Tüür: Inquiétude du fini for chamber choir & orchestra

This page lists our only recording of Inquiétude du fini for chamber choir & orchestra, by Erkki-Sven Tüür (b.1959) on CD.

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Tüür - Symphony No. 4 'Magma'

Awards:

Gramophone Awards 2008

Finalist - Contemporary

Gramophone Magazine

Editor's Choice - October 2007

BBC Music Magazine

Orchestral Choice - August 2007

Label:

Virgin

Catalogue No:

3857852

Discs:

1

Release date:

6th Aug 2007

Barcode:

0094638578529

Medium:

CD
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Tüür - Symphony No. 4 'Magma'


Tüür:

Igavik (Eternity) for male choir and orchestra

(in memoriam Lennart Meri, 2006)

Symphony No. 4 ‘Magma’ for solo percussion and symphony orchestra

(dedicated to Evelyn Glennie, 2002)

Evelyn Glennie (percussion)

Inquiétude du fini for chamber choir & orchestra

(dedicated to Arvo Pärt, 1992)

The Path and the Traces for strings (2005)


Male Singers from the Estonian Philharmonic Chamber Choir & Estonian National Male Choir Estonian National Symphony Orchestra, Paavo Järvi

World Premiere Recording

CD

$15.50

In stock - usually despatched within 1 working day.

BBC Music Magazine

August 2007

*****

“Glennie is at her most charismatic in Magma, an intoxicating physical score; the Estonian National Symphony Orchestra under Paavo Järvi not only supports her blow for blow but plays the entire programme with a palpable sense of passionate conviction. Virgin's recording is of demonstration standard, the climaxes in Magma frequently awe-inspiring.”

Gramophone Classical Music Guide

2010

“Though written for Evelyn Glennie, who takes the solo percussion part with superb aplomb, this really is a symphony rather than a flashy, beefed-up concerto. It stays just on that side of the divide everywhere except in the brief cadenza at approximately the half-way mark.
The other three works on this disc feel similarly substantial and born of inner necessity...Tüür is currently well represented on CD, but this new disc is probably the most rewarding devoted to his music, no doubt partly because performances and recordings are first-class. If the prospect of challenging, granite- hewn musical invention has any appeal, then this is a must.”

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