All the music on this CD is associated with the festival of Christmas. Bach wrote the cantata Unser Mund sei voll Lachens (BWV 110) for morning service on Christmas Day 1725, and the first version of the Magnificat in E flat major (BWV 243a) for Vespers on Christmas Day 1723, seven months after the Leipzig town council appointed him cantor of the Thomaskirche. It would hardly be exaggerating to say that Bach thus presented his visiting card to his new employer. According to the Bach scholar Christoph Wolff, the work is his "first really large-scale and complex piece of church music".
'Christmas was not the only occasion to sing the Magnificat text, however, for it was also a standard part of the Vespers liturgy. This may explain why Bach made a second version some years later (in D major, BWV 243). (...) For a Christmas CD in the year 2010 it is obviously attractive to add new movements to Bach's Magnificat, entirely in keeping with the tradition of the seventeenth and eighteenth centuries. His own choice, in the E flat major version, remains unsurpassed. By adding extra Christmas music to the second version in D major, however, a new and unexpected form arises which lends the performance a certain topicality. What is more, it gives us the opportunity to present Bach with several Netherlands composers of the seventeenth century. Jos van Veldhoven (from: liner notes)
Unser Mund Set Voll Lachens: Unser Mund Set Voll Lachens
Unser Mund Set Voll Lachens: Ihr Gedanken Und Ihr Sinnen
Unser Mund Set Voll Lachens: Dir, Herr, Ist Niemand Gleich
Unser Mund Set Voll Lachens: Ach Herr, Was Ist Ein Menschenkind
Unser Mund Set Voll Lachens: Ehre Sei Gott In Der Höhe
Unser Mund Set Voll Lachens: Wacht Auf, Ihr Adern Und Ihr Glieder
Unser Mund Set Voll Lachens: Alleluja! Geblot Sei Gott
Magnificat In D Major: Magnificat Anima Mea Dominum
Magnificat In D Major: Et Exsultavit Spiritus Meus
Magnificat In D Major: Hoe Schoon Lichter De Morghen Ster
Magnificat In D Major: Quia Respexit Humilitatem
Magnificat In D Major: Omnes Generationes
Magnificat In D Major: Quia Fecit Mihi Magna
Magnificat In D Major: Currite, Pastores
Magnificat In D Major: Et Misericordia
Magnificat In D Major: Fecit Potentiam
Magnificat In D Major: O Jesulein, Mein Jesulein
Magnificat In D Major: Desposuit Potentes
Magnificat In D Major: Esurientes Implevit Bonis
Magnificat In D Major: Ehre Sei Gott In Der Höhe
Magnificat In D Major: Suscepit Israel
Magnificat In D Major: Sicut Locotus Est
Magnificat In D Major: Gloria Patri
July 2011
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“Veldhoven adopts a comfortable tempo with somewhat laid-back articulation for the resplendent opening and concluding choruses”
January 2011
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“The inserted carols generate a genuinely yuletide flavour, contrasting well with Bach's familiar music...a beautifully articulated, elegant interpretation, supported by a period orchestra playing with a festive sense of purpose.. There are also some lovely soloist moments, for instance Dorothee Mields' pure-toned Quia respexit humilitatem.”
January 2011
“[Mields and Zomer] both carry their verses with seasoned poise...the sepia-like "Et misericordia" finds a rare tenderness, and "Deposuit" from Charles Daniels is brilliantly executed...There's much to admire in the fruity and vibrant choral and instrumental ensemble of the Netherlands Bach Society.”
Click on any of the works listed above for alternative recordings.