SACDs - Berlioz |
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See Terms & Conditions for p&p rates. | |  | Berlioz: Les nuits d’été
Robin Ticciati cements his reputation as an outstanding Berliozian with his latest recording, ‘Berlioz: Les nuits d’été’, which includes excerpts from Roméo & Juliette and La Mort de Cléopâtre. A pupil of Sir Simon Rattle and the great Berliozian Sir Colin Davis, Robin’s reputation as one of this generation's best conductors was assured when he was announced as the next music director of Glyndebourne, taking over from Vladimir Jurowski in 2014. Named one of the top ten young ‘conductors on the verge of greatness' by Gramophone Magazine, Robin delivers fresh insights and vivid colours into this luminous work. The recording features Kathleen Ferrier prize-winning mezzo-soprano Karen Cargill, who has sung at the Metropolitan Opera, New York and won acclaim as Cleopatra, a role she reprises here: ‘...the core of this stunning concert was a shattering, heart-rending performance by Cargill in awesome voice.’ (The Herald) The works of Berlioz have featured prominently in Ticciati’s programmes with the Scottish Chamber Orchestra since he became their principal conductor in 2009. Ticciati’s recording debut, ‘Berlioz: Symphonie Fantastique’, received rave reviews: it was named Critics' Choice 'Sound of 2012' (The Independent), 'Classical CD of the Week' (The Sunday Times), 'Disc of the Week' (BBC Radio 3 'CD Review') and No. 3 in The Sunday Times’ Best Classical Albums of 2012 list. The Scottish Chamber Orchestra is internationally recognised as one of the finest chamber orchestras in the world with a multi award-winning catalogue of recordings under Robin Ticciati, Sir Charles Mackerras, Alexander Janiczek and Joseph Swensen. “[Cargill] has a remarkably beautiful voice, full of sunny delicacy and warmth but also capable of Wagnerian dramatics...Ticciati's chamber forces do make a difference from the sound we're used to, without disturbing any essential balances. Against them, the brass especially, the voice sounds more at ease and more flexible...the players in turn underpin Cargill's performance with more precise shading” BBC Music Magazine, May 2013 ***** “With his second release for the Glasgow-based label Linn, Ticciati could do for the Scottish mezzo what Barbirolli did for the young Janet Baker in the 1960s. Cargill’s tone is plusher, but Baker is clearly one of her exemplars...her Nuits d’été and Cleopatra suggest a Trojans Dido of stature in the making.” Sunday Times, 28th April 2013 “the virtues that lit up [Ticciati's] Fantastique remain: piercing clarity of colour and texture; heightened drama; increased tenderness and intimacy...This is Berlioz up close and personal, and wonderful to behold. It’s Berlioz performed with love, too...Dark, mobile, richly emotional, [Cargill's] voice finds a near-perfect showcase” The Times, 3rd May 2013 **** “[Cargill's] account of Les Nuits d'Été, wonderfully controlled and exquisitely shaded, seems to me one of the finest to appear on disc in recent years. Her performance of the Cleopatra cantata is equally subtle and meticulous...There and in Nuits d'Été, Ticciati defines the accompanying detail immaculately” The Guardian, 3rd May 2013 ***** “Ticciati’s grasp of the music’s romantic bloom is one of this disc’s attractions” Financial Times, 11th May 2013 “One of the striking facets of Ticciati's conducting and the SCO's playing in Les nuits d'ete is the clarity and details that spring from the score...The SCO's collaboration with the mezzo-soprano Karen Cargill is also an entirely felicitous one... This is a performance of Les nuits d'ete that is all of a piece” Gramophone Magazine, June 2013 “Cargill wraps her sumptuous voice around the curves of Berlioz's song cycle in a performance of extraordinary musical delicacy, poetic sensitivity and emotional range.” The Independent, 25th May 2013 ***** | 
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| |  | Berlioz: Overtures
