All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Bryn Terfel - Bad Boys
Bryn Terfel, a gentle man in real life, recruits a gang of “bad boy” characters from opera and musicals to serenade us with tunes from the sinister side of the bass clef. Thoroughly convincing as villains you would not want to meet alone in the dark, Bryn Terfel wields a full, wide ranging bass-baritone ever in service to dramatic instincts rare in any era Bad Boys delivers an original concept sure to seduce the media, wow the classical crowd and exert powerful mass appeal. No singer morphs from Don Giovanni to Mack the Knife to Sweeney Todd with Terfel’s devilish ease – Bad Boys is a delightful box of mixed (dark) musical bonbons “…Terfel is a consummate singing actor. …what other artist could find such different voices for singing Il Commendatore, Don Giovanni and Leporello in the closing scene of Mozart's opera.” BBC Music Magazine, Christmas 2009 **** “Terfel, of course, brings the smell of the theatre into everything he does. His powerful vocal presence is born of physical presence and he harnesses words, in any language, like few others. Brecht's words for "The Ballad of Mack the Knife" casually slip off Terfel's cords like the threats of a slickly attired bouncer... Sweeney Todd's "Epiphany" (with a flash of Anne Sofie von Otter's cockney Mrs Lovett - not 'arf bad) is scary to behold...” Gramophone Magazine, November 2009 | | | In stock - usually despatched within 1 working day. |
|
|
| |  | André Previn - An 80th Birthday Celebration
Gershwin: | A Foggy Day (In London Town) Frank Capp (drums), Red Mitchell (bass) & André Previn (piano) | Henderson, Ray: | Bye Bye Blackbird Ray Brown (bass), André Previn (piano), Herb Ellis (guitar) & Shelly Manne (drums) | Previn: | Concerto for Guitar John Williams (guitar) London Symphony Orchestra, André Previn Theme from "Four Horsemen of the Apocalypse" Itzhak Perlman (violin) Pittsburgh Symphony Orchestra, John Williams The Subterraneans Carl Allen (drums), Reginald Veal (double bass), Joe Henderson (tenor saxophone), Kenny Kirkland (piano) & Terence Blanchard (trumpet) Orchestra, J.A.C.Redford Vocalise Sylvia McNair (soprano), Yo-Yo Ma (cello) & André Previn (piano) | Vaughan Williams: | The Wasps Overture London Symphony Orchestra, André Previn | Weill, K: | Bilbao Song (from Happy End) André Previn (piano), J.J.Johnson (trombone), Red Mitchell (bass) & Frank Capp (drums) Moritat von Mackie Messer (from The Threepenny Opera) André Previn (piano), J.J.Johnson (trombone), Red Mitchell (bass) & Frank Capp (drums) |
Even among the wide-ranging and singularly American talents of the past sixty years, André Previn stands out for his career as a celebrated film composer, incomparable jazz pianist and respected conductor and concert music composer. On the occasion of his 80th birthday, Sony Masterworks celebrates a lifetime of achievement with the release of André Previn: An 80th Birthday Celebration. A showcase of the composer and performer at his most varied and inspired, the pieces in this collection belong to a variety of genres and highlight his musical personality- lightly playful, keenly smart and elegantly precise. The release features Previn playing piano in jazz band renditions of Ray Henderson’s “Bye Bye Blackbird,” Gershwin’s “A Foggy Day,” and Weill’s “Mack the Knife” and “Bilbao Song.” Previn’s film compositions are represented by the theme from The Four Horsemen of the Apocalypse and The Subterraneans. He conducts Vaughan Williams’s The Wasps: Overture and his own Concerto for Guitar and Orchestra, in a recording with guitarist John Williams, available for the first time on CD. Also included is “Vocalise,” with soprano Sylvia McNair and cellist Yo-Yo Ma. The Glenn Gould Foundation awarded its Glenn Gould Prize 2005 to André Previn: "This award exemplifies the musical excellence of a rare few, and Maestro Previn’s remarkable body of work and wide range of talents certainly make him a member of this exclusive club," said Foundation President Merle Kriss. Past laureates include Pierre Boulez (2002); Yo-Yo Ma (1999); Toru Takemitsu (1996); Oscar Peterson C.C. (1993); Lord Yehudi Menuhin (1990); and R. Murray Schafer (1987). Previn was also given the Lifetime Achievement Award at the 2008 Gramophone Awards. “Celebrating André Previn's 80th birthday, a first CD release for his imaginative 1971 Guitar Concerto for John Williams - supplemented by glimpses of Previn as conductor (Vaughan Williams's Wasps buzzing fiercely), film composer, and jazz pianist.” BBC Music Magazine, Christmas 2009 ***** “The opening 1971 LSO recording of Vaughan Williams' overture to The Wasps is fine.” The Independent, 19th June 2009 *** | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Heifetz - It Ain't Necessarily SoLegendary classic and jazz studio takes
