This page lists all recordings of Vieni! t'affretta!…Or tutti sorgete (from Macbeth), by Giuseppe Verdi (1813-1901) on CD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Maria Callas in Athens
Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) Sung in Italian as 'Dov'e l'Indiana bruna?' Orchestra Sinfonica di Torino della RAI, Oliviero de Fabritiis | Donizetti: | Regnava nel silenzio...Quando rapito in estasi (from Lucia di Lammermoor) Orchestra of the Athens Festival, Antonino Votto Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) NB Surface-noise remains on this track Orchestra Sinfonica di Torino della RAI, Oliviero de Fabritiis | Thomas, Ambroise: | A vos jeux, mes amis (from Hamlet) Sung in Italian as 'Ai vostri giochi' Orchestra of the Athens Festival, Antonino Votto | Verdi: | Vanne, lasciami (from Il Trovatore) Orchestra of the Athens Festival, Antonino Votto D'amor sull'ali rosee (from Il Trovatore) Orchestra of the Athens Festival, Antonino Votto Pace, pace mio Dio! (from La forza del destino) Orchestra of the Athens Festival, Antonino Votto Vieni! t'affretta!…Or tutti sorgete (from Macbeth) Orchestra Sinfonica di Torino della RAI, Oliviero de Fabritiis Ben io t'invenni … Anch'io dischiuso … Salgo già (from Nabucco) Orchestra Sinfonica di Torino della RAI, Oliviero de Fabritiis | Wagner: | Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Sung in Italian as 'Dolce e calmo' Orchestra of the Athens Festival, Antonino Votto |
Recorded on 5th August 1957 (Athens) and 18th February 1952 (Turin) | | | Usually despatched in 2 - 3 working days. |
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| |  | Munich Opera Gala
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| |  | Maria Callas: Los Angeles Concert 1958
This recently released recording is of Maria Callas' 1958 concert in Los Angeles, from her first U.S. tour. Despite the technical limitations of live recordings of the day (and this one is very limited, having been made on a portable recorder from the audience), this one is sure to impress. It is amazing how the sheer power of Callas' voice carries, without amplification, over the orchestra. She never overpowers. Rather, she is always expressive and musical. The beauty of her performance and the depth of her range saves LOS ANGELES CONCERT from being of merely archival interest. She moves with grace from a heady excerpt from Verdi's 'Macbeth' to the lighter fare of Rossini. The unaccompanied passages in "Una voce poco fa," from 'The Barber of Seville' are worth the purchase alone. This CD shows Callas at the height of her ability. The somewhat low-fi recording doesn't detract from this in the least. In fact, it will only make you wish you could have been at the performance. | | | Usually despatched in 4 - 5 working days. |
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| |  | Maria Callas: The Greatest AriasRecordings from 1949-52
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| |  | Julia Varady - Verdi Heroines
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| |  | Great Stars of Opera Vol. 2
Bizet: | Les tringles des sistres tintaient (from Carmen) Regina Resnik & Robert Merrill (1965) Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Regina Resnik & Robert Merrill (1965) Si tu m'aimes, Carmen (from Carmen) Regina Resnik & Robert Merrill (1965) | Cilea: | 'Del sultano Amuratte'…Io son l'umile ancella (from Adriana Lecouvreur) Renata Tebaldi Io son l'umile ancella (from Adriana Lecouvreur) Leontyne Price | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) Renata Tebaldi | Massenet: | Manon: 'Pardonnez-moi, Dieu de toute puissance (St. Sulpice Duet) Giuseppe Di Stefano & Teresa Stratas (1963) | Mozart: | La ci darem la mano (from Don Giovanni) Anna Moffo & George London (1962) | Ponchielli: | Suicidio! (from La Gioconda) Renata Tebaldi | Puccini: | In questa reggia (from Turandot) Birgit Nilsson (1963) Amaro sol per te (from Tosca) Franco Corelli & Lisa Della Casa (1962) Vissi d'arte (from Tosca) Renata Tebaldi (1961) | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) Teresa Berganza | Smetana: | The Bartered Bride: 'May I have your ear?' Nicolai Gedda & Giorgio Tozzi (1959) | Strauss, J, II: | Die Fledermaus Act I Trio Phyllis Curtin, Nicolai Gedda & Theodor Uppman | Verdi: | Vieni! t'affretta!…Or tutti sorgete (from Macbeth) Birgit Nilsson (1963) Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) George London (1962) Ah, fors'è lui che l'anima (from La Traviata) Anna Moffo (1962) O tu che in seno agli angeli (from La Forza del Destino) Richard Tucker & Robert Merrill (1965) Solenne in quest'ora (from La Forza del Destino) Richard Tucker & Robert Merrill (1965) Qui v'ha un ritratto…Egli è salvo (from La Forza del Destino) Richard Tucker & Robert Merrill (1965) Pace, pace mio Dio! (from La forza del destino) Leontyne Price (1963) Tacea la notte (from Il Trovatore) Leontyne Price | Wagner: | Dich, teure Halle (from Tannhauser) Birgit Nilsson (1963) Allmächt’ge Jungfrau! (from Tannhäuser) Birgit Nilsson (1963) |
