This page lists all recordings of Romanesca o Guardame las vacas, by Alonso Mudarra (c.1510-80) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Hopkinson Smith - A Portrait
Attaingnant: | Pavane et Sauterelle Bransle de Poictou | Bach, J S: | Partita for solo violin No. 1 in B minor, BWV1002: Bourrée Cello Suite No. 6 in D major, BWV1012: Sarabande Violin Sonata No. 1 in G minor, BWV 1001: I. Adagio Partita for solo violin No. 3 in E major, BWV1006: Preludio | Dowland: | Frog Galliard Lachrimae Pavan, P. 15 | Gallot: | Sarabande ‘la sans Pareille’ | Gaultier, E: | La Cascade | Guerau: | Canarios | Hagen, B J: | Concerto for lute, 2 violins, alto and cello (Largo) | Kapsberger: | Toccata XI Gagliarda | Mouton, C: | La Malassise Sarabande | Mudarra: | Romanesca o Guardame las vacas | Narvaez: | Veynte y dos diferencias sobre Conde Claros | Sanz: | Marizapalos La Tarantela | Weiss, S: | Partita for lute in D minor (Prelude/Courante) |
“Without doubt the finest lute player in the world today.” San Francisco Chronicle | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Adios mi amor: Duets for Vihuelas
and a Fantasia and Mendoza from the 'Ramillete de flores' manuscript
Delitiae Musicae (vihuela duo): Jesus Sanchez & Manuel Minguillon Nieto | | | Usually despatched in 4 - 5 working days. |
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| |  | Segovia - 1950s American Recordings Volume 41952-1957 Recordings
Volume 4 of Segovia’s 1950’s American recordings is devoted in the main to his arrangements of music composed between 1535 and 1750. Although today it is customary to play this repertoire on reproductions of instruments authentically modelled on concepts of musicological research, Segovia preferred the 20th Century guitar to all other instruments as an expressive medium. To his interpretations of the 16th century works of Milan, Narvaez, Mudarra and Dowland, as well as the Baroque guitar of Robert de Visee and transcriptions from Scarlatti or Rameau, Segovia brings the same application of colour, variety of dynamics and rhythmic freedom as he applied to romantic pieces. This full blooded approach to early music was greatly appreciated during his lifetime and often provided one of the few opportunities for the general public to become acquainted with this area of the repertoire. “Apart from two suits by Ponce, the repertoire here is genuine Renaissance and early Baroque. Segovia's approach may make early-music purists wince, but he still makes undeniably beguiling music.” BBC Music Magazine, April 2008 **** | | | (also available to download from $8.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Guitar Collection
Nigel North (historic guitars), Maggie Cole (virginals and fortepiano) An authority on early guitars and lutes, Nigel North performs music of each period on beautiful Renaissance, Baroque, Classical and Romantic period guitars with Maggie Cole—virginals and fortepiano. Four centuries of guitars and guitar music by Carulli, Sor, Giuliani, Visée, Mertz, Sanz, Mudarra, Milan, Narvaez & Corbetta. An ideal introduction to the world of the guitar as well as for the collector. “A very cultured & sensitive musician — exemplary sound” Gramophone Magazine “A feast of enjoyment” Hi-Fi News | | | Usually despatched in 4 - 5 working days. |
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| |  | Andres Segovia - The American Decca Recordings
