – shimmeringly... — More…
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Miah Persson - Sempre libera
Miah Persson (soprano), Katarina Karnéus (mezzo), Andrew Staples (tenor)
Sveriges Radios Symfoniorkester, Daniel Harding
Popular though they are, the choice of items and their sequence in this recital are refreshingly unhackneyed, more than just a hit list of vocal display items...Persson's is, as always, a voice... — More…
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Lieder und Arien aus Dresden
Claus Temps (baritone), Ira Maria Witoschynskyj (piano), Risako Kurosawa (soprano), Martin Nagy (tenor)
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Silver Voice Opera Arias played by Flute and Orchestra
Katherine Bryan (flute)
Orchestra of Opera North, Bramwell Tovey
Bryan’s tone is powerful and well focused…Chandos’s sound is excellent, as one would expect, giving Bryan a bit of a helping hand in the balance, but this is something strictly for flute fans. — More…
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