Guastavino: La rosa y el sauce

This page lists all recordings of La rosa y el sauce, by Carlos Guastavino (1912-2000) on CD, SACD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

Recommendations

Editor's Choice
December 2008

All recordings

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Chen Reiss: The Nightingale and the Rose

Chen Reiss: The Nightingale and the Rose


Bellini:

Vanne, o rosa fortunata

Berg:

Die Nachtigall

Brahms:

An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty)

Fauré:

Les roses d'Ispahan Op. 39 No. 4

Franck, C:

Roses et papillons

Le mariage des roses

Grieg:

Seks Sange, Op. 48 No. 4 'Die verschwiegene Nachtigall'

Zur Rosenzeit (No. 5 from Seks Sange, Op. 48)

Guastavino:

La rosa y el sauce

Hahn, R:

Le rossignol des lilas

Krenek:

Die Nachtigall

Mahler:

Ablösung im Sommer (Lieder und Gesänge aus der Jugendzeit)

Meyerbeer:

Die Rosenblätter

Purcell:

Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585)

Rimsky Korsakov:

The Nightingale and the Rose

Saint-Saëns:

Le Rossignol (de Banville)

Schubert:

Heidenröslein, D257

Schumann:

Die Rose, die Lilie, die Taube, die Sonne (No. 3 from Dichterliebe, Op. 48)

Meine Rose, Op. 90 No. 2

Sherwin, M:

A Nightingale Sang in Berkeley Square

Strauss, R:

Rote Rosen, AV76

Das Rosenband, Op. 36 No. 1

Viardot-Garcia:

Les deux roses

Weber:

Das Röschen ('Ich sah ein Röschen am Wege steh’n'), J. 67 (Op. 15 No. 5)

Zeira:

Shnei Shoshanim (Two roses)


Chen Reiss (soprano) & Charles Spencer (piano)

Chen Reiss’s debut album 'Liaisons' was internationally acclaimed for both the repertoire selection and the sheer brilliance of the musicianship displayed by Reiss.

Gramophone magazine called her performances of arias by Haydn, Mozart, Salieri and Cimarosa "standard-setting" and BBC Music magazine called it "top-drawer".

For her second ONYX CD Chen Reiss and pianist Charles Spencer have assembled a wonderful collection of songs on the subject of 'The Nightingale and the Rose' – songs that convey the magic of being in love, the heartbreak of love lost, the memories, the fun, the fantasies all associated with that strange, mysterious, dangerous and all-powerful condition –

love.

In repertoire that ranges from Purcell to Krenek, Hahn to Meyerbeer and Rimsky-Korsakov, and ends in Berkeley Square in London, this is a programme tailor-made for Chen Reiss’s remarkable voice and it will seduce you.

“It is a measure of her gifts that Chen Reiss takes all these composers in her stride. That vocal stride is impressive: sustained lyric tone that is only rarely forced...Charles Spencer is as ever the perfect partner” BBC Music Magazine, April 2013 ****

“Reiss fields a supple, vernal lyric-coloratura that soars without strain or hardness into the stratosphere. Discerningly partnered by Charles Spencer, she can spin a pure legato and always phrases musically, with rubato growing naturally from the curve of the line and the flux of the harmony...this is a more-than-promising recital from a soprano whose vocal ease and allure make her an artist to watch.” Gramophone Magazine, March 2013

Onyx - ONYX4104

(CD)

$15.00

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Anna Netrebko - Souvenirs

Anna Netrebko - Souvenirs

Standard Edition


Arditi:

Il Bacio

Charpentier, G:

Depuis le jour (from Louise)

Dvorak:

Songs My Mother Taught Me, Op. 55 No. 4

Giménez:

La tempránica: Zapateado 'La tarántula é un bicho mú malo'

Grieg:

Peer Gynt: Solveig's Song

Guastavino:

La rosa y el sauce

arr.: Guillo Espel

Hahn, R:

L'Enamourée

arr.: Andreas N. Tarkmann

Heuberger:

Midnight Bells (from Der Opernball)

Kalman:

Heia, in den Bergen from Die Csárdásfürstin

Lehár:

Meine Lippen sie Kussen so heiss (from Giuditta)

Lloyd Webber, A:

Requiem: Pie Jesu

Messager:

Fortunio: 'Je ne vois rien..Lorsque je n'etais qu'une enfant'

Offenbach:

Barcarolle (from Les Contes d'Hoffmann )

Rimsky Korsakov:

Not the wind blowing from the heights, Op.43, No.2

arr.: Andreas N. Tarkmann

Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2

arr.: Andreas N. Tarkmann

Strauss, R:

Cäcilie, Op. 27 No. 2

Wiegenlied, Op. 41 No. 1

trad.:

Schlof sche, mein Vögele


Anna Netrebko (sopano)

Soprano superstar Anna Netrebko steps away from the operatic stage to create her most personal and intimate album yet. Souvenirs is a gorgeous collection of short and sparkling pieces that allow Anna to display her amazing voice and temperament

“This recording is like a bridal bouquet, bursting with variety and colours,” says Anna Netrebko. “I want it to create a wonderful array of emotions – passion, fun, love, tenderness.”