Aguirre: | Cancion | Albéniz: | Granada (from Suite española No. 1, Op. 47) Piezas Características, Op. 92: Torre Bermeja Sevilla (from Suite Española, Op. 47) Asturias (from Suite espanola, Op. 47) | anon.: | Canzone e Saltarello | Bach, C P E: | Siciliana in F sharp minor | Bach, J S: | Cello Suite No. 1 in G Major, BWV1007: Prelude Gavottes 1 & 2 (from Cello Suite No. 6) BWV1012 Partita for solo violin No. 1 in B minor, BWV1002: Bourrée Cello Suite No. 3 in C major, BWV1009: Courante Violin Sonata No. 1 in G minor, BWV 1001: Sicilienne Lute Suite No. 1 in E minor, BWV996: Bourrée | Brahms: | Waltz, Op. 39 No. 8 in B flat major | Castelnuovo-Tedesco: | Capriccio diabolico (Homage to Paganini) | Chopin: | Prelude Op. 28 No. 7 in A major | Couperin, L: | Passacaille in G minor | Falla: | Homenaje a Debussy | Frescobaldi: | Air & Variations Corrente | Giuliani: | Sonata in C major, Op. 15 (Allegro spiritoso) | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Granados: | Tonadillas: No. 7, La maja de Goya Danza española, Op. 37 No. 10 'Melancólica' Danza española, Op. 37 No. 5 'Andaluza' | Grieg: | Lyric Pieces Op. 47: No. 3 - Melody | Handel: | Suite in G minor, HWV 453: Allegretto grazioso Gavotte in G major, HWV 491 (transposed to A major) Sarabande from Suite in D minor, HWV437 Minuet in G major, HWV 531 (transposed to D major) | Haydn: | Minuet and Trio in D | Llobet: | El Noi de la Mare (The Mother's Son) El Testament d'Amelia (Amelia's Testament) | Malats: | Serenata espanola | Mendelssohn: | Song without Words, Op. 19b No. 6 in A minor 'Venetianisches Gondellied' | Milán: | Pavanes VI & IV Fantasia XVI Pavana | Mudarra: | Romanesca o Guardame las vacas | Pedrell, C: | Guitarreo | Ponce, M: | Prelude / Ballet and Gigue (originally attributed to S.L. Weiss) Andantino variato on a theme by Paganini Prelude No. 7 in A major Prelude No. 2 in A minor Prelude No. 9 in E major Prelude No. 8 in F sharp major Prelude No. 13 in F sharp major Prelude No. 11 in B major Mexican Folksong No. 3 La Valentina Theme Varie et Finale | Rameau: | Minuet in G major | Sanz: | Pavane | Schubert: | Piano Sonata No. 18 in G major, D894: Menuetto | Schumann: | Frühlingsgruss Op. 79/4 | Sor: | Grande Sonate, Op. 25, "Guitar Sonata No. 2": Allegro non troppo Introduction and Variations on a Theme by Mozart, Op. 9 | Tansman: | Cavatina | Tárrega: | Danza Mora Minuet | Torroba: | Burgalesa Albada (from: Piezas características) Arada Sonatina in A major for solo guitar Madroños Nocturno Serenata burlesca | Villa-Lobos: | Etude for Guitar, W 235 No. 7 in E major Prelude No. 1 in E minor | Visée: | Entrada Giga Bourree Minuet Suite in D minor |
For the first time, this budget priced 6 CD collection re-presents Segovia’s highly-prized recordings made for American Decca in the 1940s and 1950s, when he was arguably at the height of his powers. Here are the first six albums released by the label in that now legendary series, presented for the first time in original LP couplings and with their striking original-sleeve artwork: Andrés Segovia Guitar Solos; An Andrés Segovia Recital; An Andrés Segovia Concert; An Andrés Segovia Program; An Evening with Andrés Segovia; Andrés Segovia Plays… Many of these 80+ tracks are appearing on Deutsche Grammophon for the first time. The set has been newly remastered, with a minimum of intervention, from original tapes or tape copies of original glass masters. Like the best whisky, Segovia’s art is unfiltered on these CDs. The results reveal a new intimacy and delicacy in these six classic recitals that are wholly captivating. The package: Mini-LP sleeves (front and back), CD booklet (in the style of the The Martha Argerich Collection) has new liner notes by Segovia expert Graham Wade comprising introduction and annotations on each of the albums, with colour minis. Arrangements & transcriptions by Andres Segovia “This is Segovia absolutely in his prime, tackling everything from Frescobaldi, Handel and Haydn through Mendelssohn and Franck to Falla, Villa-Lobos and Tansman with his inimitable combination of childlike innocence and arch sophistication. Sensitively remastered and with excellent notes by Segovia expert Graham Wade...” Gramophone Magazine, September 2009 | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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