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See Terms & Conditions for p&p rates. | |  | Vogt: Wagner
After the sensational success of his debut album ‘Helden’ (Heroes), Germany´s leading Wagner tenor - Klaus Florian Vogt - presents his first all-Wagner arias CD. The album presents arias from the Wagner operas Mr Vogt has sung at famous opera houses around the world, including ‘Die Meistersinger von Nürnberg’, ‘Lohengrin’ (being his breakthrough success and most famous role at the Bayreuth Wagner festival), ‘Parsifal’ (new production at the Deutsche Oper Berlin 2012), ‘Walküre’ (new production of the ‘Ring des Nibelungen’ at the Bayerische Staatsoper in Munich). The CD also includes roles Vogt has not sung before on stage, such as ‘Rienzi’ and ‘Tristan and Isolde’. Vogt is accompanied here by the acclaimed Finnish soprano Camilla Nylund and the Bamberg Symphony Orchestra under the baton of Jonathan Nott. Klaus Florian Vogt sings in all major opera houses around the world. In 2013, he will star in a new production in Milan (‘The Flying Dutchman’) and will also perform at the opera houses in Barcelona (‘Rusalka’), Tokyo (‘The Mastersingers of Nuremberg’), Berlin (‘Lohengrin’), Munich (‘The Flying Dutchman’ & ‘Lohengrin’), Hamburg (‘The Mastersingers of Nuremberg’) and Helsinki (‘The Dead City’). He will also be on stage in Bayreuth in 2013. Mr Vogt received the prestigious German Echo ‘Singer of the Year’ Award in 2012 for the ‘Helden’ CD. “…the timbre rewards the ear with its clarity, youthfulness and affecting sweetness” International Record Review on ‘Helden’ “…delightful, fleet nimbleness…” The Independent on ‘Helden’ “though possessing an undoubted princely nobility and boyish enthusiasm well suited to the younger roles, Vogt sounds thin and strained in places...his performance seems most effective when allied to the foil of Camilla Nylund's soprano” The Independent, 22nd February 2013 “In the prayer from Rienzi Vogt is very good indeed, with the flexibility to manoeuvre his way around the sometimes delicate filigree of the vocal writing...Nott faithfully follows the dictates of the music in these small-scale performances, and the orchestra plays well for him” MusicWeb International, 29th April 2013 “On this disc, he sings things he would never perform in the theatre, his obvious characteristic being an ethereal quality ideally suited to Lohengrin. It casts new light on Walther in Meistersinger and on Parsifal, though there his resources are stretched to the limit...Jonathan Nott seems to be a remarkable Wagner conductor.” BBC Music Magazine, June 2013 **** “There is no lack of intelligence, sensitivity or preparation but of the requisite tessitura and sound quality...But the successes, where Vogt's voice works well with the music, are genuine...[in Lohengrin's farewell] Vogt is able to harness the (apt) wide-eyed innocence of his vocal delivery...to the dramatic situation.” Gramophone Magazine, June 2013 | 
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| |  | Jess Thomas sings Wagner
Among the many Heldentenors are spoken of in glowing terms, perhaps none has been so unfairly neglected as Jess Thomas. Full-throated and resplendent, not a hint of strain, an amazing array of colours in the voice (from sotto voce to overpowering), he possessed an artistry that was not only a thrill in the theatre but that was beautifully caught in the recording studio – except, his studio recordings are few and far between. The only recital record of note was a showcase of Wagner arias he made with the Berlin Philharmonic (no less) and Walter Born in 1963. This recital appears in its entirety, for the first time internationally on CD, topped and tailed by scenes from Siegfried with Herbert von Karajan and the closing scene from Lohengrin, recorded ‘live’ in Bayreuth with Wolfgang Sawallisch. Born in 1927 in Hot Springs, South Dakota in the US, Thomas studied psychology at