The Bergen Philharmonic Orchestra under Sir Andrew Davis here perform seven dazzling orchestral overtures by Hector Berlioz, a composer who excelled in blending literary and musical elements into highly energetic and personal creations. The overtures are widely varied in mood, as are the operas from which they were drawn. Berlioz wrote his first large-scale instrumental composition, the Overture to Les Francs-juges, in 1826, the year in which he enrolled at the Paris Conservatoire. Even though the opera itself was never performed, Berlioz remained proudly affectionate of the overture, which was played all over Germany and Holland in its early days. His second opera, Benvenuto Cellini, followed in 1838; its music gave rise both to the opera’s overture and to the concert overture Le Carnaval romain which depicts its subject in brilliant colour through breathtakingly vibrant orchestration. The comic opera Béatrice et Bénédict took its inspiration from Shakespeare’s Much Ado about Nothing. The overture draws on an intense solo scene for Béatrice and adds elements of the cheerful banter that make up the story of the title characters’ playful courtship. When Berlioz visited the Hungarian capital Pest in 1846, it was suggested to him that one way of winning the hearts of the audiences there would be to make an arrangement of the beloved Rákóczy March, which up until that point had been known only as a piano piece. Berlioz agreed, and on the very night before he left for Pest, he put together his own orchestral version of the piece. It was a resounding success when performed at his first concert, to the extent that Berlioz promptly included it in the large work on which he was working at the time: La Damnation de Faust. Le Roi Lear, Le Corsaire, and Waverley have one thing in common: all are independent concert pieces that have been given the title overture as in many respects they do resemble opera overtures – but none is in actual fact connected to an opera. The composer here took his inspiration from literary works. Le Roi Lear, for instance, is a remarkable tone portrait of Shakespeare’s deranged king, full of energy and anger, while Le Corsaire may be loosely based on Byron’s The Corsair. Berlioz based Waverley on a novel of the same name by Sir Walter Scott, and the score bears a quotation in English: ‘Dreams of love and Lady’s charms, give place to honour and to arms.’ The contrast expressed so well in this simple quotation is equally evident in the music itself. Here the ‘dreams of love’ unfold in a long cello melody, which is repeated with richer orchestrations, before leading into the vigorous musical depiction of ‘honour and arms’. “Sir Andrew’s account of Le Carnaval romain is excellent. The memorable cor anglais solo near the start is nicely paced...the Bergen reading catches the colourful brilliance of the carnival itself in a dashing display...Benvenuto Cellini is another conspicuous success...the lyrical music is very winningly done in Bergen while there’s all the sweep and brilliance you could wish for later on in the overture” MusicWeb International, March 2013 “the playing here is satisfyingly mellow and vibrant, with warm strings and sturdy woodwind, yet also refreshing and translucent. This is aided by Andrew Davis's tempos fairly spacious and unforced but never slack, and now and then sizzling...there's no shortage of swashbuckle in Le corsaire and Benvenuto Cellini” BBC Music Magazine, April 2013 **** “Until now the collection to have of these remarkable works was by the Staatskapelle Dresden under Colin Davis...these thrilling new performances by Sir Andrew Davis and the excellent Bergen Philharmonic tend to trump the earlier issue, not least for the superb SACD quality.” Gramophone Magazine, May 2013 |
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| |  | Berlioz: Symphonie Fantastique & Nuits d'été
