Browse: Search results for: 'nott mahler'
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a recorded spaciousness...lets every ensemble and solo spirituality resound. That's in evidence from the first magnificent horn cry, to the infinite depth of the truly noble timpani - magnificent... — More…
Awards:
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BBC Music Magazine Awards, 2012, Orchestral Finalist
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Gramophone Magazine, October 2011, Editor's Choice
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BBC Music Magazine, October 2011, Orchestral Choice
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Mahler: Das Lied von der Erde
RecommendedJonas Kaufmann (tenor)
Wiener Philharmoniker, Jonathan Nott
I think [Mahler] would have approved of Jonas Kaufmann’s ground-breaking decision to take the solo part throughout. It’s not much of a stretch for him – a few low notes apart, the lower register... — More…
Awards:
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Presto Recording of the Week, 7th April 2017
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Presto Recordings of the Year, Finalist 2017
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Mahler: Symphony No. 2 'Resurrection'
RecommendedAnne Schwanewilms (soprano) & Lioba Braun (contralto)
Bamberg Symphony Orchestra & Bamberg Symphony Choir, Jonathan Nott
Jonathan Nott [reaches] new peaks in his Bamberg cycle...What uplift, rather than crushing weight, in those opening lower-string flourishes...The consoling vision just gets more magical on each... — More…
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Building a Library, May 2010, Featured
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…this one of the best recorded accounts we've had since Kubelík and Bernstein… Nott, you feel, has got under Mahler's skin; Gergiev is merely offering an impersonation. — More…
Awards:
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Gramophone Magazine, August 2008, Editor's Choice
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Nott's is the latest in a hard-to-choose-from field. Every Bamberg soloist, from the artistic tenor horn solo right at the start, is given room to breathe...This performance may not be quite... — More…
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Gramophone Magazine, June 2012, Editor's Choice
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It's not only as compelling as this team's Seventh and Ninth Symphonies, it also counts among the most bracing, revelatory Sixths on disc...The all-embracing theatricality is equal to Leonard... — More…
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BBC Music Magazine, January 2014, Orchestral Choice
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Mahler: Das Lied von der Erde
Roberto Saccà (tenor) & Stephen Gadd (baritone)
Bamberger Symphoniker, Jonathan Nott
Both Gadd and Roberto Saccà tend to a wide vibrato at times. But it’s under control, and Saccà strikes me as ideal…best of all, Gadd injects real, tearful emotion into the great releases of the... — More…
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…a clearly-textured but very exciting conclusion, distinguished by first-rate work from wind principals - bassoon especially - and cutting-edge trombones. …much in Nott's reading… sounds genuinely... — More…
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There's space, silence in the twilight zones and unerring inner clarity of the embattled textures, but also just the right amount of impetus towards the movement's three big collapses. The great... — More…
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Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'
Janina Baechle, Lioba Braun, Michaela Kaune, Marisol Montalvo, Manuela Uhl, Albert Dohmen, Michael Nagy & Stefan Vinke
Chor der Bamberger Symphoniker, Tschechischer Philharmonischer Chor, Windsbacher Knabenchor & Bamberger Symphoniker, Jonathan Nott
the verdict is 'decent but not world-beating', with shortcomings in his soloists pulling him up well short of the best available. There is uplift and impulse in the opening movement, with brilliant... — More…
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