All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Wilhelm Backhaus: The Virtuoso (1908-1940)
Albéniz: | Triana (from Iberia, book 2) | Brahms: | Variations on an Original Theme in D major, Op. 21, No. 1 Variations on a theme by Paganini in A minor, Op. 35 | Chopin: | Piano Concerto No. 1 in E minor Op. 11: Romance Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' Berceuse in D flat major, Op. 57 Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' | Delibes: | Naila: Waltz | Kreisler: | Liebesleid | Liszt: | La leggierezza - Étude de concert No. 2, S144 A Midsummer Night’s Dream: Wedding March & Dance of the Fairies (after Mendelssohn), S410 Liebestraum, S541 No. 3 (Nocturne in A flat major) Hungarian Rhapsody, S244 No. 2 in C sharp minor Waldesrauschen, S145 No. 1 | Mendelssohn: | A Midsummer Night's Dream: Scherzo | Moszkowski: | Caprice espagnole, Op. 37 | Mozart: | Piano Concerto No. 26 in D major, K537 'Coronation' Deh! vieni alla finestra (from Don Giovanni) | Pick-Mangiagalli: | La Danza di Olaf | Rachmaninov: | Prelude Op. 3 No. 2 in C sharp minor | Schubert: | Marche Militaire, D733 No. 1 | Strauss, R: | Ständchen, Op. 17 No. 2 | Weber: | Piano Concerto No. 1 in C major, J. 98, Op. 11: Rondo - moto perpetuo |
Wilhelm Backhaus (piano, piano-roll) Berlin Municipal Orchestra, Berlin Stadtischen Opera Orchestra, Fritz Zaun This CD showcases Backhaus’s great virtuosity. “revelatory: instead of the stern Beethovenian we are used to, the young pianist who emerges courtesy of piano-roll recordings from the 1920s is full of fire and flamboyance.” BBC Music Magazine, February 2013 ***** | 
| | | (also available to download from $21.00) | In stock - usually despatched within 1 working day. |
|
|
| |  | Yuja Wang: Fantasia
Albéniz: | Triana (from Iberia, book 2) | Chopin: | Waltz No. 7 in C sharp minor, Op. 64 No. 2 | Dukas: | The Sorcerer's Apprentice arranged by Victor Staub | Gluck: | Orfeo ed Euridice: Mélodie arranged by Sgambati | Horovitz: | Variations On A Theme From Bizet's Carmen | Rachmaninov: | Étude-Tableau, Op. 39 No. 6 in A minor Étude-Tableau, Op. 39 No. 4 in B minor Elegie, Op. 3 No. 1 Étude-Tableau, Op. 39 No. 5 in E flat minor | Saint-Saëns: | Danse macabre, Op. 40 arranged by Franz Liszt & Vladimir Horowitz | Scarlatti, D: | Keyboard Sonata K455 in G major | Schubert: | Gretchen am Spinnrade, D118 arranged by Franz Liszt | Scriabin: | Prelude, Op. 11 No. 11 in B major Prelude, Op. 13 No. 6 in B minor Prelude, Op. 11 No. 12 in G sharp minor Étude Op. 8 No. 9 in G sharp minor Poème in F sharp major, Op. 32 No. 1 | Strauss, J, II: | Tritsch-Tratsch Polka, Op. 214 arranged by György Cziffra |
The Yuja Wang album that everyone has been waiting for wows with musical miniatures that are short, sweet, and huge in impact. These encore pieces by Scriabin, Gluck, Rachmaninov, Chopin and others will enthrall Yuja Wang’s fans with challenging technical demands and the bravura precision of her execution. The variety of styles – which includes neo-Classical, Impressionist, Romantic, jazz - in addition to the quality of the arrangements of pieces that are adaptations, provides a welcome and yet unique listening experience. “Time and again Wang shows us why she’s become the world’s darling, whether shading dynamics poetically in a morsel of Gluck’s Orfeo ed Euridice, clarifying the multiple layers in Albéniz’s Triana, or romping with the preposterous glitter of Horowitz’s Carmen Variations.” The Times, 23rd March 2012 **** “A disc of encores needs a compelling executant to justify itself, but this young pianist’s technique is quietly transcendent, her musicianship zestful and profound. The sequence itself is satisfying.” Sunday Times, 1st April 2012 “In the Saint-Saens-Horowitz Danse macabre Wang storms the heights and her playing is of an unquenchable virtuosity. She herself declares all these pieces to be among her most cherished encores, and she has been superbly recorded in them.” Gramophone Magazine, June 2012 “No point trying to fault anything: the lightness and flexibility of her touch takes the breath away, and her sound is at every moment transparently controlled, each piece displaying insight and affection...Given that these bonnes bouches were never designed to be consumed in bulk, this young virtuoso has pulled off a remarkable feat.” BBC Music Magazine, June 2012 ***** BBC Music Magazine
Instrumental Choice - June 2012 |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Brahms: Piano Concerto No. 1
Albéniz: | Triana (from Iberia, book 2) BBC Maida Vale Studios, London, 29 September 1958 | Brahms: | Piano Concerto No. 1 in D minor, Op. 15 BBC Maida Vale Studios, London, 11 October 1967 BBC Symphony Orchestra, Rudolf Kempe | Chopin: | Ballade No. 3 in A flat major, Op. 47 BBC Concert Hall, Broadcasting House, London, 4 October 1965 | Liszt: | Mephisto Waltz No. 1 BBC Concert Hall, Broadcasting House, London, 4 October 1965 | Schumann: | The Prophet Bird Op. 82 No. 7 BBC Maida Vale Studios, London, 29 September 1958 |
plus: Julius Katchen discusses Mozart's Concerto K.466 and Brahms’ Concerto No.1 with John Amis BBC STUDIOS, LONDON, 15 DECEMBER 1967
