Brahms: Sehnsucht 'Mein Schatz ist nicht da', Op. 14 No. 8

‘You sing as if you had written it yourself!’ Jean Cocteau once told Dietrich Fischer-Dieskau. This anthology of lieder by Brahms and Schumann is a prime example of the great singer doing just that, mining every nuance of emotion from a song while, at the same time, sounding as spontaneous and free as if he were making it up on the spot. One of the hallmarks of Fischer-Dieskau’s legacy is the ease with which he creates the spell of each individual song, drawing the listener – apparently effortlessly – into the drama created by the words and the music.

Fischer-Dieskau recorded extensively for Deutsche Grammophon, and the bulk of his archive has been mined on CDs. These recordings, however, are rarities. The songs on CD1 appeared only as part of the Fischer-Dieskau Edition for his 75th birthday. The Brahms songs on CD2 make their first appearance on CD. And the 1957 recording of Schumann’s Dichterliebe with his long-time pianist Jörg Demus, only appeared as part of Deutsche Grammophon’s centenary edition. CD2 includes the Four Duets, Op. 28 in which Fischer-Dieskau is partnered by an artist not heard enough on records, the contralto Kerstin Meyer.

This release marks the launch of an Eloquence series of notable recitals of songs and opera arias by some of the great voices of Decca and Deutsche Grammophon.

Lenneke Ruiten is quickly establishing herself as one of the leading sopranos of her generation. She started her tuition with Maria Rondel en Meinard Kraak in The Hague, and subsequently took lessons with Elle Ameling, Robert Holl, Hans Hotter, Walter Berry and Robert Tear.

Her breakthrough came with winning the International Vocalist Competition of ¡¥s Hertogenbosch. She sang in all the important opera houses of Europe, and with conductors like Gardiner, Bruggen, Biondi, Koopman, Dantone.

In 2011 she made her Salzburger Festspiele debut in Die Frau ohne Schatten conducted by Christian Thielemann. This well chosen selection of Brahms songs shows her warm timbre, her wide range of colours and her complete understanding of the text.

Soprano Lucia Popp (1939-1993) was one of the most acclaimed singers of her generation. In this four-CD set she is heard in arias from operas by Weber, Mozart, Lortzing, Puccini, Verdi, Massenet and Monteverdi, songs by Brahms, Mahler, Prokofiev, Dvorak, Kodaly, Janacek, and sacred music by Telemann and Bach.

After making her debut at the Vienna State Opera in the modest role of Barbarina in The Marriage of Figaro, Lucia Popp worked with all the great conductors of her day including Leonard Bernstein, Sir George Solti, Rafael Kubelik, Lorin Maazel, Sir Neville Marriner, Bernard Haitink and Carlos Kleiber. The State Operas of Vienna and Munich honoured Lucia Popp with the title of Kammersängerin and the Vienna Philharmonic Orchestra awarded her the “Silver Rose”. In 2007 she was placed 7th on BBC Music Magazine's list ‘20 All-time Best Sopranos’ based on a poll of 21 British critics and BBC presenters.