the University of Nebraska, worked for four years as a psychological adviser at a high school, and then embarked on postgraduate studies at Stanford University, California. The professor of singing there, Otto Schulmann, had worked before the war as a répétiteur for Karajan in Ulm; he heard Thomas and encouraged him to pursue a singing career. After studying intensively with Schulmann for three years and making his début in 1957 at San Francisco in the baritone role of Faninal in Der Rosenkavalier, Thomas, like most gifted American singing graduates at the time, gravitated to Germany, the home of his preferred repertoire and a country with many opera houses. He spent three years at the Karlsruhe Opera, where his first role was Lohengrin. His breakthrough in larger houses came when the opera producer Wieland Wagner, the composer’s grandson, cast him both in Parsifal at Bayreuth under Hans Knappertsbusch – with whom Thomas would enjoy some of his most memorable musical experiences – and as Radames in Berlin, under Karl Böhm. Thomas was both linguistically and musically more attracted to the greater depth, as he saw it, of Wagner’s works: ‘Wagner revolutionised the entire world of opera and not only with respect to the music, but above all in the fusion of music and drama’. He began to learn heavier Wagnerian roles such as Tannhäuser, Tristan and Siegfried. Karajan chose him as his Siegfried in his studio recording of the Ring, he recorded Lohengrin with Kempe and Hans Sachs with Keilberth. With insightful notes by Alan Newcombe, this release is a fascinating portrait of one of the greatest Wagner voices of any era. “I heard Jess Thomas the American tenor at Bayreuth last year singing Lohengrin like an angel. My simile is as yet relative, as I have not yet reached that stage, but relative also in the sense that so many of the native-born Wagnerian tenors one encounters emit sounds which to my ear do not qualify as ‘singing’ at all, being rather related to the noise newsboys make when calling a paper; i.e., a strong, carrying shout […] Mr. Thomas sings, and sings most sensitively, producing a steady flow of pleasing tone. He sings with intelligence and musicianship, too.” Gramophone Magazine |
| | | Scheduled for release on 15 July 2013. Order it now and we will deliver it as soon as it is available. |
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| |  | Hans Hopf - Historical Recital
These recordings are from the Philips sessions of 1956 and German radio recordings of 1952 – 53. | | | Usually despatched in 2 - 3 working days. |
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| |  | John Treleaven: A Wagner Portrait
The Independent wrote of his Siegfried at Covent Garden in October 2005; “Treleaven is splendid. His singing is unusually varied and he has remarkable staying power. If there is one thing that most Siegfrieds cannot convey, it is a feeling of lightness. Treleaven does it!” | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Wagner: Tenor Arias
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| |  | Torsten Kerl sings German Arias
Torsten Kerl (tenor) Slovac Radio Symphony Orchestra, Ivan Anguélov | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Von der Königlichen Hofoper zur Staatsoper Unter den Linden
Albert, E: | Nun hab ich nichts als dich (from Tiefland) Max Roth | Bellini: | Casta Diva (from Norma) Lilli Lehmann | Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) Karl Armster Si tu m'aimes, Carmen (from Carmen) Sung in German Walter Großmann | Cherubini: | Les Deux Journées: excerpt Sung in German | Donizetti: | Il segreto per esser felici (from Lucrezia Borgia) Sung in German Ernestine Schumann-Heink Povero Ernesto...cercherò lontano terra (from Don Pasquale) Sung in German Gino Sinimberghi | Flotow: | Ach, so fromm (from Martha) Richard Tauber | Gluck: | Cette nuit … O toi qui prolongeas mes jours (fromIphigénie en Tauride) Sung in