Tallis: Why Fum'th in Fight?

At the heart of the religious disputes which ravaged 16th century England, Tallis and Byrd embody two opposing tendencies: the former's austere, homophonic Protestant psalm tunes, in which the clarity of the biblical texts was paramount, contrast with the latter's Catholic motets, which constantly heighten musical expressivity and emotiveness.Yet, far from being stifled by the rigour of one camp or the traditionalism of the other, the creativity of these two masters of English music thrived on such constraints as they dedicated themselves to the service of their art and of God. New performing edition by Stile Antico.

Working without a conductor, the members of Stile Antico rehearse and perform as chamber musicians, each contributing artistically to the musical result.Their repertoire ranges from the glorious legacy of the English Tudor composers to the works of the Flemish and Spanish schools and the music of the early Baroque. They are passionate about the need to communicate with their audiences, combining thoughtful programming with direct, expressive performances.They are also committed to developing their educational work, for which they have received generous funding from the National Lottery through Arts Council England.

No other month has been depicted in music and poetry so frequently as May.

This selection of dance movements, variation works, and Marian music from the late Middle Ages, the Renaissance, and the early Baroque, offers a “diletto musicale” of this so fruitful month, and was recorded in the small tower chapel of St. Martin’s Church in Medelsheim, Saarland.

New York Polyphony’s second release for Avie is a compelling fusion of Tudor masterpieces from Byrd, Tallis, Taverner and others and contemporary works by Oslo-based English composer Andrew Smith.

Classical vocal quartet New York Polyphony struck a chord with their 2007 Avie debut, ‘I Sing the Birth’ (AV2141). An intimate meditation on the Christmas season, it garnered unanimous praise on both sides of the pond. For Gramophone Magazine it was “one of the season's best”, and it was an Editor's Christmas Choice in BBC Music Magazine. For their second release, the all-male foursome delivers their signature fusion of historically informed performances in a range of styles. Interspersed between sacred masterpieces of Tudor England are four new works by British-Norwegian composer Andrew Smith, adding a modern harmonic richness and complexity to the album. The result is a compelling synthesis of ancient and contemporary vocal music. New York Polyphony extends the mix of old world and new in the album’s title, named for the distinctive 19th-century neighbourhood on Manhattan’s East Side which is pictured in the striking cover design.