Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Bassoon Concertos
Currently studying at the Royal Academy of Music with John Orford, nineteen-year-old Karen Geoghegan came to the attention of the British public late last year following her appearance as a finalist on Classical Star, a BBC reality programme. She proved immensely popular with the public and judges alike, and brought much needed attention to the bassoon, which has generally been neglected as a solo instrument. The cellist Matthew Barley who was mentor and presenter of the show says of Karen, ‘with her sound and focus she is already one of the great wind players in the country’. Chandos’ Managing Director, Ralph Couzens, was so impressed by Karen’s performance that he contacted Karen the day following the broadcast, and offered her a contract. For her first CD with Chandos, it was decided to focus on the repertoire performed for the show. Hummel’s Bassoon Concerto, the centrepiece of the album, is complemented by Elgar’s Romance, Berwald’s rarely recorded Konzertstück, Weber’s Andante and Hungarian Rondo, Carl Jacobi’s Introduction and Polonaise and a beautiful arrangement of Gershwin’s ‘Summertime’. Each work demonstrates Karen’s ability as a performer of outstanding quality. Benjamin Wallfisch conducts the Orchestra of Opera North. “Bassoons rarely equal best-sellers: that could be about to change… Chandos have a real find on their hands with Karen Geoghegan.” Gramophone Magazine, August 2008 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Swedish Bassoon Concertos
| | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Franz Berwald - Tone Poems
| | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Franz Berwald - The Four Symphonies
“As might be expected, given Sixten Ehrling's excellent account of the Singulière and the E flat Symphonies with the LSO for Decca way back in the late 1960s and his no less impressive 1970 Swedish Radio version of the Sérieuse, the performances are echt-Berwald. Ehrling gives us plenty of space without ever lingering too lovingly. Even apart from the tempo giusto, you feel rather more comfortable with Ehrling's handling of phrasing and balance. He's very attentive to dynamic markings and sometimes, as at the beginning of the Sinfonie singulière, pianissimo becomes pianopiano-pianissimo! The recording reproduces these dynamic extremes flawlessly. The Malmö Concert Hall, where this set was made, has a good acoustic. The recordings are generally excellent, though there seems to be more back-to-front perspective and air around the players in the Singulière and E flat Symphonies than in the Sérieuse. In short, Ehrling and his fine players bring us closer to the spirit of this music than do any of the current rivals.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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