All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Chen Reiss: The Nightingale and the Rose
Bellini: | Vanne, o rosa fortunata | Berg: | Die Nachtigall | Brahms: | An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty) | Fauré: | Les roses d'Ispahan Op. 39 No. 4 | Franck, C: | Roses et papillons Le mariage des roses | Grieg: | Seks Sange, Op. 48 No. 4 'Die verschwiegene Nachtigall' Zur Rosenzeit (No. 5 from Seks Sange, Op. 48) | Guastavino: | La rosa y el sauce | Hahn, R: | Le rossignol des lilas | Krenek: | Die Nachtigall | Mahler: | Ablösung im Sommer (Lieder und Gesänge aus der Jugendzeit) | Meyerbeer: | Die Rosenblätter | Purcell: | Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) | Rimsky Korsakov: | The Nightingale and the Rose | Saint-Saëns: | Le Rossignol (de Banville) | Schubert: | Heidenröslein, D257 | Schumann: | Die Rose, die Lilie, die Taube, die Sonne (No. 3 from Dichterliebe, Op. 48) Meine Rose, Op. 90 No. 2 | Sherwin, M: | A Nightingale Sang in Berkeley Square | Strauss, R: | Rote Rosen, AV76 Das Rosenband, Op. 36 No. 1 | Viardot-Garcia: | Les deux roses | Weber: | Das Röschen ('Ich sah ein Röschen am Wege steh’n'), J. 67 (Op. 15 No. 5) | Zeira: | Shnei Shoshanim (Two roses) |
Chen Reiss (soprano) & Charles Spencer (piano) Chen Reiss’s debut album 'Liaisons' was internationally acclaimed for both the repertoire selection and the sheer brilliance of the musicianship displayed by Reiss. Gramophone magazine called her performances of arias by Haydn, Mozart, Salieri and Cimarosa "standard-setting" and BBC Music magazine called it "top-drawer". For her second ONYX CD Chen Reiss and pianist Charles Spencer have assembled a wonderful collection of songs on the subject of 'The Nightingale and the Rose' – songs that convey the magic of being in love, the heartbreak of love lost, the memories, the fun, the fantasies all associated with that strange, mysterious, dangerous and all-powerful condition – love. In repertoire that ranges from Purcell to Krenek, Hahn to Meyerbeer and Rimsky-Korsakov, and ends in Berkeley Square in London, this is a programme tailor-made for Chen Reiss’s remarkable voice and it will seduce you. “It is a measure of her gifts that Chen Reiss takes all these composers in her stride. That vocal stride is impressive: sustained lyric tone that is only rarely forced...Charles Spencer is as ever the perfect partner” BBC Music Magazine, April 2013 **** “Reiss fields a supple, vernal lyric-coloratura that soars without strain or hardness into the stratosphere. Discerningly partnered by Charles Spencer, she can spin a pure legato and always phrases musically, with rubato growing naturally from the curve of the line and the flux of the harmony...this is a more-than-promising recital from a soprano whose vocal ease and allure make her an artist to watch.” Gramophone Magazine, March 2013 | | | In stock - usually despatched within 1 working day. |
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| |  | Castelnuovo-Tedesco & Respighi: Violin Concertos
José Miguel Cueto (violin) St. Petersburg Symphony Orchestra, Vladimir Lande Although written during the 20th century, the two major works on this CD, Castelnuovo-Tedesco’s Violin Concerto No. 2 “I Profeti” and Respighi’s Concerto Gregoriano, hark back to a world of the past. The disc also includes an arrangement by violin soloist José Miguel Cueto of the song La Rosa y el Sauce by the Argentinean composer Carlos Guastavino. Cueto is accompanied by the St Petersburg Symphony Orchestra under the baton of Vladimir Lande. Virtuoso violinist José Miguel Cueto was born in Puerto Rico where he received early piano and violin training. He studied violin at the Conservatory of Music of Puerto Rico and Peabody Conservatory. He is admired by public and critics for his solid technique and beautiful tone. Mario Castelnuovo-Tedesco's Violin Concerto was written in 1931. It was commissioned by Jascha Heifetz who premiered it with Arturo Toscanini and the New York Philharmonic Orchestra. Castelnuovo-Tedesco referred to the piece as is a kind of biblical concerto, an evocation of times in the glorious past. Respighi’s Concerto Gregoriano also conveys through the use of chant and open harmonies a former time full of peace and spirituality. The musical style of the Argentinean Carlos Guastavino’s song La Rosa y el Sauce [The Rose and the Willow Tree], arranged here for violin and orchestra by the featured soloist José Miguel Cueto, is based around the composer’s native folk music. | | | In stock - usually despatched within 1 working day. |
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| |  | Melodías de (in)dependenciaCanciones de México y Argentina
