SACDs - Elgar

The Starlight Express was adapted from a book by Algernon Blackwood, A Prisoner in Fairyland, for a theatre production in the West End during the First World War, with music by Sir Edward Elgar. Combining the usually contrasting elements of fairytale and melodrama, The Starlight Express depicts the fantasy world inhabited by a group of children, who possess a magical ‘starlight’ quality that has been lost by the adults around them. This is the most comprehensive recorded version of The Starlight Express to date, based on a new score prepared by the Elgar Edition, which has been adapted by the conductor Sir Andrew Davis.

Our recording includes, in place of the play, a detailed account of the story, penned by the conductor Sir Andrew Davis better to reflect the original book and our pattern of speech today. ‘All the music, excepting the songs and interludes, was designed as melodrama, and in some cases it is meaningless on its own’, explains Sir Andrew, continuing: ‘I have therefore taken the bold step of writing a narrative which is based partly on the play and partly on ‘A Prisoner in Fairyland’.

Our narrator is the actor Simon Callow, known to an international audience for his roles in films such as Four Weddings and a Funeral and Shakespeare in Love. Callow was delighted to be approached, as he already knows and loves this music, having delivered the narrative in a specially recorded concert performance of the incidental music, broadcast on BBC Radio 3 in 2007. The incidental music, complete with melodramatic passages which work in conjunction with the narrative, occupies all of Disc 1 and continues onto Disc 2. Then we have an extended suite of freestanding orchestral movements and songs.

As a bonus, we have included three songs which link directly to this work. When a staged version of Blackwood’s book was first proposed, in 1914, another young composer, Clive Carey, was commissioned to compose the incidental music; but the outbreak of war forced the cancellation of the original production. When the plans were next revived, Elgar was approached, and he enthusiastically completed the score. However, Clive Carey had already composed three songs, but they were never included in the final production. They have been orchestrated by Sir Andrew Davis for this recording, and are heard here for the very first time.

Our recording of The Starlight Express is performed by the Scottish Chamber Orchestra under Sir Andrew Davis with two internationally acclaimed soloists: the soprano Elin Manahan Thomas and baritone Roderick Williams.

The long-awaited and much anticipated recording by Tasmin Little of Elgar’s Violin Concerto will be released this November, 100 years after the work’s first performance. In concert Tasmin Little is closely associated with this concerto, having celebrated the 150th anniversary of the birth of Sir Edward Elgar with performances of it on a major tour to Southeast Asia and Australia in 2007; she has also performed the concerto extensively in London: at the BBC Proms in the Royal Albert Hall, with the BBC Symphony Orchestra at the Barbican, and with the Philharmonia Orchestra in the Royal Festival Hall. What makes this recording especially interesting is that she has included the cadenza used in the work’s first recording, made in 1916 with Marie Hall. For that occasion, Elgar, amongst other things, added harps to counter the sonic limitations of the acoustic recording process. For those used to hearing the standard version, also included, the result makes for fascinating listening, and the recording will prove a valuable addition to the Elgar discography. The 1916 version of the cadenza has been tracked separately.

Tasmin Little: ‘I have waited a long time to record the Elgar Concerto, a work that I have been playing for twenty years and one which is so close to my heart. In the inspirational Andrew Davis and the RSNO’s commitment, I found exactly the right partnership for this monumental work.’

The Violin Concerto is complemented by another piece for violin and orchestra, the charming Interlude from The Crown of India, as well as the rarely recorded but imposing Polonia, an inventive and colourful work incorporating much Polish melodic material. This was commissioned by the Polish conductor Emil Młynarski in 1915 and dedicated to Ignacy Jan Paderewski, the pianist-composer and, later, Prime Minister of Poland.

Since coming to prominence as a finalist in the string section of the 1982 BBC Young Musician of the Year competition, Tasmin Little has enjoyed an international career, making more than twenty recordings. Highly imaginative in her approach to classical music, she received the 2008 Classic FM / Gramophone Award for Audience Innovation in London for the project ‘The Naked Violin’. Whilst she has made superb recordings of the great popular violin concertos, including those by Bruch, Brahms, and Sibelius, she has made a speciality of recording and performing less familiar repertoire, especially neglected British works. On Chandos, she has released a recording of Finzi’s Violin Concerto to tremendous critical acclaim (CHAN9888).

Sir Andrew Davis is famous for his performances of British music in general, and of the music of Elgar in particular. Last year he had great success with the premiere recording of Elgar’s The Crown of India on Chandos (CHAN10570(2)). Chandos also has a long association with the Royal Scottish National Orchestra. Over the last thirty years the label, in partnership with the RSNO, has produced a string of award winning CDs, notable among much else for their sound quality. This new CD, recorded in five-channel surround sound, continues that tradition.