Lalo: Vainement, ma bien-aimée (from Le roi d’Ys) (Aubade)

This page lists all recordings of Vainement, ma bien-aimée (from Le roi d’Ys) (Aubade), by Edouard Lalo (1823-92) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Alain Vanzo: French Arias

Alain Vanzo: French Arias


Barrière, A:

Elle était si jolie

Berlioz:

Sur les monts les plus sauvages (from Benvenuto Cellini)

Bizet:

Je crois entendre encore (from Les Pêcheurs de Perles)

La jolie fille de Perth: Serenade

Delibes:

Lakmé! Lakmé! Ah! Viens dans la forêt profonde (from Lakmé)

Gounod:

Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust)

Mon cœur est plein d'un noir soucis... Anges du Paradis (from Mireille)

L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette)

Salut tombeau (from Roméo & Juliette)

Gretry:

Si l'universe entier m'oublie

Krier:

Le Rêve passe

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Massenet:

Instant charmant … En fermant les yeux (from Manon)

Je suis seul, seul enfin... Ah fuyez douce image (from Manon)

Pourquoi me reveiller (from Werther)

O bien aimée (from La Navarraise)

Thomas, Ambroise:

Adieu, Mignon! Courage! (Mignon)

Verdi:

O jours de peine

Je l'ai perdue! (from Don Carlos)


Alain Vanzo (tenor)

Alain Vanzo was born in Monaco in April 1928 and was apparently a gifted musician from an early age. From an inauspicious start, he was eventually heard by a singing teacher who recognised his talents, and from that point on, he was lucky enough to be integrated into the French music scene where he triumphed in various performances.

He made his debut at the Pera and the Opera-Comique in 1957, going on to sing the Duke of Mantua that same year.

He became known and respected as a lyric tenor and matured towards a more robust tenor, culminating in him taking on Werther at aged 40 and Don Jose at aged 45. By the time he reached the age of 48, and after his performance of Faust in 1976 in the US, he had become a star and this disc shows exactly why he was so well respected.

“What comes across is a singer with impeccable voice production, excellent diction, a pleasantly robust timbre – and, judging by the 1982 French-language interview included here, a refreshingly down-to-earth attitude to his art.” Financial Times, 8th June 2013 *****

“some of the most sheerly elegant and engaging tenor singing on record...everything he sings is worth hearing for the intrinsic charm and beauty of his very Gallic lyric tenor.” MusicWeb International, 25th July 2013

Malibran - CDRG201

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$9.50

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William Matteuzzi

William Matteuzzi


Bizet:

Je crois entendre encore (from Les Pêcheurs de Perles)

Donizetti:

Allegro io son (from Rita)

Pour me rapprocher de Marie (from La Fille du régiment)

Una furtiva lagrima (from L'elisir d'amore)

Gounod:

Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust)

L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette)

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Leoncavallo:

O Colombina, il tenero fido Arlecchin (from I Pagliacci)

Massenet:

Pourquoi me reveiller (from Werther)

Instant charmant … En fermant les yeux (from Manon)

Rimsky Korsakov:

Song of the Hindu Guest (from Sadko)

Rossini:

Oh come il fosco impetuoso nembo...Quell'alme pupille (from La Pietra del paragone)

Zandonai:

Done piansite (from Giulietta e Romeo)


William Matteuzzi (tenor)

Minsk Philharmonic Orchestra, Alain Guingal

Bongiovanni - GB2511

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Dennis O'Neill: Opera Gala

Dennis O'Neill: Opera Gala


Cilea:

È la solita storia 'Lamento di Federico' (from L'Arlesiana)

Donizetti:

Quanto è bella, quanto è cara! (from L'Elisir d'amore)

Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor)

Gounod:

L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette)

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Massenet:

Pourquoi me reveiller (from Werther)

Meyerbeer:

O Paradiso! (from L'Africana)

Puccini:

Recondita armonia (from Tosca)

Nessun dorma (from Turandot)

Ecco la Casa...Torna ai felici di (from Le Villi)

Rossini:

Se il mio nome (from Il Barbiere di Siviglia)

Verdi:

Quando le sere al placido (from Luisa Miller)

Forse la soglia attinse (from Un ballo in maschera)

Di' tu se fedele (from Un ballo in maschera)

O figli … Ah, la paterna mano (from Macbeth)


Dennis O'Neill (tenor)