In 1831 Berlioz extended modern orchestral art with this 'Symphonie Fantastique' which served as a programme model for Mahler and Wagner and later for Debussy's 'La Mer'. Of the 118 recordings since 1930 the models which inspire most are still those of Pierre Monteux and Charles Munch (pace Jean Roy). The American soprano Eleonor Steber recorded 'Nuits d'été' in 1953 with the blazing support of Mitropoulos and the New York Philharmonic, the most possessed and convincing version of this masterpiece ever played. 1953 Columbia US [Op. 7], October 1958 [Op. 14] “Steber’s 1953 Nuits d’été remains the finest account on disc. No other singer, not even Crespin, equals her for beauty of tone and phrasing, seamless legato and interpretative insight...Monteux’s Fantastique is, as one would expect from this great French Berliozian, well worth reissuing. But please, Praga, give us Steber complete.” Sunday Times, 10th February 2013 |
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The multi-award winning Scottish Chamber Orchestra marks its debut recording under the direction of Principal Conductor Robin Ticciati with the majestic Symphonie Fantastique by Hector Berlioz. Named one of the top ten young ‘conductors on the verge of greatness’ by Gramophone Magazine, Robin is the perfect conductor to bring out the deep colours and emotions of this composition while balancing the orchestra and keeping the pace to create an impressive and dynamic sound throughout. With this recording Robin aimed to offer audiences ‘a thought-provoking and new way of listening to the piece.’ Symphonie Fantastique continues to be one of the most popular early Romantic compositions with today’s audiences. Robin Ticciati took up the position of Principal Conductor with the SCO from the 2009/10 season and opened the 2011/12 season with a blistering Berlioz programme hailed by the critics as ‘compelling’. Since then his profile has continued to build; in 2011 he was voted one of 'Tomorrow's Icons' by Gramophone and was announced as the next music director of Glyndebourne, taking over from Vladimir Jurowski in 2014. ‘Symphonie Fantastique’ is the first in a series of Berlioz recordings undertaken by the SCO and Ticciati: a recording of Nuits d’été and the Death of Cleopatra are planned for 2012.) The Scottish Chamber Orchestra is internationally recognised as one of the finest chamber orchestras in the world. The Orchestra has a large international fan base following recent performances in Spain, Belgium, Germany, Austria, Switzerland, Spain, the USA, Portugal and the Netherlands. “this Fantastique is remarkable for its fresh insights...The opening Rêveries — Passions is especially dreamlike, impressionistic almost...while the nightmarish sounds of the Witches’ Sabbath emerge in the most vivid colours thanks to the clarity of the string sound and the squealing high woodwinds...Fantastique!” Sunday Times, 1st April 2012 “Few previous recordings of the Symphonie Fantastique will have used such a modest string section, but the transparency and lightness of touch Ticciati achieves is a real bonus...The overture to the opera Beatrice and Benedict, full of wonderful string interplay and characterful woodwind, makes a charming fill-up.” The Guardian, 5th April 2012 **** “Berlioz’s scoring comes across with remarkable clarity, its textures translucent, its individual timbres well characterised, its mixes subtly variegated. The SCO also has the capability of full, rounded sonorities and explosive thrills when the occasion demands...Ticciati draws on these elements with both discretion and vitality, placing them within a thoughtfully chosen spectrum of colour and within an interpretation that is conceived cohesively” The Telegraph, 12th April 2012 ***** “Berlioz’s Symphonie fantastique is delivered with a febrile, knife-edge energy. The sound is taut, lean; the tempos not sluggish, yet there’s time for nuance and colour. Only in the last movements, the March to the Scaffold and Witches’ Sabbath, is his approach