This page lists all recordings of Du sollst der Kaiser meiner Seele sein (from Der Favorit), by Robert Stolz (1880-1975) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Dein ist mein ganzes Herz
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| |  | Great Singers Live: Lucia PoppSelection from „Sunday Concerts“ with the Münchner Rundfunkorchester given in 1968, 1972, 1979, 1980 and 1982
Lucia Popp is one of the best-documented and most versatile singers of her generation. Because of her linguistic and stylistic flexibility she was able to sing a very wide range of repertoire. Her acting talent was extraordinary as well. Before she began her vocal studies she had studied medicine and drama and acted in a number of movies. This new release shows a richly varied program with soprano arias by Mozart to Weber and Rossini all the way to Lehár and Stolz taken from concerts given in 1968 to 1982. Previously unreleased live recordings from the “Sunday Concerts” with the Münchner Rundfunkorchester. Singer portrait featuring Lucia Popp’s core repertoire, including famous arias from the likes of Mozart to Lehár. After Mirella Freni, Nicolai Ghiaurov and Margaret Price, this release continues the successful “Great Singers Live” series | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Vienna, City of My Dreams
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Fagottissima quartaVirtuoso Rarities for 3-5 Bassoons
A fun disc featuring repertoire as diverse as Mozart’s ‘A Little Laugh’ to Rossini’s famous ‘Cat Duet’, this bassoon ensemble continue their series of virtuosic performances for MDG. | | | Usually despatched in 2 - 3 working days. |
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| |  | My Heart AloneFavorite Operetta Arias and Duets
My Heart Alone is the new recording from Austrian mezzo-soprano Angelika Kirchschlager and British baritone Simon Keenlyside, and proves that Operetta is still alive. Both singers are highly respected in the fields of opera and Lieder recital, and have appeared several times as a partnership, notably in the title roles in Pelléas et Mélisande at the Salzburg Easter Festival and at Covent Garden, where they have been feted as the dream couple of the opera world. This is the duo’s first Operetta recording, following in the great tradition of famous opera singers like Elisabeth Schwarzkopf, Fritz Wunderlich and Hermann Prey, whose careers blossomed beyond the opera stage. The choice of repertoire for this programme ranges widely from the golden age to the silver age, and includes gems from Die Fledermaus and Die Tänzerin Fanny Elssler by the father of Viennese operetta and waltz king Johann Strauss, as well as titles from popular works such as Franz von Suppé's masterwork Boccaccio and Franz Léhar's Merry Widow. The duet Nur die Liebe macht uns jung from Franz Léhar's Zigeunerliebe however, is an absolute rarity. “Keenlyside sings operetta like a student, learning the ropes, too quick to pitch volume and intensity at a level fit for Verdi, but not the sweetmeats of Vienna...Best to concentrate on Kirchschlager, who is frequently marvellous. As an Austrian, the operetta lilt lives in Kirchschlager’s blood; she’s a natural at pausing and easing the speeds, and she sings with that indefinable glow.” The Times, 4th July 2008 *** “Kirchschlager tries too hard as the dissolute Orlofsky ( Die Fledermaus ) but makes amends with a tenderly phrased "Vilja" and a sinuous, seductive "Meine Lippen, die küssen so heiss" from Lehár's Giuditta. Simon Keenlyside, in glorious voice, is by turns dulcet and virile, even if he doesn't quite muster the insouciant charm of a Nicolai Gedda for Danilo's "Da geh' ich zu Maxim". Drawbacks include some distinctly schmaltzy accompaniments and a booklet long on pretentious waffle but criminally short on texts and translations.” The Telegraph, 2nd August 2008 “What impresses is not only the natural brilliance of the singers' vocal production but also the way in which pure display is subordinated to expression of true feeling.” Gramophone Magazine, September 2008 | | | Usually despatched in 3 - 4 working days. |