Welsh National Opera Orchestra, Richard Armstrong

Collins Classics - CC-1195

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Richard Crooks

Richard Crooks


Bizet:

Je crois entendre encore (from Les Pêcheurs de Perles)

sung in Italian as 'Mi par d'udir ancora'

Cilea:

È la solita storia 'Lamento di Federico' (from L'Arlesiana)

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Friml:

Love everlasting

Only A Rose (from The Vagabond King)

Geehl:

For You Alone

Giordano, U:

Amor ti vieta (from Fedora)

Gounod:

Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust)

L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette)

Hardelot:

Because

Herbert, V:

Ah! Sweet Mystery of Life (Johnson Young)

Moonbeams (from Red Mill)

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Massenet:

Instant charmant … En fermant les yeux (from Manon)

Pourquoi me reveiller (from Werther)

Mozart:

Il mio tesoro intanto (from Don Giovanni)

Puccini:

E lucevan le stelle (from Tosca)

Rimsky Korsakov:

Song of the Hindu Guest (from Sadko)

Sung in French as 'Les diamants chez nous'

Tierney:

Rio Rita

Vicars:

Song of Songs (Chanson du coeur brisé)

Wagner:

Mein lieber Schwan (from Lohengrin)


Richard Crooks (tenor)

Richard Crooks had a bright instrumental tenor voice, similar to that of John McCormack. His singing was characterized by his musicality, line and concentration of tone. His recordings are considered as examples of elegant singing culture.

Preiser Lebendige Vergangenheit - PR89744

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$14.25

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Viva Opéra!

Viva Opéra!


Alfano:

Roxane..Adieu! Je vais mourir! (from Cyrano de Bergerac)

Berlioz:

L'Enfance du Christ, Op. 25: Le Repos de la Sainte Famille

Inutiles regrets…En un dernier naufrage (from Les Troyens)

La Damnation de Faust, Op. 24: Merci, doux crépuscule!

Bizet:

A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles)

La fleur que tu m'avais jetée (from Carmen)

Bruneau:

Le jour tombe, la nuit va bercer (from L'Attaque du Moulin)

Cilea:

È la solita storia 'Lamento di Federico' (from L'Arlesiana)

Donizetti:

Ah! mes amis, quel jour de fête! (from La Fille du Régiment)

Una furtiva lagrima (from L'elisir d'amore)

Un ange, une femme inconnue (from La Favorite)

Flotow:

M'appari (from Martha)

Giordano, U:

Come un bel dì di maggio (from Andrea Chénier)

Gounod:

Salut tombeau (from Roméo & Juliette)

Halévy:

Rachel, quand du Seigneur (from La Juive)

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Mascagni:

Mamma, quel vino (from Cavalleria Rusticana)

Massenet:

Pourquoi me reveiller (from Werther)

Meyerbeer:

Pays merveilleux... Ô paradis (from L'Africaine)

Ponchielli:

Cielo e mar! (from La Gioconda)

Puccini:

Che gelida manina (from La Bohème)

O soave fanciulla (from La Bohème)

Nessun dorma (from Turandot)

Rouget de Lisle:

La Marseillaise (arr. Berlioz)

Verdi:

La donna è mobile (from Rigoletto)

Di quella pira (from Il trovatore)

Ah, la paterna mano (from Macbeth)

Se quel guerrier io fossi!…Celeste Aida (from Aida)

Celeste Aida (from Aida)

Dio, mi potevi scagliar tutti i mali (from Otello)

Ma, o pianto, o duo (from Otello)

Niun mi tema (from Otello)


“...Alagna’s singing is passionate, endearing, full-voiced and very musical. Plus he is courageous and talented enough to follow Verdi’s markings in the ‘pppp’ ending of the aria ‘Celeste Aida’. There are not many tenors who can do that...All in all, a wonderful experience from a singer at his peak.” MusicWeb International

DG - E4776563

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French Opera Arias

French Opera Arias


Bazin:

Je pense à vous (from Maître Pathelin)

Berlioz:

La Damnation de Faust, Op. 24: Nature immense, impénétrable et fière

Bizet:

Je crois entendre encore (from Les Pêcheurs de Perles)

Bruneau:

Le jour tombe, la nuit va bercer (from L'Attaque du Moulin)

Cherubini:

J’ai vu disparaitre l’espoir (from Les Abencérages)