Gerardo Garciacano (baritone) & Alexandra Goloubitskaia (piano) This CD combines songs that - in different ways - illustrate the lively back and forth between the influence of European traditions and that of Latin American folklore on the composition of art songs in Argentina and Mexico. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Guastavino: Argentinian Melodies
Guastavino is one of Argentina’s major composers. He created an attractive national music using folk elements and a language firmly rooted in Romanticism. This collection includes his Clarinet Sonata, piano solos, as well as transcriptions of some of the maestro’s loveliest songs for clarinet. Héau is an important figure in the French clarinet school, performing as a soloist as well as giving master classes. | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | I’m Suddenly Spanish
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Anna Netrebko - SouvenirsSpecial Edition
Arditi: | Il Bacio | Charpentier, G: | Depuis le jour (from Louise) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 | Giménez: | La tempránica: Zapateado 'La tarántula é un bicho mú malo' | Grieg: | Peer Gynt: Solveig's Song | Guastavino: | La rosa y el sauce arr.: Guillo Espel | Hahn, R: | L'Enamourée arr.: Andreas N. Tarkmann | Heuberger: | Midnight Bells (from Der Opernball) | Kalman: | Heia, in den Bergen from Die Csárdásfürstin | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) | Lloyd Webber, A: | Requiem: Pie Jesu | Messager: | Fortunio: 'Je ne vois rien..Lorsque je n'etais qu'une enfant' | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) | Rimsky Korsakov: | Not the wind blowing from the heights, Op.43, No.2 arr.: Andreas N. Tarkmann Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 arr.: Andreas N. Tarkmann | Strauss, R: | Cäcilie, Op. 27 No. 2 Wiegenlied, Op. 41 No. 1 | trad.: | Schlof sche, mein Vögele arr.: Friedrich Meyer |
Soprano superstar Anna Netrebko steps away from the operatic stage to create her most personal and intimate album yet. Souvenirs is a gorgeous collection of short and sparkling pieces that allow Anna to display her amazing voice and temperament “This recording is like a bridal bouquet, bursting with variety and colours,” says Anna Netrebko. “I want it to create a wonderful array of emotions – passion, fun, love, tenderness.” The album includes repertoire from all over the world: songs in French, German, Italian, Norwegian, Latin, Czech, Yiddish, Spanish and – of course – Russian. These are pieces that are very close to Anna’s heart and include treasures by Dvorák, Grieg, Carlos Guastavino, Reynaldo Hahn, Offenbach, Richard Strauss, as well as rarely performed songs by Rimsky-Korsakov. For this special project, Anna is accompanied by conductor Emmanuel Villaume and the Prague Philharmonia. Villaume is well-known as the director of the Spoleto Festival (USA) and is a regular guest at major opera houses such as the Teatro La Fenice and the Met. He has previously worked with Anna in concert and is a perfect match for her passionate artistry. On this album Anna Netrebko has a few stunning guests to partner with her: Elina Garanca for Offenbach's Barcarole, Andrew Swait for Andrew Lloyd Webber's “Pie Jesu” (Requiem), Piotr Beczala for Heuberger's “Im Chambre Séparée”. Stunningly talented, gorgeous and intelligent, Netrebko already has the music world at her feet making this one of THE albums of 2008, eagerly awaited by her legions of fans as well as all music lovers worldwide. Cap Box / Limited Edition: This will be the perfect Christmas gift package for the fans. It will have CD + booklet, bonus DVD, postcards and poster. A MUST HAVE! | | | Usually despatched in 2 - 3 working days. |
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| |  | Anna Netrebko - SouvenirsStandard Edition
Arditi: | Il Bacio | Charpentier, G: | Depuis le jour (from Louise) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 | Giménez: | La tempránica: Zapateado 'La tarántula é un bicho mú malo' | Grieg: | Peer Gynt: Solveig's Song | Guastavino: | La rosa y el sauce arr.: Guillo Espel | Hahn, R: | L'Enamourée arr.: Andreas N. Tarkmann | Heuberger: | Midnight Bells (from Der Opernball) | Kalman: | Heia, in den Bergen from Die Csárdásfürstin | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) | Lloyd Webber, A: | Requiem: Pie Jesu | Messager: | Fortunio: 'Je ne vois rien..Lorsque je n'etais qu'une enfant' | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) | Rimsky Korsakov: | Not the wind blowing from the heights, Op.43, No.2 arr.: Andreas N. Tarkmann Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 arr.: Andreas N. Tarkmann | Strauss, R: | Cäcilie, Op. 27 No. 2 Wiegenlied, Op. 41 No. 1 | trad.: | Schlof sche, mein Vögele |