German Zinaida Jurjewskaja | Gounod: | Il se fait tard ! Adieu ! (from Faust) Sung in German Karl Jörn Le veau d'or est toujours debout (from Faust) Sung in German Ludwig Hofmann | Leoncavallo: | No! Pagliaccio non son! (from I Pagliacci) Sung in German Josef Mann | Lortzing: | Du lässt mich kalt von hinnen scheiden (from Der Waffenschmied) Herbert Janssen | Meyerbeer: | Ah, mon fils! (from Le Prophète) Sung in German Marianne Brandt Adamastor, re dell'onde profonde (L'Africana) Sung in German Baptist Hoffmann | Mozart: | O Isis und Osiris, schenket (from Die Zauberflöte) Paul Knüpfer Ich baue ganz auf deine Stärke (from Die Entführung aus dem Serail) Crudel! perché finora farmi languir così? (from Le nozze di Figaro) Sung in German Lola Artot de Padilla Porgi amor (from Le nozze di Figaro) Sung in German Lilly Hafgren Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Gitta Alpar Ach, ich fühl's (from Die Zauberflöte, K620) Käthe Heidersbach La vendetta (from Le nozze di Figaro) Sung in German Alexander Kipnis Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Sung in German Willi Domgraf-Fassbänder Bei Männern, welche Liebe fühlen (from Die Zauberflöte) Margherita Perras Sull' aria che soave zeffiretto (from Le Nozze di Figaro) Sung in German Erna Berger Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Peter Anders | Mussorgsky: | Uf, tja zhelo! (from Boris Godunov) Sung in German Leo Schützendorf | Offenbach: | Elle a fui, la tourterelle (from Les Contes d' Hoffmann) Sung in German Emmy Bettendorf | Puccini: | Ah, quegli occhi… (from Tosca) Sung in German Mafalda Salvatini Recondita armonia (from Tosca) Sung in German Tino Pattiera O soave fanciulla (from La Bohème) Sung in German Hedwig von Debitzka Si, mi chiamano Mimi (from La Bohème) Sung in German Maria Cebotari Quando me'n vo (from La Bohème) Sung in German Carla Spletter | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) Sung in German Marie Goetze | Strauss, J, II: | Dieser Anstand, so manierlich (from Die Fledermaus) Emilie Herzog Spiel’ ich die Unschuld vom Lande from Die Fledermaus Marie Dietrich | Verdi: | Un dì felice, eterea (from La traviata) Sung in German Frieda Hempel D'amor sull'ali rosee (from Il Trovatore) Sung in German Barbara Kemp Tutte le feste (from Rigoletto) Sung in German Claire Dux Stride la vampa (from Il Trovatore) Sung in German Emmi Leisner Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) Michael Bohnen Un ballo in maschera (excerpts) Sung in German Vera Schwarz Qui Radamès verrà!... O patria mia (from Aida) Gertrud Bindernagel Il Trovatore (excerpts) Heinrich Schlusnus Re dell’abisso affretati (Un ballo in maschera) Sung in German Theodor Scheidl Alla vita che t'arride (from Un ballo in maschera) Sung in German Theodor Scheidl Una macchia è qui tutt'ora (from Macbeth) Sung in German Gertrude Rünger Ella giammai m'amò (from Don Carlo) Sung in German Josef von Manowarda Pace, pace mio Dio! (from La forza del destino) Sung in German Hilde Scheppan | Wagner: | Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Wilhelm Grüning Das susse Lied verhallt (from Lohengrin) Ernst Kraus Dir töne Lob (from Tannhäuser) Francis MacLennan Vollendet das ewige Werk (from Das Rheingold) Hermann Bachmann Du Ärmste kannst wohl nie ermessen (from Lohengrin) Thila Plaichinger Als du in kuhnem Sange uns bestrittest (from Tannhäuser) Cornelis Bronsgeest Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer) Melanie Kurt Das ist nun der Liebe schlimmer Lohn (from Siegfried) Julius Lieban Siegmund heiß ich und Siegmund bin ich! (from Die Walküre) Rudolf Berger So ist’s denn aus...Deiner ew’gen Gattin (from Die Walküre) Margarete Arndt-Ober Winterstürme wichen dem Wonnemond (from Die Walküre) Walther Kirchhoff Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Robert Hutt Ewig war ich (from Siegfried) Helene Wildbrunn Brünnhilde, heilige Braut! (from Götterdammerung) Fritz