SACDs - Gounod

A calendar filled with orchestral concerts and chamber recitals in many of the world’s most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres.

These aspects of his artistry are both demonstrated on this constantly engaging disc, which includes immortal gems such as Rachmaninov’s Vocalise and Kreisler’s Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplin’s Smile and the klezmer traditional Let’s Be Happy.

Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Monti’s Csárdás. Three other musical companions of Fröst’s make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif Thedéen’s cello sings a heartfelt Ave Maria while Svante Henryson, also a cellist, plays in his own duo piece Off Pist.

“His virtuosity lies in his exceptional dexterity and agility…and in his daring control of the instrument’s dynamic and expressive extremes.” The Times

This new Hybrid SACD recording features four members of the internationally renowned Afflatus (Wind) Quintet performing music by several French composers including Ibert, Bozza, Debussy, Gounod, Tomas, and Françaix. Afflatus Quartet derives from Afflatus (Wind) Quintet, the winner of one of the most prestigious chamber music competitions in the world, the International Music Competition of the ARD Munich 1997. With Radek Baborak, the world famous horn player and Afflatus member taking a "vacation" from the ensemble, the four remaining members, each of which is an active soloist throughout Europe and especially in Czech Republic, have produced an album of music by 20th century French composers. The disc includes Ibert’s ‘The Little White Donkey’, Deux Mouvements, and Cinq Pièces en Trio; Bozza’s Sonatine, and Trois Pièces pour une Musique de Nuit; Debussy’s ‘Golliwog’s Cakewalk’, and ‘The Little Shepherd’; Gounod’s ‘Funeral March of a Marionette, Tomasi’s Concert Champêtre; and Françaix’s Quartet for Wind Instruments.

The Swedish baritone Peter Mattei has made a formidable reputation for himself performing at the most prestigious opera houses in the world including the Metropolitan, Teatro alla Scala and Covent Garden.

In the recording studio he is, however, a more rarely seen guest. On this his first and long-awaited disc of arias, he revels in the rich opportunities offered by the baritone literature, performing a selection of his favourite arias and roles. Lovelorn young men and cynical libertines, friends faithful unto death and innocent victims of oppression.

All of these are brought to life as one of today’s finest operatic baritones displays his entire range with the eminent support of the Royal Stockholm Philharmonic Orchestra and Lawrence Renes on the podium.