too reticent and English. Highly impressive overall.” The Times, 14th April 2012 “We hear transparent textures, a sinewy sound, a fleetness of rhythm and melodic expression – reminding us that the orchestral apparatus Berlioz inherited was simpler than the one he bequeathed. Ticciati has assumed Colin Davis’s mantle in this music, giving it a natural pulse and dramatic shape.” Financial Times, 14th April 2012 *** “The clarity, coordination and spectrum of colour in the orchestra are spot-on for Berlioz. The ear can thus readily appreciate the individuality of Berlioz's scoring. This is altogether a performance that has been thought through as an organic entity, a broad, vivid tableau in which images are sharply focused.” Gramophone Magazine, May 2012 “the SCO remains one of the world's great chamber ensembles, with precision playing and clear, detailed articulation few can equal. Ticciati exploits this to create an almost cerebral, un-hallucinatory reading...What's lost in rich textures is regained in clarity and atmosphere...The orgiastic 'Witches Sabbath' feels a little delicate at first, but gathers febrile force in the finale.” BBC Music Magazine, June 2012 ***** “This is a very worthwhile addition to the vast discography of the Symphonie fantastique...Brass are crisp, bright but never overbearing, and the SCO woodwind are consistently impressive, both individually and collectively. The second reason to explore this disc is Robin Ticciati's conducting...it's unquestionably an impressive debut.” International Record Review, May 2012 “Ticciati’s version hits the spot. Horns snarl, bassoons strut, drums pound and the trombones are suitably leery. In a work usually played by over-upholstered big bands, the Scottish Chamber Orchestra’s leaner, crisper sound is a breath of fresh air...Highly impressive stuff, and the wonderful Julio de Diego painting on the sleeve adds to the fun.” The Arts Desk, 18th August 2012 “The sharp-focus clarity and litheness of this relatively small-scale account will come as a surprise to most listeners...but Ticciati's approach reaps great dividends.” bbc.co.uk, 21st September 2012 “For me Ticciati’s vision and the playing of his orchestra succeed on every front...Ticciati combines modern instruments with period style and brings out the best of both worlds. This is a version that will blow off the cobwebs for someone who knows the work already and wants to explore something different” MusicWeb International, June 2012 “Ticciati indicates that he will be as dynamic a Berliozian as his mentor, Colin Davis.” Sunday Times, 9th December 2012 | | | (also available to download from $11.00) | In stock - usually despatched within 1 working day. |
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| |  | Berlioz: Symphonie Fantastique
In a very short time, Yannick Nézet-Séguin has become one of the most sought-after young conductors in the world, popular with orchestras and audiences alike. Recently named as Music Director Designate of the Philadelphia Orchestra, he succeeded Valery Gergiev as Music Director of the Rotterdam Philharmonic Orchestra in 2008. He is also Chief Guest Conductor of the London Philharmonic Orchestra. For the first of four projected discs with BIS, Nézet-Séguin and his Rotterdam players have recorded Hector Berlioz’ masterpiece Symphonie fantastique, in a full-blooded and luxurious performance which at the same time respects the work’s classical proportions The work is here followed by the ‘lyrical scene’ Cléopâtre (often referred to as La Mort de Cléopâtre), composed shortly before as Berlioz’ entry in the competition for the prestigious Prix de Rome. Performing the part of Cleopatra is the electrifying soprano Anna Caterina Antonacci in one of her rare appearances on disc. "He [Yannick Nézet-Séguin] makes the Rotterdam Orchestra sound word-class.” The Times “one hears that what Nézet-Séguin offers (aided by a superlatively airy, open, yet richly resonant recording) is