Soot Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Friedrich Schorr Lass sie mich heilen (from Tristan und Isolde) Göta Ljungberg Hier sitz ich zur Wacht (from Götterdämmerung) Emanuel List Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Fritz Wolff Der Männer Sippe (from Die Walküre) Delia Reinhardt Dir töne Lob (from Tannhäuser) Max Lorenz Dich, teure Halle (from Tannhauser) Maria Müller Abendlich strahlt der Sonne Auge (from Das Rheingold) Rudolf Bockelmann Starke Scheite schichtet mir dort 'Brünnhilde's Immolation Scene' (from Götterdämmerung) Anny Konetzni War es so schmählich, was ich verbrach? (from Die Walküre) Eugen Fuchs Fanget an! (Die Meistersinger von Nürnberg) Set Svanholm Auf hohem Felsen lag ich (from Der fliegende Holländer) Irmgard Langhammer Das schöne Fest, Johannistag (from Die Meistersinger) Josef Greindl Dank, König, dir, daß du zu richten kamst! (from Lohengrin) Jaro Prohaska In fernem Land (from Lohengrin) Ludwig Suthaus Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Paula Buchner | Weber: | Und ob die Wolke sie verhülle (from Der Freischütz) Tiana Lemnitz |
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| |  | Richard Wagner On Record
Wagner: | Du bist der Lenz (from Die Walküre) Lilli Lehmann Weilten die Sterne (from Die Meistersinger von Nürnberg) Hermann Winkelmann Noch bleibe denn unausgesprochen (from Tannhäuser) Wilhelm Hesch O du, mein holder Abendstern (from Tannhäuser) Leopold Demuth Weiche, Wotan, weiche! (from Das Rheingold) Ernestine Schumann-Heink Wohin nun Tristan scheidet (from Tristan und Isolde) Ernst Kraus Mögst du, mein Kind (from Der fliegende Holländer) Paul Knüpfer Jetzt fand ich's, was euch fehlt (from Das Rheingold) Otto Briesemeister Erstehe, hohe Roma, neu (from Rienzi) Jacques Urlus In fernem Land (from Lohengrin) Erik Schmedes Abendlich strahlt der Sonne Auge (from Das Rheingold) Theodor Bertram Als du in kuhnem Sange uns bestrittest (from Tannhäuser) Fritz Feinhals Fanget an! (Die Meistersinger von Nürnberg) Carl Burrian Entweihte Götter (from Lohengrin) Edyth Walker Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert! (from Siegfried) Heinrich Knote Mein Herr und Gott (from Lohengrin) Leon Rains Mein Vater, hochgesegneter der Helden (from Parsifal) Clarence Whitehill Dein Werk, o tör'ge Magd (from Tristan und Isolde) Johanna Gadski Des Königs Wort und Will tu ich euch kund (from Lohengrin) Nicola Geisse-Winkel Am stillen Herd (from Die Meistersinger) Leo Slezak Auf Ewigkeit wärst du verdammt mit mir (from Parsifal) Rudolf Berger Tatest du's wirklich? (from Tristan and Isolde) Paul Bender Nur eine Waffe taugt (from Parsifal) Heinrich Hensel O du, mein holder Abendstern (from Tannhäuser) Friedrich Plaschke Wohin nun Tristan scheidet (from Tristan und Isolde) Modest Menzinsky Was duftet doch der Flieder (from Die Meistersinger von Nürnberg) Hermann Weil Mein lieber Schwan (from Lohengrin) Hermann Jadlowker Hoiho! Hoihohoho! (from Götterdämmerung) Allen Hinckley Mögst du, mein Kind (from Der fliegende Holländer) Richard Mayr Der Unglücksel'ge, den gefangen (from Tannhäuser) Emmy Destinn Du Ärmste kannst wohl nie ermessen (from Lohengrin) Berta Morena Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Robert Hutt Über Stock und Stein (from Das Rheingold) Walther Kirchhoff Zauberfest bezähmt ein Schlaf (from Die Walküre) Fritz Soot Nothung! Nothung! Neidliches Schwert! (from Siegfried) Rudolf Ritter Ewig war ich (from Siegfried) Lucy Weidt An der Weltesche wob ich einst (from Götterdämmerung) Hermine Kittel Ich sah das Kind an seiner Mutter Brust (from Parsifal) Melanie Kurt Euch Lüften, die mein Klagen (from Lohengrin) Eva von der Osten Winterstürme wichen dem Wonnemond (from Die Walküre) Johannes Sembach Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer) Barbara Kemp Der Augen leuchtendes Paar (from Die Walküre) Karl Armster Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Helene Wildbrunn Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Emil