This page lists all recordings of Era la notte (from Otello), by Giuseppe Verdi (1813-1901) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Verdi: Opera Highlights
Verdi: | Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Parigi, o cara (from La Traviata) Caro nome (from Rigoletto) Cortigiani, vil razza dannata (from Rigoletto) La donna è mobile (from Rigoletto) Bella figlia dell'amore (from Rigoletto) Anvil Chorus (from Il Trovatore) Il balen del suo sorriso (from Il Trovatore) Ah sì ben mio (from Il trovatore) Di quella pira (from Il trovatore) D'amor sull'ali rosee (from Il Trovatore) Ai nostri monti (from Il trovatore) Va, pensiero (from Nabucco) Nel dì della vittoria … Ambizioso spirto … Vieni t'affretta! … Or tutti sorgete (Lady Macbeth) Ah, la paterna mano (from Macbeth) Di' tu se fedele (from Un ballo in maschera) Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) O tu che in seno agli angeli (from La Forza del Destino) Rataplan, rataplan, della gloria (from La forza del destino) Pace, pace mio Dio! (from La forza del destino) Dio, che nell'alma infondere (from Don Carlo) O don fatale (from Don Carlo) O Carlo, ascolta (from Don Carlo) Celeste Aida (from Aida) Ritorna vincitor! (from Aida) O terra, addio (from Aida) Era la notte (from Otello) Ave Maria (from Otello) L'onore! Ladri! (from Falstaff) Del tuo barbero diagnostico (from Falstaff) |
Renata Scotto, Montserrat Caballe, Mirella Freni, Leontyne Price, Beverly Sills, Elisabeth Schwarzkopf (sopranos), Fiorenza Cossotto (mezzo), Placido Domingo, Alfredo Kraus, Jon Vickers, Carlo Bergonzi (tenors), Sherrill Milnes, Tito Gobbi (baritones) Riccardo Muti, Carlo Maria Giulini, Herbert von Karajan | 
| | | In stock - usually despatched within 1 working day. |
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| |  | The Art of the Verdi Baritone
The privileged position of the baritone-voice in Verdi´s operas was something new at the time and developed into a vocal category of its own: the "Verdi-baritone". Verdi's baritone-roles can roughly be divided into two categories: the fathers and rulers, who are in moral conflict between the love for their children and moral and/or political duties (Rigoletto, Amonasro, Simon Boccanegra, Nabucco, Jacopo Foscari, Guido di Montfort or father Germont), and youthful men of honour and/or villains, who usually turn out to be the tenor's rival (CarIo in "Forza", Renato, Carlo V, lago. Cote di Luna). Forming part of Presier’s celebration of the 200th anniversary of Verdi, this collection is a unique and fascinating account of the performances over the years 1904-1950. | 
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| |  | Carlo Morelli
Chiara: | La Spagnola | Giordano, U: | Un dì, m'era di gioia (from Andrea Chénier) | Grever: | Alma mia | Leoncavallo: | Buona Zazà del mio buon tempo from Zazà Zazà, piccolo zingara from Zazà Zazà, piccolo zingara from Zazà Luigi Montesano (baritone) | Massenet: | Vision fugitive (from Hérodiade) | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Luigi Montesano (baritone) | Mussorgsky: | Mephistopheles' Song of the Flea Luigi Montesano (baritone) | Ponce, M: | Si alguna vez | Ponchielli: | Maledici? O monumento (from La Gioconda) Pescator affonda l'esca (from La Gioconda) Così mantieni il patto? (from La Gioconda) Luigi Montesano (baritone) | Puccini: | Quanto?...Gia, mi dicon venal (from Tosca) Luigi Montesano (baritone) | Rossini: | Dunque io son? (from Il Barbiere di Siviglia) Luigi Montesano (baritone), Toti dal Monte (soprano) | Verdi: | Cortigiani, vil razza dannata (from Rigoletto) Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) Era la notte (from Otello) Lassù in cielo (from Rigoletto) Luigi Montesano (baritone), Toti dal Monte (soprano) Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) Luigi Montesano (baritone) |
Carlo Morelli (baritone) with Luigi Montesanto (baritone) Carlo Morelli made his debut at Alessandria’s Teatro Municipale as Tonio in “Pagliacci” in 1922. In order to avoid having his name confused with that of his brother, the tenor/baritone Renato Zanelli, he adopted “Carlo Morelli” as his stage name. He sang for La Scala, Chicago Civic Opera and the Metropolitan Opera in New York. Her later settled in Mexico and died in 1970. | | | Usually despatched in 2 - 3 working days. |
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| |  | Carlo Guelfi - My Arias
Carlo Guelfi (baritone) Württenbergische Philharmonie, Roberto Parmeggiani Carlo Guelfi was born in Rome and began his studies with his uncle. He won an international vocal competition and immediately embarked on a brilliant international career. Having sung at all of the world’s major opera houses, he is regarded today as one of the best Italian singers and as one of the most outstanding baritones world-wide. | | | Usually despatched in 2 - 3 working days. |
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| |  | Tito Gobbi
“The Italian baritone was arguable a great singing actor rather than a great singer per se, but as these recordings from central and rarer roles in his repertoire demonstrate all of his performances are memorable.” BBC Music Magazine, March 2008 **** | | | Usually despatched in 4 - 5 working days. |
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| |  | Largo al FactotumGreat Operatic Arias for Baritone
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| |  | The Pearl Fishers & Other Operatic Duets for Tenor & Baritone
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| |  | The Best Of Opera Vol 3
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| |  | Close Encounters with Great Singers: Dietrich Fischer-Dieskau
Berg: | Das Messer? Wo ist das Messer? (from Wozzeck) Berlin Opera Orchestra, Karl Böhm | Mahler: | Ich hab' ein gluhend' Messer (No. 3 from Lieder eines fahrenden Gesellen) Wilhelm Furtwängler | Reimann, A: | Se gehort dir, Regan (from Lear) Julia Varady (Regan), Richard Holm (Herzog Von Kent) Bavarian State Orchestra, Gerd Albrecht | Schubert: | Gute Nacht (No. 1 from Winterreise, D911) Gerald Moore (piano) | Strauss, R: | So fliesst die helle, stille Donau mir beim Haus vorbei (from Arabella) Lisa della Casa (soprano) Joseph Keilberth | Verdi: | Era la notte (from Otello) New Philharmonia Orchestra, Sir John Barbirolli A me precorri sul confuso cammin (from Macbeth) Wolfgang Sawallisch | Wagner: | Dich frage ich (from Der Fliegende Holländer) Bavarian Radio Symphony Orchestra, Rafael Kubelík |
Wide-ranging interviews with some of the most distinguished vocalists of our time supplemented with excerpts from their greatest recordings. Interviewer Jon Tolansky, renowned British broadcaster, brings a vast store of knowledge and insight to these "close encounters". | | | Usually despatched in 4 - 5 working days. |
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| |  | Paul Schöffler
Paul Schöffler (bass-baritone) | | | Usually despatched in 2 - 3 working days. |
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