All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Wagner Heroes
2013 sees a series of Wagner reissues on Eloquence from complete operas and highlights to Wagner singer portraits and even an audiobook! This is a 50-year retrospective (1950 – 2000) of great Wagner singing on Decca and Deutsche Grammophon featuring twelve extracts from eight operas (including all four operas of the Ring cycle) with nine great singers. Wagner’s knowledge of heroes derived from two sources: the myths of ancient Greece, and the sagas and poetry of northern Europe. In both traditions, heroes possess god-like attributes which set them apart from non-heroic mortals and reinforce the view that they are superhuman. They often have gods as parents or grandparents. But Wagner humanizes his heroes, most notably Siegmund (sung inimitably by Jon Vickers in the legendary Decca recording of Die Walküre with Erich Leinsdorf), and the naïve Siegfried (with Wolfgang Windgassen singing both the Siegfried and Götterdämmerung Siegfrieds). Other great heldentenors represented on this collection include James King and James McCracken. Celebrated bass-baritones are also represented here: Paul Schöffler (singing Wotan’s Farewell from a rare 1950 recording), Ernst Haefliger (as the Dutchman) and most recently, Matthias Goerne (Wolfram). The insightful notes are provided by Wagner scholar Peter Bassett and a photo gallery of the singers is also included. | 
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| |  | Vogt: Wagner
After the sensational success of his debut album ‘Helden’ (Heroes), Germany´s leading Wagner tenor - Klaus Florian Vogt - presents his first all-Wagner arias CD. The album presents arias from the Wagner operas Mr Vogt has sung at famous opera houses around the world, including ‘Die Meistersinger von Nürnberg’, ‘Lohengrin’ (being his breakthrough success and most famous role at the Bayreuth Wagner festival), ‘Parsifal’ (new production at the Deutsche Oper Berlin 2012), ‘Walküre’ (new production of the ‘Ring des Nibelungen’ at the Bayerische Staatsoper in Munich). The CD also includes roles Vogt has not sung before on stage, such as ‘Rienzi’ and ‘Tristan and Isolde’. Vogt is accompanied here by the acclaimed Finnish soprano Camilla Nylund and the Bamberg Symphony Orchestra under the baton of Jonathan Nott. Klaus Florian Vogt sings in all major opera houses around the world. In 2013, he will star in a new production in Milan (‘The Flying Dutchman’) and will also perform at the opera houses in Barcelona (‘Rusalka’), Tokyo (‘The Mastersingers of Nuremberg’), Berlin (‘Lohengrin’), Munich (‘The Flying Dutchman’ & ‘Lohengrin’), Hamburg (‘The Mastersingers of Nuremberg’) and Helsinki (‘The Dead City’). He will also be on stage in Bayreuth in 2013. Mr Vogt received the prestigious German Echo ‘Singer of the Year’ Award in 2012 for the ‘Helden’ CD. “…the timbre rewards the ear with its clarity, youthfulness and affecting sweetness” International Record Review on ‘Helden’ “…delightful, fleet nimbleness…” The Independent on ‘Helden’ “though possessing an undoubted princely nobility and boyish enthusiasm well suited to the younger roles, Vogt sounds thin and strained in places...his performance seems most effective when allied to the foil of Camilla Nylund's soprano” The Independent, 22nd February 2013 “In the prayer from Rienzi Vogt is very good indeed, with the flexibility to manoeuvre his way around the sometimes delicate filigree of the vocal writing...Nott faithfully follows the dictates of the music in these small-scale performances, and the orchestra plays well for him” MusicWeb International, 29th April 2013 “On this disc, he sings things he would never perform in the theatre, his obvious characteristic being an ethereal quality ideally suited to Lohengrin. It casts new light on Walther in Meistersinger and on Parsifal, though there his resources are stretched to the limit...Jonathan Nott seems to be a remarkable Wagner conductor.” BBC Music Magazine, June 2013 **** | 
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| |  | Kaufmann: Wagner
Kaufmann’s fifth solo album on Decca is specially recorded for the Wagner anniversary year by the world’s leading Wagner tenor. Kaufmann and Wagner is a classic combination: “For any Wagnerians who've been slumbering, Fafner-like, in their caves during the last few years, here's your wake-up call: Jonas Kaufmann is the tenor we've been waiting for” (Washington Post). A selection of the great Heldentenor scenes and arias coupled with the complete (and rarely recorded by the tenor voice) Wesendonck Lieder. Also includes scenes from Die Walküre, Siegfried , Die Meistersinger von Nürnberg, Tannhäuser and Lohengrin (extended Grail Scene – Gralserzählung - with its original second verse). Joined by one of the most formidable combinations in the opera world today – the chorus and orchestra of the Deutsche Oper, Berlin, under director Donald Runnicles – this recording is also a sonic spectacular, made in Decca’s time-honoured tradition. “This new disc is