Schipper Seit Ewigkeiten harre ich deiner (from Parsifal) Lilly Hafgren Hojotoho, hojotoho, heiaha, heiaha! (from Die Walküre) Gertrude Kappel So ist’s denn aus...Deiner ew’gen Gattin (from Die Walküre) Margarete Arndt-Ober Siegmund heiß ich und Siegmund bin ich! (from Die Walküre) Richard Schubert Einsam wachend...Habet acht! (from Tristan und Isolde) Emmi Leisner Mime hiess ein mürrischer Zwerg (from Götterdammerung) Curt Taucher Ein Kind ward hier geboren (from Die Meistersinger von Nürnberg) Wilhelm Rode Du bist der Lenz (from Die Walküre) Maria Jeritza Oh, wunden wundervoller heiliger Speer (from Parsifal) Michael Bohnen Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer) Frida Leider Als du in kuhnem Sange uns bestrittest (from Tannhäuser) Harry De Garmo O Sachs, mein Freund (from Die Meistersinger) Lotte Lehmann Wie aus der Ferne längst (from Der Fliegende Holländer) Friedrich Schorr Weiche, Wotan, weiche! (from Das Rheingold) Sigrid Onegin Was duftet doch der Flieder (from Die Meistersinger von Nürnberg) Josef von Manowarda Gut'n Abend, Meister (from Die Meistersinger von Nürnberg) Emmy Bettendorf Schmerzen (No. 4 from Wesendonck-Lieder) Sabine Kalter Seit er von dir geschieden (from Götterdämmerung) Maria Olszewska Amfortas! Die Wunde! (from Parsifal) Nelly Larsen-Todsen Helle Wehr, heilige Waffe (from Götterdämmerung) Erik Enderlein Dich, teure Halle (from Tannhauser) Maria Müller Höchstes Vertrau´n (Lohengrin) Lauritz Melchior Weiche, Wotan, weiche! (from Das Rheingold) Karin Branzell Mein Herr und Gott (from Lohengrin) Alexander Kipnis Jerum! Jerum! (from Die Meistersinger) Rudolf Bockelmann Einsam in trüben Tagen (from Lohengrin) Elisabeth Rethberg Athmest du nicht mit mir die sussen Dufte? (from Lohengrin) Fritz Wolff Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Gertrud Bindernagel O Himmel, lass dich jetzt erflehen (from Tannhäuser) Heinrich Schlusnus Hojotoho, hojotoho, heiaha, heiaha! (from Die Walküre) Kirsten Flagstad Auf wolkigen Hö'n wohnen die Götter (from Siegfried) Hans Hermann Nissen Fort, denn eile (from Die Walküre) Helen Traubel Winterstürme wichen dem Wonnemond (from Die Walküre) Franz Völker Am stillen Herd (from Die Meistersinger) Max Lorenz Fanget an! (Die Meistersinger von Nürnberg) Torsten Ralf Dein Werk, o tör'ge Magd (from Tristan und Isolde) Anny Konetzni Blick ich umher in diesem edlen Kreise (from Tannhäuser) Joel Berglund Euch Lüften, die mein Klagen (from Lohengrin) Maria Reining In fernem Land (from Lohengrin) Set Svanholm Allmächt’ge Jungfrau! (from Tannhäuser) Hilde Konetzni |
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| |  | Great Wagner Singers
Wagner: | Die Frist ist um (from Der fliegende Holländer) Hans Hotter (bass) Mit Gewitter und Sturm (from Der Fliegende Hollander) Bayreuth Festival Chorus and Orchestra Summ' und brumm', du gutes Rädchen 'Spinning Chorus' (from Der fliegende Holländer) Gwyneth Jones (soprano), Sieglinde Wagner (contralto) Bayreuth Festival Chorus and Orchestra Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer) Gwyneth Jones (soprano) Steuermann, laß die Wacht! (from Der fliegende Holländer) Bayreuth Festival Chorus and Orchestra Gerechter Gott! (from Rienzi) Gundula Janowitz (soprano) Allmächt'ger Vater, blick herab! (from Rienzi) Lauritz Melchior (tenor) Dich, teure Halle (from Tannhauser) Leonie Rysanek (soprano) O Fürstin...Doch welch ein seltsam (from Tannhäuser) Annelies Kupper (mezzo), Wolfgang Windgassen (tenor) Freudig begrussen wir 'Entrance of the Guests' (from Tannhauser) Bayreuth Festival Chorus and Orchestra Gar viel und schön (from Tannhäuser) Josef Greindl (bass) Begluckt darf nun dich 'Pilgrims' Chorus' (from Tannhauser) Bayreuth Festival Chorus and Orchestra Heil! Der Gnade Wunder, Heil (from Tannhäuser) Bayreuth Festival Chorus and Orchestra Allmächt’ge Jungfrau! (from Tannhäuser) Gundula Janowitz (soprano) Wie Todesahnung...O