The album includes repertoire from all over the world: songs in French, German, Italian, Norwegian, Latin, Czech, Yiddish, Spanish and – of course – Russian. These are pieces that are very close to Anna’s heart and include treasures by Dvorák, Grieg, Carlos Guastavino, Reynaldo Hahn, Offenbach, Richard Strauss, as well as rarely performed songs by Rimsky-Korsakov. For this special project, Anna is accompanied by conductor Emmanuel Villaume and the Prague Philharmonia. Villaume is well-known as the director of the Spoleto Festival (USA) and is a regular guest at major opera houses such as the Teatro La Fenice and the Met. He has previously worked with Anna in concert and is a perfect match for her passionate artistry. On this album Anna Netrebko has a few stunning guests to partner with her: Elina Garanca for Offenbach's Barcarole, Andrew Swait for Andrew Lloyd Webber's “Pie Jesu” (Requiem), Piotr Beczala for Heuberger's “Im Chambre Séparée”. Stunningly talented, gorgeous and intelligent, Netrebko already has the music world at her feet making this one of THE albums of 2008, eagerly awaited by her legions of fans as well as all music lovers worldwide.

“In this lightweight collection of songs and arias from opera, operetta and zarzuela, the Russian star soprano sticks mainly to slow-tempo numbers. Richly coloured and in top condition, her voice exhibits a mezzo-like warmth in such pieces as 'Meine Lippen, sie küssen so heiss' from Lehár's Giuditta or 'Depuis le jour' from Charpentier's Louise. It is indeed an exceptional instrument.” BBC Music Magazine, February 2009 ***

“Netrebko is nothing if not adventurous in her choice of "lollipops", and sings in nine languages. Although the fireworks of Arditi's "Il bacio" bring the disc to an exuberant finish, the introspective songs fare best.” Gramophone Magazine, December 2008

GGramophone Magazine

Editor's Choice - December 2008

DG - 4777639

(CD)

$14.00

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La Furia- Passion, Fury and Melancholia

La Furia- Passion, Fury and Melancholia


Cassadó:

Suite for Solo Cello

Falla:

Suite populaire espagnole

García Abril:

No por amor, no por tristeza

Ginastera:

Triste

Granados:

Danza española, Op. 37 No. 5 'Andaluza'

Guastavino:

La rosa y el sauce

Nin:

Seguida española

Piazzólla:

Le Grand Tango


Mayke Rademakers (cello), Matthijs Verschoor (piano)

The second release of versatile Dutch cellist Mayke Rademakers on Challenge Classics is a thoughtfully-planned and exciting selection of Spanish and Latin American pieces which take inspiration from folk music - in a nutshell, flamenco and tango.

Among the Spanish pieces Rademakers and pianist Matthijs Verschoor play are the 'Suite Populare Espanola' by Falla and Granados's 'Andaluza', while the South American ones include Piazzolla's 'Le Grand Tango' and music by Ginastera and Guastavino. At the centre of the programme is the Suite for solo cello by Gaspar Cassadó.

The cellist says: "Spanish music takes folk music as its starting point. 'La Furia' is based on that idea. This music is about the heat, the poverty, about lifestyle and passion. La furia literally means anger or aggression. But in Latin, the word has very positive connotations. It means doing what your instincts tell you, acting with passion, giving it your all."

Mayke Rademakers first studied with the Hungarian cellist György Schiffer, and later with André Navarra, William Pleeth and Janos Starker. Rademakers has appeared as soloist in numerous recitals, chamber music concerts, broadcasts and solo concerts both in Europe and the USA (Aspen Festival). Her previous recordings - with works by composers such as Brahms, Liszt, Rachmaninov, Shostakovich, and Bridge - were acclaimed by the international press. Her most recent release, in 2015, was her first for Challenge and featured Bach's six Cello Suites coupled with pieces by contemporary composers & improvisations (CC72682, 3-CD set).