Bell Telephone Hour Orchestra & Chorus, Donald Voorhees Special Features: Donald Voorhees in conversation with Birgit Nilsson, Leontyne Price, and Renata Tebaldi (from the program “First Ladies of Opera”, originally telecast 01/01/67 | | | Usually despatched in 4 - 5 working days. |
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| |  | Gwyneth Jones in Concert (1988)
Gwyneth Jones (soprano) Orchestre Symphonic de Québec, Simon Streatfeild Filmed at the Summer Festival of Lanaudière in Québec in 1988, Dame Gwyneth Jones’s resplendently ringing voice resounds through the beautiful Saint-Jacques de Montcalm Church. 53 minutes, color. | | | Usually despatched in 4 - 5 working days. |
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| |  | Birgit Nilsson: The Bell Telephone Hour, 1961-1967
Birgit Nilsson (soprano) Bell Telephone Hour Orchestra & Chorus, Donald Voorhees | | | Usually despatched in 4 - 5 working days. |
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| |  | Maria Callas: The RAI Recitals 1949 & 1956
Bellini: | Casta Diva (from Norma) O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) La dama d'Arturo... Oh, vieni al tempio (from I Puritani) | Boito: | Dai campi, dai prati (Mefistofele) Nicola Filacuridi | Charpentier, G: | Depuis le jour (from Louise) | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) Sung in Italian | Donizetti: | Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) | Giordano, U: | Mia madre, la mia vecchia madre (Fedora) Nicola Filacuridi | Massenet: | Pourquoi me reveiller (from Werther) Sung in Italian Nicola Filacuridi Pourquoi me reveiller (from Werther) Sung in Italian Beniamino Gigli | Meyerbeer: | Mi batte il cor … O paradiso (from L'Africana) Beniamino Gigli Ombra leggiera (Dinorah) Ô Paradis (from L'Africaine) Gianni Raimondi | Mozart: | Martern aller Arten (from Die Entführung aus dem Serail) Sung in Italian | Proch: | Deh! torna mio bene, Op. 164 | Puccini: | Tosca: Act Two (excerpt) Recorded in New York in 1956 George London (Scarpia | Rossini: | Armida: D'amor al dolce impero Bel raggio lusinghier (from Semiramide) | Spontini: | La vestale: Tu che invoco (Atto II) | Thomas, Ambroise: | Je suis Titania (from Mignon) Sung in Italian A vos jeux, mes amis (from Hamlet) Sung in Italian | Verdi: | Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) Vieni! t'affretta!…Or tutti sorgete (from Macbeth) Ben io t'invenni … Anch'io dischiuso … Salgo già (from Nabucco) Quando le sere al placido (from Luisa Miller) Gianni Raimondi | Wagner: | Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Sung in Italian | Weber: | Leise, leise, fromme Weise (from Der Freischütz) Sung in Italian |
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| |  | Grace Bumbry: A Portrait
Beethoven: | Ah! Perfido, Op. 65 | Brahms: | Wie Melodien zieht es mir, Op. 105 No. 1 An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty) Auf dem Kirchhofe, Op. 105 No. 4 Alte Liebe, Op. 72 No. 1 Der Tod, das ist die kühle Nacht, Op. 96 No. 1 Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) | Dvorak: | Gypsy Melodies (7), Op. 55 (B104) | Liszt: | Es muss ein Wunderbares sein, S. 314 | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) | Puccini: | Vissi d'arte (from Tosca) | Strauss, R: | Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome) | trad.: | My soul's been anchored in the Lord arr. Florence Price Ride On, King Jesus This Little Light O'Mine Sweet Li'l Jesus | Verdi: | Vieni! t'affretta!…Or tutti sorgete (from Macbeth) Surta è la notte...Ernani! Ernani, involami (from Ernani) Fu la sorte dell'armi a' tuoi funesta (from Aida) | Wolf, H: | Gesang Weylas (No. 46 from Mörike-Lieder) Verborgenheit (No. 12 from Mörike-Lieder) |
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