the orchestral equivalent of a Peter Hall staging - with a focus entirely on the text itself, not its extra-musical 'narrative', and with no whipped-up histrionics, just apt tempos and pinpoint placing of each note and accent.” BBC Music Magazine, May 2011 *** “You'll hear things here all too routinely buried by others. Anna Caterina Antonacci's vocal heft and dramatic instincts help unlock the anguish of Cléopâtre in the symphony's ideal companion piece....First-rate surround sound adds to this recording's lasting appeal.” Classic FM Magazine, May 2011 ***** “[an] expressive, operatic reading of the Fantastique...He's not afraid of violence, noise or audience-rousing codas - try the end of the first movement or the sweep of the ball...The fill-up is gorgeous enough to make purchase obligatory.” Gramophone Magazine, May 2011 “his Fantastique is wonderful...the best of it is almost mind-bending in its hallucinatory vividness – the last two movements have rarely sounded more weird – and the whole thing captures the sense of self-dramatising Romantic shamelessness that lurks behind it. Ultimately, then, a very fine performance.” The Guardian, 7th April 2011 **** “This a strong, clean-cut performance of the Symphonie fantastique...blessed with lucid playing that mirrors the translucency of Berlioz’s scoring. Yannick Nézet-Séguin conducts with rhythmic punch and, in the Scène aux champs, has the measure of the rustic tranquillity...Antonacci sings with thrilling intensity.” The Telegraph, 25th February 2011 **** | | | (also available to download from $11.00) | In stock - usually despatched within 1 working day. |
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ComposersAa Aagaard-Nilsen Abe, Keiko Acosta Acuña Adamek Adams, J Adams, S Aho Aiblinger Alain Albéniz Albert, E Albicastro Albinoni Albrechtsberger, J G Alfvén Alkan Allegri Allende-Blin Alvarez, R D Alyabyev Amargos Amner Amper Andia André Anerio, G F anon. Aperghis Apostel Aquino Araujo, J de Arauxo Arbeau Arensky Argento Arnaud Arndt Arne Arnold Arolas Arutiunian Assad, C Astorga Atterberg Auerbach Avison Baadsvik, A Baadsvik, Ø Babell Bacewicz Bach, C P E Bach, H Bach, J B Bach, J C Bach, J C F Bach, J C'ph Bach, J Ludwig Bach, J M I Bach, J S Bach, W F Badajoz Badings Balakirev Balay Balbi Ballard Banasik Bantock Barbarino Barber, S Bardi, A Barlow, K Barrett, N Barrière, J Bartók Bartolotti Bassani, F Bassani, G B Bassani, O Bassano, G Batchelar Bauersachs Bax Beach Beamish Beck, F I Becker, A Becker, G Bedford, L Bedrossian Beethoven Beintus Bellinati Bellini Bellstedt Belmont Belmonte Ben Ben-Haim Benda, G Benevoli Bennet Bennett, R R Berberian Berezovsky Berg Bergman, E Berio Berkeley, L Berkeley, M Berlioz Bernat Bernstein Bertali Berwald Biber Biebl Binchois Bishop, H R Bitsch Bizet Blarr Bliss Bloch, E Blumer Boccherini Body Boeck, F Boellmann Boesset Bohlin Böhm, G Böhme Boieldieu Bolcom Bonizzi Bonnet Bonporti Borcht Borg, O Borne Borodin Bortnyansky Börtz Bosanko Bosmans Botma Bottesini Boulanger, L Boulez Bourgeois, D Boutmy Bouzignac Boyd Bozza Brackett, J Bradbury Brade Brahms Brandt, V Brassin Bredero Brentner Briccialdi Briceño Bridge Britten Broström Broughton Brouwer, L Browne, J Bruch Bruckner Bruhns Brumel, A Brunckhorst Bruun Bryars Buche Buchner, H Buene Bull, O Burian Burkhard Burton, J Busoni Busto Butterworth, G Buxtehude Byrd Byrnes Cabanilles Cabezón, A Cabezón, H Caccini, G Cage Caldini Camphuysen Campion Camus, S Canova da Milano Caplet Carey, C Carissimi Carmichael, H Caroso Carpenter, C Carrara Carreno, I Cartellieri Carter, E Carulli Casella Cassidy Castagnoli Castello Castelnuovo-Tedesco Castérède Castro, Juan de Catoire Cavalli Ceballos Cendo Certon Ceuleers Chabrier Chailleux Chaminade Chaoketu Siqin Chaplin, C Charlier Charpentier, M-A Chausson Chavarria Cheetham, J Chen Yi Cherubini Chesky Chesnokov Chiti Chopin Churchill Ciaia Cilea Cimarosa Clanché Clarke, H L Clarke, Rebecca Classen Clausen, R Clemens Clementi