Soprano superstar Anna Netrebko steps away from the operatic stage to create her most personal and intimate album yet. Souvenirs is a gorgeous collection of short and sparkling pieces that allow Anna to display her amazing voice and temperament “This recording is like a bridal bouquet, bursting with variety and colours,” says Anna Netrebko. “I want it to create a wonderful array of emotions – passion, fun, love, tenderness.” The album includes repertoire from all over the world: songs in French, German, Italian, Norwegian, Latin, Czech, Yiddish, Spanish and – of course – Russian. These are pieces that are very close to Anna’s heart and include treasures by Dvorák, Grieg, Carlos Guastavino, Reynaldo Hahn, Offenbach, Richard Strauss, as well as rarely performed songs by Rimsky-Korsakov. For this special project, Anna is accompanied by conductor Emmanuel Villaume and the Prague Philharmonia. Villaume is well-known as the director of the Spoleto Festival (USA) and is a regular guest at major opera houses such as the Teatro La Fenice and the Met. He has previously worked with Anna in concert and is a perfect match for her passionate artistry. On this album Anna Netrebko has a few stunning guests to partner with her: Elina Garanca for Offenbach's Barcarole, Andrew Swait for Andrew Lloyd Webber's “Pie Jesu” (Requiem), Piotr Beczala for Heuberger's “Im Chambre Séparée”. Stunningly talented, gorgeous and intelligent, Netrebko already has the music world at her feet making this one of THE albums of 2008, eagerly awaited by her legions of fans as well as all music lovers worldwide. “Netrebko is nothing if not adventurous in her choice of "lollipops", and sings in nine languages. Although the fireworks of Arditi's "Il bacio" bring the disc to an exuberant finish, the introspective songs fare best.” Gramophone Magazine, December 2008 “In this lightweight collection of songs and arias from opera, operetta and zarzuela, the Russian star soprano sticks mainly to slow-tempo numbers. Richly coloured and in top condition, her voice exhibits a mezzo-like warmth in such pieces as 'Meine Lippen, sie küssen so heiss' from Lehár's Giuditta or 'Depuis le jour' from Charpentier's Louise. It is indeed an exceptional instrument.” BBC Music Magazine, February 2009 *** | | | Usually despatched in 2 - 3 working days. |
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| |  | Flores ArgentinasCanciones de Carlos Guastavino
Dalton Baldwin (piano), Desiree Halac (mezzo-soprano) Argentinian-born Désirée Halac presents a beautifully performed recital of songs by Carlos Guastavino. The obituary written for The Guardian called Guastavino the most quietly distinctive voice in 20th century Argentinian music. His distillation of local folk elements into an avowedly romantic-nationalist idiom was unique and markedly different from his colleagues. Guastavino wrote some 300 works, more than half of them the delightful songs, often winsome or tinged with sadness, on which his reputation rests. “Guastavino surely deserves greater recognition in North America. His easily accessible music bridges the gap between the...populism of Astor Piazzolla and the austere academicism of Alberto Ginastera. ...Ms. Halac...is so assured, so comfortable in her delivery...that one wonders why we have never heard her on record before” American Record Guide “Halac sounds at home in this music and never tries to overplay its fragile charms. ...This is a lovely recital and I hope it makes both the music of Carlos Guastavino and the voice of Desirée Halac better known.” MusicWeb International | |
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| |  | AsturianaHighly melodic and atmospheric ‘songs without words’ by Spanish and Argentinean composers De Falla, Granados, Ginastera, Guastavino, Montsalvatge and Buchardo, transcribed by Kashkashian and Levin
“It looks like a standard song recital, yet it's played on the viola. …the opening excerpt from Falla's Seven Popular Songs… turns up later in its usual context to hypnotic effect: slower than would be singable, and so contemplative that it sounds like Arvo Pärt. The sense of concentration, with minute inflections of line and timbre in which the pianist is caught up too, continues into the ensuing Granados set.” BBC Music Magazine, December 2007 ***** “The performances deceive the ear into thinking these idiomatic arrangements are instrumental originals.” Gramophone Magazine, November 2007 | | | Usually despatched in 4 - 5 working days. |
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| |  | Songs from Latin America
Marina Tafur (soprano), Nigel Foster (piano) | | | Usually despatched in 4 - 5 working days. |
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