SACDs - Marini, B

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Forgotten Virtuosi

Forgotten Virtuosi

Violin showpieces from the early 17th Century


Works include:

anon.:

Ruggiero

World premiere recording

Bergamasca

World premiere recording

Marini, B:

Romanesca'

Nau:

Fantasia Steffan Nau

World premiere recording

Palestrina:

Lo son ferito ahi lasso, madrigale passaggiato da G.B.Bovicelli

Schop:

Pavanne d’Espagne


Jonathan Talbott (renaissance violin), Tormod Dalen (bass violin), Maxine Eilander (double harp), Andrew Maginley (theorbo and guitar) & Stephen Taylor (organ)

Described as a “master of the art of baroque ornamentation” and praised for his “passionate and virtuosic performance”, Jonathan Talbott made his solo violin debut at the age of 16 and now performs a repertoire that spans more than 800 years. This recording is the perfect showcase for Jonathan Talbott talents and contains three world premiere virtuosic gems.

Super Audio CD

Format:

Hybrid Multi-channel

Aliud - ACDHN0122

(SACD)

$18.75

Usually despatched in 4 - 5 working days.

Garden of Early Delights

Garden of Early Delights


Bassano, G:

Susanne ung jour

Divisions on "Frais et gaillard" (madrigal by Clemens non Papa)

Castello:

Sonata sesta from 'Sonate concertate in stil moderno, libro secondo'

Dowland:

Sorrow, stay

Weepe you no more, sad fountaines

Eyck:

Wat zal men op den Avond doen

Derde, Doen Daphne d’over

Boffons Der Flutyen Lust-hof

Amarilli mia bella

Fontana, G B:

Sonata sesta

Marini, B:

Passacaglia à 4, Op. 22

Per ogni sorte di strumento

Ortiz, D:

Recercada segunda from Tratado de glosas

Ricercada sobre Doulce memoire

Schop:

Lacrimae Pavan


Pamela Thorby (recorders) and Andrew Lawrence-King (harps and psaltery)

Garden of Early Delights is a mixed bouquet of diverse, joyous, unusual and eloquent pieces from the Renaissance and Early Baroque periods. Performed by Pamela Thorby on recorders and Andrew Lawrence-King on harps and psaltery, these are two virtuosic musicians unsurpassed in their respective fields.

“Pamela Thorby's tone is silvery, alert and her intonation is impeccable” BBC Music Magazine

“Whether on soprano, alto or tenor recorder, Pamela Thorby's tone has a limpid clarity which gives a crisp filigree-like quality to even the most fast and furious figurations...This crystalline sound is equally successful in conveying the melancholy expressiveness of slower and less highly ornamented items such as Van Eyck's arrangement of Caccini's Amarilli.” The Telegraph, 5th July 2008

“Thorby's playing exhibits a vitality, exuberance and earthiness that reminds me of the great David Munrow.” BBC Music Magazine, August 2008 *****

“Recorded sound is nothing short of stunning, while the cover image of a hummingbird nicely encapsulates Thorby's lightness and agility as she darts from piece to piece to extract its nectar. This is Paradise indeed.” Gramophone Magazine, September 2008

Super Audio CD

Format:

Hybrid Multi-channel

Linn - CKD291

(SACD)

$17.00

Usually despatched in 4 - 5 working days.

Sackbutt

Sackbutt

Trombone in the 17th & 18th Century


Albrechtsberger, J G:

Concerto in B flat major for Alto Trombone

Bertali:

Sonata à 3 No. 1 in D minor

Sonata à 3 No. 3 in A minor

Castello:

Sonata Quarta

Marini, B:

Sonata Quarta à 4

Mozart, L:

Trombone Concerto in D major

Schmelzer:

Sonata à 3

Wagenseil:

Concerto for Trombone and Orchestra


Jörgen van Rijen (trombone)

Combattimento Consort Amsterdam, Jan Willem de Vriend

“We have recorded works by violinist-composers Biagio Marini, Antonio Bertali, and Johann Heinrich Schmelzer. Dario Castello is the exception: he was a brass player. Why did those composers pick the trombone, of all instruments, for this purpose, rather than, say, the horn? One of the reasons was that the trombone was the only brass instrument of that period which was capable of playing a complete chromatic scale. In other words, the trombone could execute melodies and runs in the same way as a violin. Around 1800, the newly-invented valves were added to trombones, horns, and trumpets. That made the chromatic scale possible for hornists and trumpeters as well, and it resulted in a kind of terrain shift. Later on, the trombone’s role within classical music was primarily within the symphonic orchestra, where it was used for color and reinforcement. But in music of the baroque period for small ensembles, the trombone was making music together with the strings, as a soloist.” (from liner notes by Katja Reichenfeld)

Super Audio CD

Format:

Hybrid Multi-channel

Channel - CCSSA26708

(SACD)

$17.00

Usually despatched in 4 - 5 working days.

Composers

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