The American pianist Julius Katchen (1926–1969) was a child prodigy who at age 11 performed with the Philadelphia Orchestra under Ormandy. In 1946 Katchen toured Europe, settled in Paris in late 1947 and became a frequent performer on the European concert platform. His technique was ‘gold plated’ and despite his early death at aged 43 from cancer, he had a large discography which still sells today. In December 1968 he famously participated in the two-day spectacular known as the Rolling Stones’ Rock and Roll Circus, playing the first movement of Mozart’s Sonata K545 and Falla’s ‘Ritual Fire Dance’ from El amor brujo. Katchen made a major study of Brahms during his career and this 1967 live broadcast of Brahms Piano Concerto No.1, with the distinguished German conductor Rudolf Kempe, reflects his deep understanding of this composer. This recording gives the collector the rare opportunity of hearing Katchen ‘live’ in comparison to his studio account made much earlier in 1959. The fill-ups consist of familiar Katchen composers, Chopin and Liszt but also two new additions to his discography, Schumann's Prophet Bird Op.82, No.7 and Albéniz’s Triana. Completing this CD is a rare interview with John Amis where Katchen discusses his early life including his thoughts on Mozart and Brahms interpretation. These recordings have never been released before and have been remastered using ICA’s Ambient Mastering process which recreates the atmosphere of the concert hall. “Every bar of Chopin's Third Ballade is illuminated by his stylistic luxuriance and audacity (try the tumultuous rush and glitter in the final bars) and even when almost engulfed by his own virtuosity, his performance of Liszt's First Mephisto Waltz is arguably the most wildly exciting on record....This record is a reminder and a remembrance of a tragic loss but an indelible musical force.” Gramophone Magazine, March 2012 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
|
|
| |  | Albéniz, Chopin & Mendelssohn: Piano Works
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Hymn to Light: Piano Recital
The title of this CD refers to the melting pot of lights and colours used by the composers featured here; Scarlatti, Beethoven, Brahms, Chopin, Liszt, Ravel and Albéniz. Felix Ardanaz’s solo work embraces all styles, although he feels a particular predilection for the Impressionist repertoire, and the works of Albéniz and Chopin. | |
|
| |  | Guitar Recital: Rafael AguirreRafael Aguirre – 2010 Winner, ‘Alhambra’ International Guitar Competition
Rafael Aguirre is acknowledged as one of today’s most celebrated virtuoso guitarists, having won first prize at 13 of the world’s most prestigious international competitions: a record-breaking achievement for a Spanish musician. Following on from his previous, acclaimed recording (8572064), this fullblooded recital is of music by Spanish composers or those influenced by Iberia, from the pure flamenco of Paco de Lucía’s Guajiras to Debussy’s impressionistic Soirée dans Grenade, and from Albéniz’s Triana, named after the gypsy quarter in Seville, to the virtuoso fireworks of Tárrega’s Gran Jota. | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |  | Albéniz: Iberia (excerpts)
Albéniz: | Evocación (from Iberia, book 1) El puerto (from Iberia, book 1) Féte-dieu à Séville from Iberia Rondeña (from Iberia, book 2) Almeria (from Iberia, book 2) Triana (from Iberia, book 2) El Albaicín (from Iberia, book 3) El Polo (from Iberia, book 3) Lavapiés (from Iberia, book 3) Malaga (from Iberia, book 4) Jerez (from Iberia, book 4) Eritaña (from Iberia, book 4) |
Jean-François Heisser (piano) In the history of piano music, there are few examples of a cycle as vast as that of Iberia, an absolute masterpiece of Franco-Spanish music, written by the composer Isaac Albéniz at the start of the 20th century in Paris. Today the score stands out as the expression of a European composer who returned to a secret garden, that of Spain, his dream. Iberia is here performed by Jean-François Heisser, a specialist in this repertoire. This CD-book incorporates photography to open the experience of Spanish music to a more universal perspective. Isabel Muñoz examines the unique features of her native land from flamenco and tango, to bullfighting and architecture. Photography by Isabel Muñoz CD & Book “Jean-François Heisser has been very well recorded, makes the piano sing and opens with enchanting accounts of "Evocacion" and "El puerto". The bells ring out joyously in "El Corpus in Sevilla".” Gramophone Magazine, October 2010 | | | Usually despatched in 3 - 4 working days. |
|
|
| |  | Granados - Piano Music Volume 10
Albéniz: | Triana (from Iberia, book 2) for Two Pianos | Granados: | In the Village (for Piano Four Hands) Goyescas (opera): Intermezzo Melodias (4), DLR III:10 Mazurka alla polacca in E flat major, DLR III:4 Mazurka in A minor, DLR III:5 Andantino espressivo, DLR IV:11 Andalucia-Petenera, DLR III:6 Canto del pescador (Fisherman's Song), DLR III:8 La Berceuse, DLR III:9 Military Marches for piano (3), DLR III:23 Military Marches for piano 4 hands (2), H. 145, DLR VIII:2 |
Includes World Première Recordings “The Riva series is essential for anyone interested in Spanish piano music.” MusicWeb International | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
|
|
| |  | Roland Pöntinen - Listening to Yourself (Volume 3)
Recorded live at the Folkwang Hochschule Essen, 02 July 2007 “[On Pöntinen’s Busoni recording] The subtle, brilliantly judged playing makes Pöntinen a persuasive champion...The recordings are excellent; those looking for an uneasy rather than comfortable experience need look no further.” Gramophone Magazine | | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Earl Wild Plays Spanish And French Gems
| | | Usually despatched in 4 - 5 working days. |
|
|
| |
|