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| |  | Robert Stolz: Frühling in Wien
Brigitte Lindner (soprano) Nordwestdeutsche Philharmonie, Herbert Mogg | | | Usually despatched in 2 - 3 working days. |
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| |  | Hilde Güden sings Arias and Lieder 1942-1951
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| |  | Montserrat Caballé: Diva
Bellini: | Casta Diva (from Norma) Mira, o Norma (from Norma) Ah, non credea mirarti (from La Sonnambula) Dopo l'oscuro nembo (from Adelson e Salvini) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Charpentier, G: | Depuis le jour (from Louise) | Cilea: | Io son l'umile ancella (from Adriana Lecouvreur) | Delibes: | Lakmé: Dôme épais (Flower Duet) | Donizetti: | E sara in questi orribili momenti (from Roberto Devereux) Vivi ingrato (from Roberto Devereux) Com' e bello! (from Lucrezia Borgia) Dio Possente! Ah! Tu ben sai (from Gemma di Vergy) Maria Stuarda: Final Scene | Flotow: | The Last Rose of Summer (Martha) Martha! Herr! Sie lacht zu meinen Leiden (from Martha) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Heuberger: | O mon cher amant (from La Périchole) | Lehár: | Lippen schweigen (from Die Lustige Witwe) Warum hast du mich wachgeküßt? (from Friederike) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) Musette svaria sulla bocca viva (from La Bohème) | Lloyd Webber, A: | Wishing you were somehow here again (from The Phantom of the Opera) | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) | Massenet: | Il est doux, il est bon (from Hérodiade) Pleurez, mes yeux (Le Cid) | Mozart: | Sull' aria che soave zeffiretto (from Le Nozze di Figaro) Pa-pa-pa-pa-Papagena (from Die Zauberflöte) | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) | Ponchielli: | Suicidio! (from La Gioconda) È un anatema (from La Gioconda) | Puccini: | Si, mi chiamano Mimi (from La Bohème) O soave fanciulla (from La Bohème) Vissi d'arte (from Tosca) O mio babbino caro (from Gianni Schicchi) In questa reggia (from Turandot) Senza mamma, o bimbo (from Suor Angelica) | Rodrigo: | En Aranjuez con tu amor | Rossini: | Non si dà follia maggiore (from il Turco in Italia) Di tanti palpiti (from Tancredi) L'ora fatal s'appressa ... Giusto ciel! (from L'Assedio di Corinto) Tanti affetti in tal momento (from La donna del lago) Assisa a' piè d'un salice (from Otello) Armida: D'amor al dolce impero Serbami ognor (from Semiramide) Duetto buffo di due gatti (Comic Duet for Two Cats) | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) | Stolz, R: | Du sollst der Kaiser meiner Seele sein (from Der Favorit) | Verdi: | Ah! Non m'hanno ingannata!...Grave a core innamorato (from Un Giorno di Regno) Qual prodigio!...Non fu sogno! (from I Lombardi) Tu al cui sguardo onnipossente (from I due Foscari) Oh nel fuggente nuvolo (from Attila) Egli non riede ancora! (from Il Corsaro) Va, pensiero (from Nabucco) Vieni! t'affretta!…Or tutti sorgete (from Macbeth) Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Oh, cielo! Dove son'io!...Ah! dagli scanni eterei...Ah, dal sen di quella tomba (from Aroldo) Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Sempre libera (from La Traviata) Addio del passato (from La Traviata) Parigi, o cara (from La Traviata) Tacea la notte (from Il Trovatore) Pietà ti prenda del mio dolor (from Aida) Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) Ave Maria (from Otello) | Wagner: | Dich, teure Halle (from Tannhauser) |
This is a x6 CD budget-priced boxset, released to celebrate the 80th birthday & career of opera's last great diva, Montserrat Caballe. Contents: Disc 1 - Rossini & Donizetti. Disc 2 - Bellini & Verdi. Disc 3 - Verdi & Puccini. Disc 4 - Bizet & Wagner. Disc 5 - Operetta & Zarzuela. Disc 6 - Encores, Hits & Evergreens. | 
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Gramophone Magazine