Super Audio CD

Format:

Hybrid Multi-channel

Challenge Classics - CC72690

(SACD)

$16.25

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Argentine Cello

Argentine Cello


Bragato:

Graciela y Buenos Aires

Cobián:

La Casita de mis Viejos

(arr. for cello and piano)

Gaito:

Sonata, Op. 26 for Violoncello & Piano

(arr. for cello and piano)

Ginastera:

Pampeana No. 2 for cello & piano, Op. 21

Triste

Guastavino:

La rosa y el sauce

(arr. for cello and piano)

Piazzólla:

Le Grand Tango

Solare:

Tengo un tango

(arr. for cello and piano)

Sonatango

(arr. for cello and piano)

Talisman

(arr. for cello and piano)


Zoe Knighton (cello), Amir Farid (piano)

Move Records - MD3347

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The Lyric Clarinet

The Lyric Clarinet


Barber:

Sure on this shining night, Op. 13 No. 3

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 1 May 2011)

Philip Fortenberry (piano)

Brahms:

Wie Melodien zieht es mir, Op. 105 No. 1

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 28 July 2013)

Voltaire Verzosa (piano)

Vergebliches Ständchen, Op. 84 No. 4

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 28 July 2013)

Voltaire Verzosa (piano)

Botschaft, Op. 47 No. 1

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 28 July 2013)

Voltaire Verzosa (piano)

Debussy:

Beau Soir

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 4 August 2013)

Voltaire Verzosa (piano)

Mandoline (Verlaine)

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 4 August 2013)

Voltaire Verzosa (piano)

Clair de Lune (from Suite Bergamasque)

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 4 August 2013)

Voltaire Verzosa (piano)

Duke, J W:

I Carry Your Heart

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 1 May 2011)

Philip Fortenberry (piano)

Gause:

Lunar Lace

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 24 September 2004)

D. Gause (piano)

Guastavino:

La rosa y el sauce

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 1 May 2011)

Philip Fortenberry (piano)

El Sampedrino

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 1 May 2011)

Philip Fortenberry (piano)

Milonga de dos Hermanos

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 1 May 2011)

Philip Fortenberry (piano)

Laitman:

The Apple Orchard

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 1 May 2011)

Philip Fortenberry (piano)

Poulenc:

Bleuet

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 4 August 2013)

Voltaire Verzosa (piano)

Les chemins de l'amour

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 4 August 2013)

Voltaire Verzosa (piano)

Banalités

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 4 August 2013)

Voltaire Verzosa (piano)

Schubert:

Nacht und Träume, D827

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 28 July 2013)

Voltaire Verzosa (piano)

Schumann:

Widmung, Op. 25 No. 1

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 28 July 2013)

Voltaire Verzosa (piano)

Er, der Herrlichste von allem (No. 2 from Frauenliebe und Leben, Op. 42)

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 28 July 2013)

Voltaire Verzosa (piano)

Sondheim:

A Little Night Music: Send in the Clowns

(recorded at the College of Southern Nevada, Las Vegas, Nevada, United States, 1 May 2011)

Philip Fortenberry (piano)


F. Gerard Errante (clarinet)

Ravello Records - RR7886

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Melodías de (in)dependencia

Melodías de (in)dependencia

Canciones de México y Argentina


Galindo:

Arrullo - Cradle song

Ginastera:

Cinco canciones populares argentinas Op. 10

Grever:

Despedida

Guastavino:

Cuatro canciones argentinas (1949)

Cita

Bonita rama de sauce

Pampamapa

La siempre viva

La tempranera

Se equivocó la paloma

La rosa y el sauce

Moreno, S:

Cancion del najanjo seco

Revueltas:

Cinco canciones de niños

Velázquez, C:

Besame Mucho


Gerardo Garciacano (baritone) & Alexandra Goloubitskaia (piano)

This CD combines songs that - in different ways - illustrate the lively back and forth between the influence of European traditions and that of Latin American folklore on the composition of art songs in Argentina and Mexico.

Telos Music - TLS1011

(CD)

$9.75

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Castelnuovo-Tedesco & Respighi: Violin Concertos

Castelnuovo-Tedesco & Respighi: Violin Concertos


Castelnuovo-Tedesco:

Violin Concerto No. 2 ‘The Prophets’

Guastavino:

La rosa y el sauce

transcription for violin and orchestra by José Miguel Cueto

Respighi:

Concerto gregoriano


José Miguel Cueto (violin)

St. Petersburg Symphony Orchestra, Vladimir Lande

Although written during the 20th century, the two major works on this CD, Castelnuovo-Tedesco’s Violin Concerto No. 2 “I Profeti” and Respighi’s Concerto Gregoriano, hark back to a world of the past. The disc also includes an arrangement by violin soloist José Miguel Cueto of the song La Rosa y el Sauce by the Argentinean composer Carlos Guastavino. Cueto is accompanied by the St Petersburg Symphony Orchestra under the baton of Vladimir Lande.

Virtuoso violinist José Miguel Cueto was born in Puerto Rico where he received early piano and violin training. He studied violin at the Conservatory of Music of Puerto Rico and Peabody Conservatory. He is admired by public and critics for his solid technique and beautiful tone.

