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“Trumpet Masque” sees renowned trumpeter Jonathan Freeman-Attwood explore his passion for expanding the instrument’s limited chamber repertoire by imaginatively arranging Baroque works previously scored for alternative forces.
In “Trumpet Masque”, Jonathan Freeman-Attwood and Daniel-Ben Pienaar take a radical new look at the 17th century with a compelling vision of repertoire historically far-removed from the traditional contexts of both trumpet and piano.
Through wonderfully vibrant programming and arrangements, this invigorating and warm-hearted chamber duo present music from Dowland to Purcell in an energetic, innovative and 21st century fashion.
The aim of this recording is to open our ears to a period of unequalled variety, colour, regional diversity and expressive freedom: the Venetian world of Gabrieli, the great pre-Bach North German lineage of Buxtehude, Jacobean dances and songs and the great G major sonata from Muffat’s ‘Armonico Tributo’ with its virtuoso and valedictory passacaglia, which appropriately ends the disc.
Louis Marchand: Pieces d'orgue Book 3 (arr. D.B. Pienaar for trumpet and piano)
Pieces d'orgue Book 3: Grand Dialogue du 5e Ton (arr. D.B. Pienaar for trumpet and piano)
Francois Couperin: Chromhorne sur la Taille (arr. D.B. Pienaar for trumpet and piano)
Chromhorne sur la Taille (arr. D.B. Pienaar for trumpet and piano)
Giovanni Gabrieli: Canzon seconda (arr. D.B. Pienaar for trumpet and piano)
Canzon seconda (arr. D.B. Pienaar for trumpet and piano)
Juan Cabanilles: Tiento XVII de Pange lingua, quinto tono punto alto (arr. D.B. Pienaar for trumpet and piano)
Tiento XVII de Pange lingua, quinto tono punto alto (arr. D.B. Pienaar for trumpet and piano)
Francisco Correa de Arauxo: Libro de tientos y discursos de musica practica, y theorica de organo (arr. D.B. Pienaar for trumpet and piano)
Libro de tientos y discursos de musica practica, y theorica de organo: No. 36. Tiento de medio registro (arr. D.B. Pienaar for trumpet and piano)
Heinrich Schutz: Kleine geistliche Concerte, Op. 8, SWV 282-305 (arr. D.B. Pienaar for trumpet and piano)
Kleine geistliche Concerte, Op. 8, SWV 282-305: No. 5. Der Herr ist gross, SWV 286 (arr. D.B. Pienaar for trumpet and piano)
Claudio Monteverdi: Selva morale e spirituale (arr. D.B. Pienaar for trumpet and piano)
Selva morale e spirituale: Laudate Dominum (arr. D.B. Pienaar for trumpet and piano)
Dieterich Buxtehude: Ein feste Burg ist unser Gott, BuxWV 184 (arr. D.B. Pienaar for trumpet and piano)
Ein feste Burg ist unser Gott, BuxWV 184 (arr. D.B. Pienaar for trumpet and piano)
Georg Bohm: Vater unser im Himmelreich (arr. D.B. Pienaar for trumpet and piano)
Vater unser im Himmelreich (arr. D.B. Pienaar for trumpet and piano)
John Dowland: A Pilgrimes Solace (arr. D.B. Pienaar for trumpet and piano)
A Pilgrimes Solace: When the poore Criple (arr. D.B. Pienaar for trumpet and piano)
Antony Holborne: Pavan (arr. D.B. Pienaar for trumpet and piano)
Pavan (arr. D.B. Pienaar for trumpet and piano)
Antony Holborne: Galliard (arr. D.B. Pienaar for trumpet and piano)
Galliard (arr. D.B. Pienaar for trumpet and piano)
Henry Purcell: Fantasia a 4 in G minor, Z. 735 (arr. D.B. Pienaar for trumpet and piano)
Fantasia a 4 in G minor, Z. 735 (arr. D.B. Pienaar for trumpet and piano)
Jan Pieterszoon Sweelinck: Onder een linde groen (Unter der Linden grune), SwWV 325 (arr. D.B. Pienaar for trumpet and piano)
Onder een linde groen (Unter der Linden grune), SwWV 325 (arr. D.B. Pienaar for trumpet and piano)
Jean-Baptiste Lully: Scoca pur tutti (arr. D.B. Pienaar for trumpet and piano)
Scoca pur tutti (arr. D.B. Pienaar for trumpet and piano)
Heinrich Ignaz Franz von Biber: Fidicinium sacro-profanum (arr. D.B. Pienaar for trumpet and piano)
Fidicinium sacro-profanum: Sonata No. 8 (arr. D.B. Pienaar for trumpet and piano)
Georg Muffat: Armonico tributo: Sonata No. 5 in G major (arr. D.B. Pienaar for trumpet and piano)
I. Allemanda
II. Adagio
III. Fuga
IV. Adagio
V. Passacaglia
July 2008
“Jonathan Freeman-Attwood's playing is notable for the beauty and freedom of line of his lyrical phrasing, while the bravura is exhilarating. Daniel-Ben Pienaar's accompaniments are boldly supportive and well in the picture.”
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