Clerch Coates, E Codax Code Comes, J B Connesson Constant, M Coornhert Copland Corbett, S Corbetta Corea Corelli Corigliano Corkine Cornago Cornysh the elder Cornyshe Correa, H Corteccia Couperin, A-L Couperin, F Couperin, L Coward, L Cowell Cramer, J B Crecquillon Crijns Croce Croes Croft Crumb Crusell Cutting Czernowin Czerny Dalbavie Dalza Damase Damrosch Danyel Daquin Dargomïzhsky Darke Darwall Daugherty Daverson David, Ferdinand Davidov Davidovsky, M Davies, H Davies, Maxwell Davies, Walford | Davis, C Dean, B Debussy Dediu Defaye Delibes Delius Demessieux Demus Deng Yu-Hsien Denhoff Denisov Denza Desenclos Desmarest Despres Destouches, F S Deutsch, B R Devienne Diamond Didkovsky Dietholm Dieupart Dillen Dillon, J Dinicu Distler, H Dittersdorf Dlugoraj Dobrogosz Dohmen Dohnányi Dominique, C-A Donizetti Donjon Doráti Dowland Dresden Driessler Drouet, L Düben, A Düben, G Düben, M Dubois, T Dubugnon Dufay Dukas Dunne Dünser Duparc Duport Dupré Duron Duruflé Dussek, J L Dutilleux Dvorak Dykes Dzon Eben Eberlin Eberwein, C Ebner Ebreo da Pesaro Eccard Edwards, Ross Egge Eggert Elgar Eliasson Ellington Encina Enescu Engström Enrique Eötvös Erich, D Ericsson, H-O Eriksson, John Ernst, H W Erod Erskine Escher Escobar Estévez Ewald Eybler Eyck Facco Fage, J Fagerlund Falconieri Falla Farnaby, G Farrenc Fauré Favara Federico Feld Feldman Feng Zi Cun Fernández, H Fernandez, O L Ferneyhough Fernie Ferrabosco, A I Ferrabosco, A II Ferrari, Luc Ferroud Festa, C Fibich Figueredo Filiberto Finger Finnissy Finzi Fischer, J K F Fiser Fitkin Flammer Flecha I Fletcher, A Fockenbroch Foerster Fondse Fontana, G B Fontyn Foote Förster, K Foscarini Foss Foulds Françaix Francescatti Franck, C Franck, E Franck, M Franck, R Frank, S French, W P Frescobaldi Fresedo Fritz Froberger Froom Fröst, G Fröst, M Fryklöf Fuentes Führer Fukushima Fulkerson Furrer Furstenau Gabrieli, G Gade, J Gade, N Gál Galilei, M Galíndez Galuppi Gandolfi Gang Chen Gardel Gardner, Johann von Gardner, John Gardner, Stephen Gariboldi Garner, D Gastaldon Gaubert Gaultier, E Gaultier, J Ge Gan-Ru Gedizlioğlu Gees Geijer Geist, C Geminiani Gemrot Genzmer German Gershwin Gervaise Gesualdo Getty Ghiselin Ghizeghem Gibbons, C Gibbons, O Gigout Gilkyson, E Gillespie, D Giordano, U Giorgi Gismonti Giuliani Gjeilo Glanert Glanzberg Glass, P Glazunov Glière Glinka Globokar Gluck Godard, B Goedicke Goens Goldmark Goldsmith Goller Gombert Goodman, P Goorhuis Goossens Gorecki Gould, M Gounod Graaf, C E Graham, P Grainger Granados Grandi Grantham Graun, C H Graupner Grechaninov Green, G H Gregorian Chant Grieg Grosz Groven, E Gruber, F Gruber, HK Grünberger Grunelius Gruytters Gu Guanren Guan Xia Guarnieri, C Gubaidulina Gudmundsen-Holmgreen Guédron Guerrero Guerrero, P Guido, G A Guilmant Guo Wenjing Gurney Haan Haas, G F Haas, P Hába Haddad, S Hadjiev Hagen, L P Hahn, R Hake Hakim Halévy Halffter, E Halvorsen Hamerik, A Hamers Hammerschmidt Handel Handl Hanff Hanson, H Harris, M Harris, Roy Harris, W Harrison, L Hartmann, John Hartmann, K Hartmann, W E Z Harvey, R Hasse, N Hassler, H L Hauer Haug Hausegger Haydn Haydn, M Heaton Heggie Heiniö Hekking Helmont Henderickx Heneghan Henryson Henze Heredia Herkenhoff Hérold Herrmann, A Herrmann, B Hertel, J C Hertel, J W Hervelois Herz Hessen Hessenberg Heuberger Higdon | Hildegard Hill, J Hillborg Hiltzik Hindemith Hindmarsh Hintz Hoch Hoffmann, H A Hoffmeister Hofmann, H Högberg Höhne Holborne Holdar Holliger Holmboe Holmen Holst Hölszky Homilius Honegger Hooft Hopkins, J H Horneman, C F E Horovitz Hosokawa Hotman Hough Hout Hovhaness Howells Hsu Zhen Ming Hu Xiao Ou Hua Yan Jun Huang Yijun Hubay Huber, K Huber, N A Hüe Hufschmidt Hume, T Humfrey Hummel, J Hummel, T Huwet Hvoslef Ibert Idenstam Ignatowicz Imbescheid India Indy Ingenhoven Ippolitov-Ivanov Ireland Iriarte, C Isaac Ives, C Jacob, G Jadin, L Jager Janacek Janequin Jansen Jarzebski Jenkins, J Jersild Jeurissen Jobim Johnson, C Johnson, E Johnson, R Jolivet Jones, Robert