Gluck:

Unis des la plus tendre enfance (from Iphigénie en Tauride)

Gounod:

Mon cœur est plein d'un noir soucis... Anges du Paradis (from Mireille)

Gretry:

Tandis que tout sommeille (from L'Amant Jaloux)

Halévy:

Rachel, quand du Seigneur (from La Juive)

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Massenet:

Ah! Tout est bien fini... O souverain (from Le Cid)

Méhul:

Champs paternels (from Joseph en Égypte)

Meyerbeer:

Pays merveilleux... Ô paradis (from L'Africaine)

Saint-Saëns:

Samson et Dalila; Vois ma misère, hélas Samson

Thomas, Ambroise:

Elle ne croyait pas, dans sa candeur naïve (from Mignon)


“This is an interestingly put together recital which manages to illuminate much of the tenor repertoire in 19th century French opera (and early) whilst mixing the known and the unknown. Of course, it only works properly because Alagna brings to each aria his familiar intelligence and musicality.” MusicWeb International

DG - E4776280

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Opera Fantasies for Violin

Opera Fantasies for Violin


Bizet:

Au fond du temple saint (from Les Pêcheurs de Perles)

arr. Benjamin Loeb

Golijov:

Desde mi ventana (From My Window) from Ainadamar

arr. Golijov/Stephen Prutsman

Hubay:

Carmen-fantázia Op. 3. No. 3

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

arr. Joseph Szigeti

Paganini:

I Palpiti, Op. 13

Prutsman:

Fantasy Extract on Themes from Richard Strauss’s Der Rosenkavalier

Raff:

Duo, Op. 63,3 on motifs from Wagner’s Lohengrin

Stravinsky:

Chanson Russe

arr. Samuel Dushkin

Weill, K:

Song of Human Insufficiency/Mack the Knife (Seven Pieces from The Threepenny Opera, No. 1)

arr. Stefan Frenkel


Livia Sohn (violin), Benjamin Loeb (piano) & Geoff Nuttall (violin/viola)

Naxos - 8570202

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$8.50

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Great Operatic Arias 1 - Bruce Ford Volume 1

Great Operatic Arias 1 - Bruce Ford Volume 1

Sung in English


Bizet:

La jolie fille de Perth: Serenade

Sung in English as 'The sounds of distant laughter'

Delibes:

Lakme, c'est toi qui nous proteges (from Lakmé)

Sung in English 'Lakme! Lakme! It is you...'

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Sung in English as 'I saw the tear...'

Flotow:

Ach, so fromm (from Martha)

Sung in English as 'None so rare, none so fair'

Handel:

Semele: Where'er you walk

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Sung in English as 'Since your unbending guardians...'

Mozart:

Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail)

Sung in English as 'Constanza! Constanza! To see you once more!'

Rimsky Korsakov:

Song of the Hindu Guest (from Sadko)

Sung in English as 'From crystal waters and from misty mountains'

Rossini:

Come l'aurette placido (from Armida)

Sung in English as 'Murmuring breezes cool the air'

Cessa di più resistere (from Il barbiere di Siviglia)

Sung in English as 'Finish this futile argument'

Verdi:

Dal labbro il canto estasiato vola (from Falstaff)

Sung in English as 'From these true lovers' lips


Chandos Opera in English - Great Operatic Arias - CHAN3006

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Less 100 Plus Beaux Airs de Roberto Alagna

Less 100 Plus Beaux Airs de Roberto Alagna


includes

 

Notre pere

Salade de Fruits

Adam:

O Holy Night

Alagna, D:

Le Dernier Jour d'un Condamne

Alfano:

Roxane..Adieu! Je vais mourir! (from Cyrano de Bergerac)

anon.:

Fenesta che lucive

Bellini:

A te, o cara (from I Puritani)

Meco all´altar di Venere (from Norma)

Me protegge, me difende (from Norma)

Berlin, I:

White Christmas

Berlioz:

La Damnation de Faust, Op. 24: Merci, doux crépuscule!