du, mein holder Abendstern (from Tannhäuser) Dietrich Fischer-Dieskau (baritone) Inbrunst im Herzen (from Tannhäuser) Lauritz Melchior (tenor) Einsam in trüben Tagen (from Lohengrin) Gundula Janowitz (soprano) Seht, seht! Welch ein seltsam Wunder! (from Lohengrin) Gundula Janowitz (soprano) Euch Lüften, die mein Klagen (from Lohengrin) Gundula Janowitz (soprano) Gesegnet soll sie schreiten (from Lohengrin) Bayreuth Festival Chorus and Orchestra Bridal Chorus 'Treulich geführt' (from Lohengrin) Bayreuth Festival Chorus and Orchestra In fernem Land (from Lohengrin) Leo Slezak (tenor) Weh, ach wehe! Dies zu dulden! (from Tristan und Isolde) Astrid Varnay (soprano), Hertha Töpper (mezzo) Tatest du's wirklich? (from Tristan and Isolde) Kim Borg (bass) Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Birgit Nilsson (soprano) Weiche, Wotan, weiche! (from Das Rheingold) Karin Branzell (contralto) Abendlich strahlt der Sonne Auge (from Das Rheingold) Josef von Manowarda (bass-baritone) Die Walküre: Act 1 Maria Müller (soprano), Wolfgang Windgassen (tenor), Josef Greindl (bass) War es so schmählich, was ich verbrach? (from Die Walküre) Frida Leider (soprano), Hans Hotter (bass) Leb wohl, du kühnes, herrliches Kind! (from Die Walküre) Hans Hotter (bass) Siegmund! Sieh' auf mich! (from Die Walküre) Kirsten Flagstad (soprano), Set Svanholm (tenor) Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert! (from Siegfried) Lauritz Melchior (tenor) Dass der mein Vater nicht ist (from Siegfried) Max Lorenz (tenor) Siegfried: Waldweben Orchester der Bayreuther Festspiele Wache, Wala! Wala! Erwach! (from Siegfried) Josef von Manowarda (bass-baritone) Heil dir, Sonne! (from Siegfried) Frida Leider (soprano), Fritz Soot (tenor) Zu neuen Taten, teurer Helde (from Götterdämmerung) Astrid Varnay (soprano), Wolfgang Windgassen (tenor) Hier sitz ich zur Wacht (from Götterdämmerung) Josef Greindl (bass) Hoiho! Hoihohoho! (from Götterdämmerung) Josef Greindl (bass) Mime hiess ein mürrischer Zwerg (from Götterdammerung) Max Lorenz (tenor) Brünnhilde, heilige Braut! (from Götterdammerung) Wolfgang Windgassen (tenor) Starke Scheite schichtet mir dort 'Brünnhilde's Immolation Scene' (from Götterdämmerung) Astrid Varnay (soprano) Das schöne Fest, Johannistag (from Die Meistersinger) Josef Greindl (bass) Fanget an! (Die Meistersinger von Nürnberg) Jess Thomas (tenor) Was duftet doch der Flieder (from Die Meistersinger von Nürnberg) Friedrich Schorr (bass-baritone) Jerum! Jerum! (from Die Meistersinger) Friedrich Schorr (bass-baritone) Wach' auf! Es nahet gen dem Tag (from Die Meistersinger von Nürnberg) Bayreuth Festival Chorus and Orchestra Morgenlich leuchtend im rosigen Schein 'Prize Song' (from Die Meistersinger von Nürnberg) Jess Thomas (tenor) Verachtet mir die Meister nicht (from Die Meistersinger von Nürnberg) Theodor Scheidl (bass-baritone) Zum letzten Liebesmahle gerüstet Tag für Tag (from Parsifal) Bayreuth Festival Chorus and Orchestra Des Weihgefässes göttlicher Gehalt (from Parsifal) Theodor Scheidl (bass-baritone) Ich sah das Kind an seiner Mutter Brust (from Parsifal) Frida Leider (soprano) Amfortas! Die Wunde! (from Parsifal) Lauritz Melchior (tenor) Das ist Karfreitagszauber, Herr! (from Parsifal) Josef Greindl (bass) Ja, wehe! Wehe! Weh über mich! (from Parsifal) James King (tenor), Thomas Stewart (bass-baritone) Nur eine Waffe taugt (from Parsifal) James King (tenor), Thomas Stewart (bass-baritone) Höchsten Heiles Wunder! Erlösung dem Erlöser! (from Parsifal) James King (tenor), Thomas Stewart (bass-baritone) Der Engel (No. 1 from Wesendonck-Lieder) Astrid Varnay (soprano) Stehe still! (No. 2 from Wesendonck-Lieder) Astrid Varnay (soprano) Im Treibhaus (No. 3 from Wesendonck-Lieder) Astrid Varnay (soprano) Schmerzen (No. 4 from Wesendonck-Lieder) Lauritz Melchior (tenor) Träume (No. 5 from Wesendonck-Lieder) Lauritz Melchior (tenor) |
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