Jongen Joubert Jørgenson Judenkönig Juon Jusid Kabalevsky Kagel Kahn, E Kaipainen Kaiser, Leander Kalman Kaminski, H Kapsberger Karg-Elert Karlsson, Leif Kastalsky Katzer Kauderer Keller, C Keller, Matthias Kellner, J C Kengyô, Yatsuhashi Kerll Kern Ketting Keuris Khachaturian Killmayer Kilpinen Kim King, K Kirchner, L Kleiberg Klein, Gideon Klughardt Kneller Kobrich Koch-Raphael Kocsis Kodály Koechlin Köhler, Emmy Kohler, Ernesto Komitas Kompaneysky Komulainen Koppel, A Korngold Korpijaakko Koschat Kotter Kraayenhof Krahmer Kraus Krebs, J L Kreek Kreisler Krieger, E Krieger, J P Krisse Krol Krommer Küffner Kuhlau Kuhnau Kuhr Kummer, K Kurtág Kuula Lachenmann Lachner, F Lalo Lama, J Lambert, F Lambert, M Lang, B Lang, D Lange-Müller Lange, W R Langgaard, R Langlais Lanier Lara, Ana Larsen, G Lasso Lauber Lauermann Laufer Laurenz Lauridsen Lauro Lavry Lawes, H Lawes, W Lawson, I Lazic Lebrun, L Lecuona Ledger Lefebure-Wely Legrand Lehár Leifs Leighton Lemmens León Leoncavallo Leopold I Levitzki Levy, A Leyding Lhéritier Liadov Liebermann, L Ligeti Lim Lindberg, C Lindberg, N Lindblad, A F Linde, B Linden Lipaiev Liszt Liu Tianhua Liu Wenjin Lloyd, G Lloyd, John Locatelli Locke Loewe, C Loguin Lohse, M López, Jimmy Lorenzo, L Louvier Lowry, R Lübeck Luigini Lukas Lully Lundgren Luo Nian Yi Luparini Lutoslawski Luzzaschi Lvov, A Lysenko Ma Shui-long Mac Low Machado, M Machaut MacMillan Maderna Madetoja Maessins Mahler Maier, F M Malipiero Manchicourt Mancini, H Manoury Mäntyjärvi Marais, M Marbe Marcello, A Marchand, L Marenzio Marín Marini, B Marsh, R Marshall-Hall Martin y Coll Martin, Eduardo Martin, F Martin, M Martin, V Martinu Marx Mascagni Maslanka Mason, L Massenet Masson Massonneau Mathias Matiegka Matitia Matos Rodriguez Matthews, C Matthus Mauduit Maynard, John Mayseder Mayuzumi Mazzocchi, D McCabe McCartney McDowall McPhee, C Medek Medtner Mena Mendelssohn Mendelssohn, A Mendelssohn, Fanny Mercadante Mercure, P Merikanto, A Meriläinen Merula Merulo Messager Messiaen Miaskovsky Miasnikov Mielczewski Mignone Milán Milhaud Millard Milstein, N Milwid Miroglio Mitchell, J Mitterer Mochizuki Molina, H Molique Molloy Molter Mompou | Monrad Monteverdi Monti, V Moore, C Morales, C Morata Moreno, Y Mores Morhard Morley Morricone, E Mortensen, F E Moscheles Moss, K Moszkowski Moulinié Mouton, J Mozart Mozart, L Muczynski Mudarra Muffat, Georg Müller, M Mumford Murashkin Murcia Murray, A Musgrave Mussorgsky Muthspiel Myslivecek Narvaez Nas Nau Naumann, E Naumann, J G Nebra Blasco Negri, C Nepomuceno Neruda, J B G Ness, J Ø Neunhaber Neuwirth, O Newman, T Newsome Newton, E Nielsen Nielsen, M Nietzsche Nikolsky Niles Ning Bao Sheng Ning Yong Nono Noot Nordheim Nordqvist Novácek, O Novák, V Nørgård Nutile Nyman O'Hogan O'Regan Obukhov Ockeghem Oehring Offenbach Olesen Olofsson, K Olsen, M Olsen, O Olsson Olthuis Oppenheim Orff Orkin Ortiz, D Ospald Otterloo Pachelbel Pacini Padding Paganini Pagh-Paan Palestrina Palmgren Pampani Panufnik, A Pape, A Parabosco Paradis Parra, H Parry Parsons, R Pärt Pascoal Passawar Patterson, P Paulus Paumann Peeters Penaforte Penderecki Pereira, M Pergolesi Perrichon Perrin, J Persichetti Peterson-Berger Petit, P Pettersson Pfitzner Philidor, A Phillips, Richard Piazzólla Picchi Piccinini Pierné, G Pijper Pilkington Pilss Pinel Pintscher Piston Pitsch Pixis Pizzetti Plagge Planel Platti Platz Playford Plaza Podbielski Poglietti Pohjola Ponc Ponce, J Ponce, M Ponchielli Poncio Pons, J L Ponse Poppe Posadas Poston Poulenc Praetorius, H Praetorius, Johann Praetorius, M Praulinš Previn Prichard Prieto, D Priuli Prokofiev Protopopov Puccini Pugliese, O Puhan Wang Pulkkis Purcell Puts Qu Xiang Raasted Rabaud Rabbath Rabin Rachmaninov Radeck, M Raff Raick Rameau Ramos de Pareja Ramsey, R Rands Raphael, G Rasmussen, S Rathgeber Ratkje Rautavaara Ravel Rebel, J-F Rebelo Reda Reger Regondi Reich Reicha, A Reichardt, J F Reimann, A Reincken Reinecke Reiner Reinshagen Reng Tong Xiang Resch Respighi