Mario Castelnuovo-Tedesco's Violin Concerto was written in 1931. It was commissioned by Jascha Heifetz who premiered it with Arturo Toscanini and the New York Philharmonic Orchestra. Castelnuovo-Tedesco referred to the piece as is a kind of biblical concerto, an evocation of times in the glorious past. Respighi’s Concerto Gregoriano also conveys through the use of chant and open harmonies a former time full of peace and spirituality. The musical style of the Argentinean Carlos Guastavino’s song La Rosa y el Sauce [The Rose and the Willow Tree], arranged here for violin and orchestra by the featured soloist José Miguel Cueto, is based around the composer’s native folk music.

Marquis - MARQUIS81407

(CD)

$14.75

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

I’m Suddenly Spanish

I’m Suddenly Spanish


Bernstein:

I Am Easily Assimilated 'Old Lady's Tango' (from Candide)

Bizet:

Vasco da Gama: Ouvre ton coeur

Chiara:

La Spagnola

Delibes:

Les filles de Cadix

Donizetti:

L'amante spagnuolo

Glinka:

Nochnoi Zefir (The Night Zephyr)

Bolero

I am here, Inezilla

Guastavino:

La rosa y el sauce

Lorca:

Landscape

Massenet:

Nuit d'Espagne

Montsalvatge:

Canciones negras (5)

Nin:

Granadina (from Cantos populares españoles)

Obradors:

El Vito (from Canciones clásicas españolas)

Ravel:

Chanson espagnole

Rossini:

Canzonetta spagnuola

Shostakovich:

Proschay, Grenada! (No. 1 from Six Spanish Songs, Op. 100)

Zviozdochki (No. 2 from Six Spanish Songs, Op. 100)

Stanford:

Eight Songs from 'The Spanish Gypsy' (George Eliot) Op. 1

Tchaikovsky:

Serenada Don-Zhuana (Don Juan's Serenade), Op. 38 No. 1


Stella Grigorian (soprano), Helmut Deutsch (piano)

Oehms - up to 25% off

Oehms - OC719

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Normally: $12.50

Special: $10.62

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Souvenirs

Souvenirs


anon.:

Schlof sche, mein Vögele

Arditi:

Il Bacio

Charpentier, G:

Depuis le jour (from Louise)

Dvorak:

Songs My Mother Taught Me, Op. 55 No. 4

Giménez:

La tempránica: Zapateado 'La tarántula é un bicho mú malo'

Grieg:

Peer Gynt: Solveig's Song

Guastavino:

La rosa y el sauce

Hahn, R:

L'Enamourée

Heuberger:

Gehen wir ins Chambre séparée (from Der Opernball)

Kalman:

Heia, in den Bergen from Die Csárdásfürstin

Lehár:

Meine Lippen sie Kussen so heiss (from Giuditta)

Lloyd Webber, A:

Requiem: Pie Jesu

Messager:

Fortunio: 'Je ne vois rien..Lorsque je n'etais qu'une enfant'

Offenbach:

Barcarolle (from Les Contes d'Hoffmann )

Rimsky Korsakov:

Not the wind blowing from the heights, Op.43, No.2

Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2

Strauss, R:

Cäcilie, Op. 27 No. 2

Wiegenlied, Op. 41 No. 1


DG - 4777638

(Sorry, download not available in your country)

Flores Argentinas

Flores Argentinas

Canciones de Carlos Guastavino


Guastavino:

Bonita rama de sauce

Pampamapa

La rosa y el sauce

Se equivocó la paloma

Mi viña de Chapanay

Hermano

Anhelo

Cita

Milonga de dos Hermanos

Pueblito, mi pueblo, Cancion Argentina (1957)

El Sampedrino

Abismo de sed

Ordinario rosal

Préstame tu pañuelito

Préstame tu pañuelito

Por los campos verdes

Balada

Flores Argentinas

Seis Canciones de Cuna

Cuatro canciones argentinas (1949)


Dalton Baldwin (piano), Desiree Halac (mezzo-soprano)

Argentinian-born Désirée Halac presents a beautifully performed recital of songs by Carlos Guastavino. The obituary written for The Guardian called Guastavino the most quietly distinctive voice in 20th century Argentinian music. His distillation of local folk elements into an avowedly romantic-nationalist idiom was unique and markedly different from his colleagues. Guastavino wrote some 300 works, more than half of them the delightful songs, often winsome or tinged with sadness, on which his reputation rests.

“Guastavino surely deserves greater recognition in North America. His easily accessible music bridges the gap between the...populism of Astor Piazzolla and the austere academicism of Alberto Ginastera. ...Ms. Halac...is so assured, so comfortable in her delivery...that one wonders why we have never heard her on record before” American Record Guide

“Halac sounds at home in this music and never tries to overplay its fragile charms. ...This is a lovely recital and I hope it makes both the music of Carlos Guastavino and the voice of Desirée Halac better known.” MusicWeb International

Albany - TROY1023

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