La gloire etait ma seule idole (from Benvenuto Cellini)

Ah! Je vais l'aimer, mon cœur me l'annonce (from Béatrice et Bénédict)

O blonde Cérès (from Les Troyens)

La Damnation de Faust, Op. 24: Ange adore

Bizet:

A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles)

Agnus Dei

Elle est là...À la voix d'un amant fidèle (from La jolie fille de Perth)

Boito:

Giunto sul passo estremo (from Mefistofele)

Buzzi-Peccia:

Lolita

Caplet:

Panis Angelicus

Capua:

Maria, Marì

Cherubini:

J’ai vu disparaitre l’espoir (from Les Abencérages)

Cilea:

È la solita storia 'Lamento di Federico' (from L'Arlesiana)

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Povero Ernesto...cercherò lontano terra (from Don Pasquale)

Farrés:

Quizás, quizás, quizás

Fauré:

Crucifix

O Salutaris, Op. 47 No. 1

Franck, C:

Panis Angelicus

Gluck:

Quel langage (from Iphigénie en Tauride)

Gounod:

Mon cœur est plein d'un noir soucis... Anges du Paradis (from Mireille)

Salut tombeau (from Roméo & Juliette)

Ave Maria

La salutation angélique

Repentir (O Divine Redeemer)

St Cecilia Mass: Sanctus

Gretry:

Tandis que tout sommeille (from L'Amant Jaloux)

Gruber, F:

Silent Night

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Cette nuit (from Fiesque)

Lara, Augustin:

Piensa en mi

Leoncavallo:

Non parlate così!... Io non ho che una povera stanzetta (from La bohème)

Au clair de la lune

O Colombina, il tenero fido Arlecchin (from I Pagliacci)

López, Francis:

México

Mariachi version

La Belle de Cadix

Ruiseñor

Acapulco

Malagueña

Massenet:

Pourquoi me reveiller (from Werther)

Matos Rodriguez:

La Cumparsita

Meyerbeer:

Pays merveilleux... Ô paradis (from L'Africaine)

Mingardo:

Carrettiere

Mozart:

Deh! vieni alla finestra (from Don Giovanni)

Puccini:

Che gelida manina (from La Bohème)

Nessun dorma (from Turandot)

Rossini:

Asile héréditaire (from Guillaume Tell)

Se il mio nome (from Il Barbiere di Siviglia)

Rota:

The Godfather theme

Rouget de Lisle:

La Marseillaise

Saint-Saëns:

Panis angelicus

Schubert:

Ave Maria, D839

Scotto, V:

Violetas imperiales

Tosti:

A vucchella

trad.:

Il est né le divin Enfant

Gentil père Noël

O Tannenbaum

Petit papa Noël

Chiovu 'Abballati'

La Llorona

A lu mircatu

Verdi:

La donna è mobile (from Rigoletto)

Di quella pira (from Il trovatore)

O figli … Ah, la paterna mano (from Macbeth)

Mercè, diletti amici (from Ernani)

Come rugiada al cespite (from Ernani)

Dell’esilio nel dolore (from Ernani)

Quando le sere al placido (from Luisa Miller)

Ma se m'è forza perderti (from Un ballo in maschera)

Wade, J F:

O come, all ye faithful

Wolf-Ferrari:

Sly

Zandonai:

Giulietta, son io (from Giulietta e Romeo)


Following on from the 50th birthday of the French public's favourite tenor, discover the 100 most beautiful arias and songs performed by Roberto Alagna, brought together for the first time in a 5-CD set. In a career spanning more than 20 years, Roberto Alagna has travelled all over the globe, singing in the world's greatest opera houses as well as filling concert halls with a repertoire of popular songs. This set features highlights of his entire recording career (both operatic and crossover), presented thematically.

DG - 4802562

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$32.25

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Leopold Simoneau: The Ultimate Collection

Leopold Simoneau: The Ultimate Collection


includes

Berlioz:

Grande Messe des Morts, Op. 5 (Requiem) - Sanctus

Bizet:

A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles)

Parle-moi de ma mère (from Carmen)

La fleur que tu m'avais jetée (from Carmen)

C'est toi! (from Carmen)

Cilea:

È la solita storia 'Lamento di Federico' (from L'Arlesiana)

Cimarosa:

Cara non dubitar (from Il Matrimonio Segreto)

Delibes:

Lakmé (highlights)

Donizetti:

Una furtiva lagrima (from L'elisir d'amore)

Com'é gentil…Tornami a dir (from Don Pasquale)

Sulla tomba che rinserra (from Lucia di Lammermoor)

Duparc:

La Vie antérieure

L'Invitation au voyage

Chanson triste

Testament

Sérénade Florentine

La Vague et la Cloche

Lamento

Élégie

Sérénade

Au pays ou se fait la guerre

Soupir

Chanson triste

Extase

Le Manoir de Rosemonde

Fauré:

Au cimetière, Op. 51 No. 2

Clair de Lune, Op. 46 No. 2

Poème d'un jour Op. 21

Flotow:

Ach, so fromm (from Martha)

Gluck:

Quel nouveau ciel (from Orphée et Eurydice)

J'ai perdu mon Eurydice (from Orphée et Eurydice)

Quel langage (from Iphigénie en Tauride)

Unis des la plus tendre enfance (from Iphigénie en Tauride)

Ah! mon ami (from Iphigénie en Tauride)

Divinité des grandes âmes (from Iphigénie en Tauride)

Gounod:

Il se fait tard ! Adieu ! (from Faust)

La brise est douce et parfumée (from Mireille)

O nuit divine! (from Roméo et Juliette)

Va! je t'ai pardonné (from Roméo et Juliette)

Halévy:

Rachel, quand du Seigneur (from La Juive)

Handel:

Te Deum in D major 'Dettingen', HWV283: Vouchsafe, O Lord

Would you gain the tender creature (from Acis and Galatea)

Love sounds the alarm (from Acis and Galatea)

Haydn:

She Never Told Her Love, Hob. XXVIa:34

Sailor's Song, Hob. XXVIa:31

Genügsamkeit

Lalo:

Vainement, ma bien-aimée (from Le roi d’Ys)

Massenet:

Ah! Tout est bien fini... O souverain (from Le Cid)

Manon: excerpts

Mais renoncer...Liberté (from Les Jongleur de Notre Dame)

Méhul:

Vainement Pharaon dans sa reconnaissance (from Joseph)

Champs paternels (from Joseph en Égypte)

Mozart:

Qual mi conturba I sensi - Fuor del mar from Idomeneo

Ah non sarebbe il viver mio...Non temer amato bene (from Idomeneo)

Principessa, a' tuoi sguardi...Spiegarti non poss'io (from Idomeneo)

Torna la pace (from Idomeneo)

Se all' Impero (from La Clemenza di Tito)

Ah, se fosse intorno al trono (from La Clemenza di Tito)

Die Zauberflöte, K620: excerpts

Die Entführung aus dem Serail, K384 (highlights)

Don Giovanni: excerpts

Così fan tutte, K588: excerpts

Tu mi lasci (from La finta giardiniera)

Oiseaux, si tous les ans, K307

An Chloë, K524

Abendempfindung an Laura, K523

Per pieta, non ricercate KV 420

Misero! O sogno…Aura che intorno spiri, K431

Offenbach:

Les Contes d'Hoffmann: excerpts

Puccini:

O soave fanciulla (from La Bohème)

E lucevan le stelle (from Tosca)

Rameau:

L' Impatience

Rossini:

Ecco, ridente in cielo (from Il Barbiere di Siviglia)

Thomas, Ambroise:

Adieu, Mignon! Courage! (Mignon)

Elle ne croyait pas, dans sa candeur naïve (from Mignon)

Verdi:

Un dì felice, eterea (from La traviata)

Lunge da lei…De’ miei bollenti spiriti (from La Traviata)

Parigi, o cara (from La Traviata)

Ella mi fu rapita! (from Rigoletto)

È il sol dell'anima (from Rigoletto)


This 10 CD set gathers together recordings that feature the Canadian tenor Leopold Simenau. His appearances at Festivals in Glyndebourne, Aix-en- Provence and Salzburg, and opera houses from Paris to New York, all proved his mastery of the art of song. Leopold died on August 24, 2006.

The celebrated lyric tenor Leopold Simoneau was born near Quebec in Canada, where he later set to work to establish an opera company. He served for a short time as the first Artistic Director of the new Opéra du Québec before moving with his wife Pierette Alarie to teach singing in California. Happily married for over 60 years, the love that united the two singers Alarie and Simoneau found its artistic documentation in many shared recordings, and most of them are to be found on the CDs in this set.

“On these ten well-filled CDs we get a rounded portrait of him in studio recordings as well as numerous excerpts from live performances. Not all of the latter are sonically top-notch but they are fully listenable” MusicWeb International, 29th January 2014

Documents - 600044

(CD - 10 discs)

$24.75

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