Reubke Revueltas Rheinberger Richter, F X Richter, P Riedel, K Riehm Riera Ries Rietz Rihm Riisager Rimsky Korsakov Ristori Ritter, C Rivier Robinson, C Robinson, E Rocha Vianna Filho Rodgers, R Rodrigo Rofelt Rogier Rojko Roller Roma Roman Romero, Antonio Romero, M Röntgen Ropartz Rorem Rosauro Rosenberg, H Rosenmüller Rosetti Rossi, Luigi Rossi, M Rossini Rota Rouse, C Roussel Roux, G Rox Rozsa Rubinstein Rue, P Rueff Ruffo, V Rui Li Ruiz Ruomei Chen Rutter Saariaho Sachsen-Weimar-Eisenach Saeverud Saint-Preux Saint-Saëns Sainte Colombe the elder Salazar, D Salgán Salieri Salzedo Saman Sametz Sammartini, G Sammartini, G B Sancan Sanderson, W Sandstrøm, J Sandstrøm, S-D Sanford Sanz Sarasate Sarhan Satie Sauguet Saunders, J Saunders, R Savall, J Scarlatti, A Scarlatti, D Scelsi Schäfer, D Scheidemann Scheidt Schein Scheindienst Schiedmayr Schieferdecker Schildt Schimmelpfennig Schimmerling Schiphorst Schlick Schlimé Schlünz Schmelzer Schmidt, F Schmidt, O Schmidt, W Schmidt, Walther Schmitt, F Schmitt, J Schmitt, M Schnebel Schneider, John | Schneider, Stephan Schneider, W Schneller Schnittke Schnitzer Schoenberg Schop Schreker Schubert Schubert, Heino Schul Schulhoff Schuman Schumann Schumann, Clara Schütz Schwantner Schwartz, I Schwindl Sciarrino Scriabin Seifen Sejlund Sermisy Settle Shakhov Sharp Shchedrin Sheng Sheppard, J Shilkret Shostakovich Sibelius Sides Siegl Silva, A Silvestrov Silvmark Simon, F Simpson, C Sinisalo Sitt Skalkottas Skempton Smetana Smith, H B Snekkestad Snoer Söderman Södersten Sojo Sokolov, N Sola, Liu Soler, A Sommer, H Sor Sotelo Soto Sousa Søraas Sørensen, B Speaks Spohr Sporck Staes Stamitz, C Stamitz, J Stanford Stankovych Stanley, J Starter Stebbins Steen-Andersen Steffe Steffens Stenhammar Stephan Sterk Stern, M Sting Stockhausen Stölzel Storace, B Storm Stradal Straus, O Strauss, F Strauss, J, I Strauss, J, II Strauss, R Stravinsky Striggio Stroppa Strungk, D Stucky Sudbin Suk Sullivan, A Suppe Susato Svendsen Swayne Sweelinck Sweeney, E Szarzynski Szervánszky Szymanowski Taffanel Tailleferre Takahashi Takemitsu Talbot, J Tallis Taneyev Tang Biguang Tang Jianping Tang Li Zhong Tann Tansman Tárrega Tartini Tate, J W Tavener Taverner Tchaikovsky Tcherepnin Techelmann Telemann Telonius Tenney Terzi, G A Thalberg Thayer, P Theofanidis Thomalla Thomas, Ambroise Thomas, M T Thommessen Thompson, B Ticheli Tietz Tiomkin Tippett Toduta Tomasi, B Tomasi, H F Tomkins Tordesillas Tormis Torre, F Tosti Tournemire Trabaci trad. Traversa Triana Tsangaris Tubin Tulev Tunder Turina Türk, H P Turnage Turner, K Tveitt Tye Ullmann, V Urrede Ustvolskaya Vähi Valderrabano Valen Valentini, Giovanni Valerius Vallet Vanhal Varèse Vasilenko Vasks Vasquez, J Vaughan Williams Vega Velasco, S Veldhuis Veloso, C Venegas de Henestrosa Veracini Verardi Verbey Verdalle Verdi Vermeeren Vermeulen Verrijt Viardot-Garcia Vicent Victoria Vierne, L Vieuxtemps Villa-Lobos Villoldo Viñao, E Visée Vitali, T Vivaldi Vivanco Viviani Vloeimans Vondel Vorisek Vranický, P Vriend Vries Wade Wagenseil Wagner Wagner, S Wallin Walter, B Walther, J G Walton Wang Hui-Ran Ward, J Warlock Weber Webern Weck Weckmann Weelkes Weill, K Weinberg Weiner, Leó Weingartner Weiss, J S Weiss, S Weyerman Whitacre White, Robert Whitlock Widéen Widerkehr Widmann, J Widor Wieniawski Wiesemann Wikander Willaert Willan Willcocks, D Willering Williams, John Willis, R S Willke Wills, A Wilms Wilson, T Wolf-Ferrari Wolf, E W Wolf, H Wölfl Wood, C Woolf, L P Woud Wronowicz Wu Hua Wylkynson Wyschnegradsky Xenakis Xerés Yaitchkov Yamaguchi Yan Hai Deng Yánez Yang Bao Zhi Yang Qing Yao Hu Yeznikian Yiu-Kwong Chung York Yoshimatsu Youmans Ysaye Yu Xun Fa Yun Yupanqui Yuste Zabel Zacher, G Zappa, Francesco Zarius Zbinden Zelenka Zemlinsky Zender Zhao Jiping Zhao Song-Ting Zhou Long Zhou Wei Ziegler Zimmerman Zimmermann, B A Zimmermann, U Zimmermann, W Zipoli Zivkovic, N J Zorn |
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Gramophone Magazine
