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"The work of Guillaume de Machaut dominates the French 14th Century. It was bequeathed to us thanks to 6 illuminated manuscripts kept in the French National Library in Paris.Those manuscripts assemble the full poetical and musical works of the composer, structured as a very precisely organised entity.The musical part is composed of motets, virelais, ballads, lais, rondeaux and the famous Messe de Notre Dame. Thanks to the research of 20th century musicologists, we can now assess the full importance of this work enabling performers to read his music directly from manuscript sources and make us more and more familiar with this ancient media.This proximity with Guillaume de Machaut is an essential component of our work as a polyphonic ensemble. In this new recording devoted to the canon of Reims, we invite you to follow our poet-musician in the fantastic and experimental world of his ballads." Lucien Kandel
De Fortune me doy pleindre
De Fortune me doy pleindre
Dame, se vous m'estes lointeinne
Dame, se vous m'estes lointeinne
Guillaume de Machaut: Esperance qui masseure
Esperance qui masseure
Phyton, le mervilleus serpent
Phyton, le mervilleus serpent
Guillaume de Machaut: Se quanque amours
Se quanque amours
De triste cuer / Quant vrais amans / Certes, je di
De triste cuer / Quant vrais amans / Certes, je di
Il m'est avis qu'il n'est dons de Nature
Il m'est avis qu'il n'est dons de Nature
Sanz cuer / Amis, dolens /Dame, par vous
Sanz cuer / Amis, dolens /Dame, par vous
Guillaume de Machaut: Hoquetus David
Hoquetus David
Amours me fait desirer
Amours me fait desirer
Guillaume de Machaut: Quant Theseus / Ne quier veoir
Quant Theseus / Ne quier veoir
Je ne cuit pas qu'onques
Je ne cuit pas qu'onques
Pour vous revoir - Sois tard tempre [14th Century]
Pour vous revoir - Sois tard tempre [14th Century]
March 2010
“The Ensemble’s mellifluous, even sinuous performances strongly evoke the self-conscious artfulness of Machaut’s poetry and music. The effect is overwhelming in the best possible sense”
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