mostly magnificent, but had me pining for more...Kaufmann may never sing Siegfried in the theatre, but the Forest Murmurs here, in an usually extended version, makes one long to hear him in the complete role; the Tannhäuser Rome Narration even more so, a shattering account...all told this is a further testimony to [Kaufmann's] lonely greatness among contemporary Wagner tenors.” BBC Music Magazine, May 2013 ***** “a matchless Wagner recital...Tannhäuser’s Act 3 Rome Narration is a triumph of heroic timbre, dramatic intensity and musical sensibility...The gem for me is the Wesendonck Lieder, intended for soprano and yet, thanks to singing of such melting ardour, perfectly “owned” by the world’s leading Wagner tenor.” Financial Times, 2nd February 2013 ***** “Turn immediately to the Tannhäuser excerpt...Kaufmann both darkens and stresses up his voice to portray the failed pilgrim's predicament...The other operatic excerpts...also find the tenor pushing the confines of a recital disc excitingly towards the level of live performance...the disc is something of a triumph.” Gramophone Magazine, May 2013 “When I listen to Wagner, this is how I dream it should sound.” Musical Toronto, 5th February 2013 “To judge from the performances on this wide-ranging sampler, the Met's new Parsifal seems ready for coronation as the reigning Wagnerian tenor of his generation.” Opera News, April 2013 “Kaufmann is so careful that the sudden fire of some of his operatic performances can shock...[He] lets us in to the naivety and the purity of [Siegfried]...his enacting of Tannhäuser’s “Rome Narrative...is tremendously effective...it is as near to an internal Tannhäuser as we are going to get” Opera Today, April 2013 “As Siegmund, his dark, baritonal timbre comes into its own. In Rienzi’s Prayer and Tannhäuser’s Roman narration, his Italianate timbre — surely what Wagner wanted — easily negotiates the bel canto turns and grace notes overlooked by burlier singers...No Wagner tenor sings Lieder with such musicianship, colour and sensitivity. With this glorious disc, Kaufmann sets a standard for our time.” Sunday Times, 3rd February 2013 “His artistry is exceptional. His sexy, heroic way with Siegmund, and the marvellous introversion he brings to Lohengrin's In Fernem Land, leave us in no doubt as to why he is today's interpreter of choice for both roles. Yet he brings the same insight and intensity to his new material...Best of all is Rienzi's prayer, in which his almost oceanic tone blends with the elegance of the fine Mozart singer he once was.” The Telegraph, 7th March 2013 **** | 
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| |  | Ian Storey Sings
Ian Storey (tenor) Sinfonia Musicisti, Howard Burrell Ian Storey is currently one of the most in-demand dramatic tenors in the Wagnerian repertoire. 21 years ago Ian Storey sang his first solo role, in Britten’s Rape of Lucretia under the baton of Howard Burrell. Ian’s first solo CD completes the circle, released on the newly formed Artist Recording Label (ARC) and once more under the baton of Howard Burrell. It was Daniel Barenboim who chose Ian to make his debut as Tristan at the opening of the season La Scala in December 2007, a role he has now sung not only at La Scala but also at both the Berlin Staatsoper and Deutsche Oper in Berlin, Zurich, Dusseldorf, Barcelona, Bilbao, Oslo and Genova. Barenboim has high praise for Storey: ‘It’s a wonderful thing for him, a wonderful thing for La Scala, a wonderful thing for the music world, because Tristans don’t grow on trees.’ “[Rienzi's prayer] demonstrates Storey's plangent, shaded tones and his heroic timbre, as well as the inherent unsteadiness that tends to surface in long-breathed lines. This is least apparent in his Italian roles, especially Calaf and Otello, where he sounds quite at home...this is a welcome signpost to a fine if not perfect tenor, who is well worth hearing.” BBC Music Magazine, June 2013 **** | 
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| |  | Munich Opera Gala
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| |  | Hans Hopf - Historical Recital
These recordings are from the Philips sessions of 1956 and German radio recordings of 1952 – 53. | | | Usually despatched in 2 - 3 working days. |
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| |  | John Treleaven: A Wagner Portrait
The Independent wrote of his Siegfried at Covent Garden in October 2005; “Treleaven is splendid. His singing is unusually varied and he has remarkable staying power. If there is one thing that most Siegfrieds cannot convey, it is a feeling of lightness. Treleaven does it!” | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Torsten Kerl sings German Arias
Torsten Kerl (tenor) Slovac Radio Symphony Orchestra, Ivan Anguélov | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Lauritz Melchior: Red Polydors and Blue Parlophones 1923-26Arias sung in German
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| |  | Gunther Treptow
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