SACDs - Browne, J

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Tune thy Musicke to Thy Hart

Awards:

Gramophone Magazine

Editor's Choice - May 2012

Catalogue No:

HMU807554

Discs:

1

Release date:

6th Feb 2012

Barcode:

0093046755461

Medium:

SACD

Format:

Hybrid Multi-channel
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Tune thy Musicke to Thy Hart

Tudor & Jacobean music for private devotion


Amner:

O ye little flock

A stranger here

Browne, J:

Jesu, mercy, how may this be?

Byrd:

Why do I use my paper, inke and penne?

Campion:

Never weather-beaten sail

Croce:

From profound centre of my heart

Dowland:

I shame at mine unworthiness

Gibbons, O:

See, see, the Word is incarnate

Parsons, R:

In nomine a 4 No. 1

In nomine a 4 No. 2

Ramsey, R:

How are the mighty fallen

Tallis:

Purge me, O Lord

Taverner:

In nomine a 4

Tomkins:

O Praise the Lord, All Ye Heathen

When David Heard


SACD

$17.50

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Stile Antico (joined by Fretwork) explore long-neglected repertory: the wealth of Tudor and Jacobean sacred music written for domestic devotion, rather than for church worship. Culled from collections intended for use in private homes, these pieces by Tomkins, Campion, Byrd, Tallis, Dowland, Gibbons and others, offer a unique insight into the turbulent religious climate of the time and the thriving musical culture at its heart.

Stile Antico is now established as one of the most original and exciting voices in its field. Much in demand in concert, the group performs regularly throughout Europe and North America. Their recordings are the best-sellers on the harmonia mundi label, winning awards including the Diapason d’or de l’année and the Preis der deutschen Schallplattenkritik, and have twice attracted GRAMMY nominations. Their release Song of Songs won the 2009 Gramophone Award for Early Music and reached the top of the US Classical Chart.

Few ensembles can match the breadth of Fretwork’s repertoire, which ranges from the first printed collection published in 1501 in Venice to music commissioned by the group this year. In the 25 years since its debut, Fretwork’s pioneering work has taken its members all over the world. Their consistently high standards have brought music old and new to audiences hitherto unfamiliar with the inspiring sound-world of the viol.

Fretwork’s acclaimed recordings of the classic English viol repertory – Purcell, Gibbons, Lawes, Byrd – have become the benchmark by which other performances are measured. Its arrangements of the music of J. S. Bach have garnered particular praise. Released in 2009, the harmonia mundi recording of Purcell’s Complete Fantazias won the Gramophone Award for Baroque Chamber Music.

playTomkins: O Praise The Lord

playAmner: O Ye Little Flock

playTaverner: In Nomine

playRamsey: How Are The Mighty Fall'n

playTallis: Purge Me, O Lord

playAmner: A Stranger Here

playParsons: In Nomine A4 #1

playBrowne (J): Jesu, Mercy, How May This Be?

playParsons: In Nomine A4 #2

playCroce: From Profound Centre Of My Heart

playDowland: I Shame At My Unworthiness

playCampion: Never Weather-Beaten Sail

playByrd: Why Do I Use My Paper, Ink & Pen?

playTomkins: When David Heard

playGibbons: See, See, The Word Is Incarnate

When David Heard (Thomas Tomkins)

Never Weather-Beaten Sail (Thomas Campion)

The Observer

29th January 2012

“We are, perhaps, in a wood-panelled Elizabethan hall, where in the early 17th century the family of a large house gather for their private prayer. Voices and viols mix in harmony, ranging from the familiar simplicity of Thomas Campion's "Never weather-beaten sail" to the elaborate verse anthem by Orlando Gibbons's "See, see the word is incarnate"...Another triumph”

Sunday Times

12th February 2012

“The beautifully blended voices of Stile Antico give this music with all the intensity that its emotional content merits. But then every work here fairly burns itself on the heart.”

The Telegraph

18th February 2012

*****

“the performances are wonderfully fresh, revelling in the harmonic false relations and affectingly attentive to the import of the words.”

BBC Music Magazine

April 2012

****

“a varied treasure trove of seldom heard but extremely affecting music, nicely sung and spliced together with some darkly-glittering string In Nomines played by Fretwork...[They] easily persuade us that there is such a thing as beautiful simplicity.”

Gramophone Magazine

May 2012

“Stile Antico's sleek tuning and supple attention to words, and the studio recording, intimate but not claustrophobic, do bring a carefully plotted span (over 120 years) of sacred styles into our listening rooms with rare success.”

Irish Times

20th April 2012

*****

“another winner from the 12-voice ensemble Stile Antico... The two pieces by Thomas Tomkins, O praise the Lord and When David heard, epitomise the expressive richness of the style. But the simplicity of Campion’s Never weather-beaten sail is also gorgeous, and there’s an unexpected rocking figure, John Browne’s much earlier Jesu, mercy, how may this be?, that becomes a real earworm. The contributions of the viol consort Fretwork are equally fine”

Classical Music

2nd June 2012

****

“The group's singing is, as ever, breathtakingly beautiful”

Click on any of the works listed above for alternative recordings.

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