Bach, J S: Cantata BWV123 'Liebster Immanuel, Herzog der Frommen'

Recording locations: Recorded live in Weimar/ Leipzig/ Hamburg, December 1999/ January 2000.

SDG174 is the much awaited last volume of the Bach Cantatas Pilgrimage, one of the most talked about musical events of the last decade.

This is an anthology of the Christmas period, combining cantatas for Christmas Day and the Epiphany.

It features ten acclaimed soloists, including Magdalena Kožená, Bernarda Fink, Michael Chance, James Gilchrist and Christopher Genz.

The album opens with Christen, ätzet diesen Tag (“Christians, engrave this Day”), which was performed on Christmas Day 1999 to launch the year-long pilgrimage. This is one of Bach’s best known cantatas. The accompagnato recit was sung by Bernarda Fink to great acclaim.

Gloria in Excelsis Deo, the song of the angels at the birth of baby Jesus, is best known as the Gloria in the B Minor Mass.

Sie werden aus Saba alle kommen (“All they from Sheba shall come”) describes the procession of the three magi. Bach conveys the majesty of the scene by using high horns, and the recorders and oboes da caccia create an Eastern-like atmosphere.

The cantatas on this album display a great variety of dramatic expression. Both Mein Liebster Jesus ist verloren (“My dearest Jesus is lost”) and Liebster Jesu, mein Verlangen (”Beloved Jesus, my Desire“) tell the same story, but in a different style, expressing different emotions.

This album was recorded at Weimar’s Herderkirche, Leipzig’s Nikolaikirche and Hamburg’s Hauptikirche St Jakobi.

SDG174 is packaged with a separate index sheet of the Cantata series.

“This ongoing recording project ranks as one of the musical events of the decade.” The Observer

“One of the most ambitious musical projects of all time” Gramophone

This is the fourth release in ATMA’s ambitious project to record all the sacred cantatas of JS Bach in conjunction with the annual Montréal Baroque Festival. This cycle is unique in two significant ways: in keeping with the latest scholarship on Bach’s own performances, the choral sections are sung by the four soloists, one to a part; it is also the first-ever Bach cantata cycle to be recorded in surround sound.

This box set is a collection of Cantatas for the entire Christmas season from our award-winning series of recordings from the 2000 Bach Cantata Pilgrimage.

It features a cast of stellar soloists including Magdalena Kožená, Bernarda Fink, Michael Chance, James Gilchrist, Christoph Genz, etc. The Monteverdi Choir and English Baroque Soloist give their customary brilliant performances, making this release a must-have gift this Christmas season.

It includes some of Bach’s best known cantatas, including the glorious Christen, atzet diesen Tag (CD1), the festive and brilliant Unser Mund sei voll Lachens (CD2) , the infectiously rhythmic Ich freue mich in dir (CD3), Gelobet seist du (CD1) and many other “jewels” which glow with that special sense of expectation that is the hallmark of Bach’s Christmas music.

Packaged in a clamshell box, it contains 6 CDs in individual sleeves and a booklet with collected notes by Sir John Eliot Gardiner, and texts in German and English.

6 Discs for 2

Just as much a part of Christmas as Handel’s Messiah, Bach’s Christmas Oratorio is a reworking of a collection of his secular festive cantatas to form a single larger work. It was first heard in Leipzig on Christmas Day 1734, and performed in six sections between Christmas Day and Epiphany 1735. Bach wrote similar oratorios for Easter and Ascension, and all re-use existing cantatas. For the oratorio versions however, it wasn’t just a case of cobbling the works together. Bach wrote much new music, especially the choruses, but the core of the work is taken from cantatas nos 213, 214 and 215.

Chorale preludes would have been a feature of any church service in Leipzig over the Christmas period, acting as interludes between the movements of the cantatas and oratorios. A selection of works for organ related to Christmas is included on the 10th CD of this Festive Bach box.

Recent recordings.

For lovers of Barock music - Bach in festive mood is particularly uplifting!

Upon popular demand available again: Bach’s complete Sacred Cantatas, newly compiled, on 50 CDs, an unbelievable bargain.

These recordings, produced for the Bach‐year 2000, feature a superb boys choir, the Holland Boys Choir, a tradition going back to the time of the composer. The Netherlands Bach Collegium consists of Dutch early music specialists playing period instruments. Conductor Pieter Jan Leusink puts his entire soul in these recordings of what one might call “the greatest and most humanly moving corpus of sacred music ever written”.

Reviewers around the world praised the set for its “characteristic performances, marked by a great sense of authencity, especially from the use of boy sopranos”. It sounds very much like it might have sounded in Bach’s time (Gramophone).

Written to exalt the glory of God and to facilitate Lutheran worship, Johann Sebastian Bach’s sacred cantatas stand among the highest achievements of Western musical art. This acclaimed recording sees the works performed in their entirety by a stellar line‐up of musicians that includes the renowned Holland Boys’ Choir and period instrument ensemble Netherlands Bach Collegium. The cantatas are directed by Pieter van Leusink, one of Holland’s leading Bach experts. From the plaintive opening of Weinen, Kleinen, Sorgen, Sagen (‘Weeping, lamenting, worrying, fearing’) BWV12 to the triumphant D major chorus in Man singet mit Freuden vom Sieg BWV149, the works traverse a wide range of themes and moods, having been written for a variety of occasions throughout the liturgical year.