Aguirre: | Huella, Op. 49 (arr. Heifetz) | Benjamin, A: | Jamaican Rumba (arr. William Primrose) | Bennett, Robert: | Hexapoda - Five studies in Jitteroptera | Berlin, I: | White Christmas | Brahms: | Hungarian Dance No. 7 (arr, Joachim) | Burleigh, C: | Giant Hills, Op. 30 No. 4 Moto Perpetuo | Castelnuovo-Tedesco: | Paraphrase on 'Largo al factotum' from Rossini's 'Il barbiere di Siviglia' | Chopin: | Nocturne No. 16 in E flat major, Op. 55 No. 2 (arr. Heifetz) | Debussy: | Beau Soir Golliwog's Cakewalk (from Children's Corner) (arr. Heifetz) Clair de Lune (from Suite Bergamasque) (arr. A Roelens) | Dvorak: | Humoresque in G flat major, Op. 101 No. 7 (arr. Heifetz) | Dyer, S: | Florida Night Song | Foster, S: | I Dream of Jeanie with the Light Brown Hair Old folks at home (arr. Heifetz) | Gardner, Samuel: | From the Canebrake | Gershwin: | Porgy and Bess - Suite (trans. Heifetz) Preludes (3) (arr. Heifetz) | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits (arr. Kreisler) | Godard, B: | Berceuse from Jocelyn (arr. Ball) | Godowsky: | Viennese (from Twelve Impressions) (arr. Heifetz) | Grasse, E: | Wellenspiel (Waves at Play) | Herbert, V: | A la Valse | Hoyl: | When you Make Love to Me (Don't Make Believe) | Krein, A: | Dance No. 4 (arr. Kreisler) | Löhr, H: | Where My Caravan Has Rested Bing Crosby | Prokofiev: | The Love for Three Oranges: March (arr. Heifetz) Masks from ‘Romeo and Juliet' (arr. Heifetz) | Ravel: | Vocalise-étude en forme de habanera (arr. G Catherine) | Rimsky Korsakov: | Hymn to the Sun (arr. Kreisler) | Saint-Saëns: | Le carnaval des animaux: Le Cygne (arr. Heifetz) | Schumann: | The Prophet Bird Op. 82 No. 7 (arr. Heifetz) | Shostakovich: | Prelude & Fugue for piano, Op. 87 No. 10 in C sharp minor Prelude & Fugue for piano, Op. 87 No. 15 in D flat major | Tchaikovsky: | Souvenir d'un lieu cher, Op. 42: Mélodie in E flat major | trad.: | Gweedore Brae Deep River | Vale, F: | Prelude No. 15 'Ao pé da fogueira' (arr. Heifetz) | Weill, K: | Moritat von Mackie Messer (from The Threepenny Opera) (arr. Stefan Frenkel) | White, C C: | Levee Dance, Op. 27 No. 2 |
“…it’s impressive stuff. Heifetz's playing exudes beauty of tone, a striking range of light and shade, depths of emotion, and dazzling virtuosity. There's timeless artistry here, and the astonishing immediacy of the transfers, for which DG have added "discreet stereo ambience", makes nonsense of the age of the recordings.” Gramophone Magazine, November 2006 | | | Usually despatched in 8 - 10 working days. |
|
|
| |  | Under the Influence
Virtuoso horn player, Dave Lee, explores his musical passions and influences from David Bowie to Eric Satie and from Pink Floyd to Michael Nyman, taking in Peter Maxwell Davies and Kurt Weill along the way. | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Ute Lemper sings Kurt Weill - Volume 1
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Eric Dolphy and John Lewis Play Kurt Weill
Eric Dolphy and John Lewis | | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Theater Music of Brecht & Weill
Lotte Lenya and Gisela May were the two most prominent interpreters of Brecht and Weill in the last century. Here, from 1958, is Lenya performing five of Kurt Weill’s songs from The Threepenny Opera, Happy End, Mahagonny and the Berlin Requiem. Gisela May performs Brecht songs with music by Weill, Heymann, and Dessau (1972). As a bonus, Martha Schlamme performs two songs of Weill, joined by Will Holt in one number. Approx. 80 minutes, black & white, color. | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
|
|
| |  | Forbidden Sounds - Composers in Exile
Dessau: | Haggada, Part II: Es war in der Mitte der Nacht North German Radio Chorus, Hamburg State Philharmonic Orchestra, Gerd Albrecht | Eisler: | Kleine Sinfonie, Op. 29 Berlin Deutsches Symphony Orchestra, Hans Zimmer | Gurlitt, M: | Wozzeck: excerpts | Hindemith: | Sonata for Trumpet and Piano Reinhold Friedrich (trumpet), Thomas Duis (piano) | Krenek: | Twelve Variations in Three Movements, Op. 79 Till Alexander Korber (piano) | Milhaud: | String Quartet No. 1 Petersen Quartet | Schoenberg: | Verklärte Nacht, Op. 4 Salzburg Mozarteum Orchestra, Sandor Vegh | Schreker: | Schwanensang, Op. 11 Cologne West German Radio Orchestra & Chorus, Peter Gulke | Schulhoff: | Duo for violin & cello Gernot Sussmuth (violin), Hans-Jakob Eschenburg (cello) | Ullmann, V: | Don Quixote tanzt Fandango Cologne Gurzenich Orchestra, Jame Conlon | Waxman, F: | Athanael the Trumpeter Joachim Pliquett (trumpet) Berlin Deutsches Symphony Orchestra, Hans Zimmer | Weill, K: | Die Seeräuber-Jenny (Brecht) Moritat von Mackie Messer (from The Threepenny Opera) | Wellesz: | Symphonischer Epilog Op. 108 Berlin Deutsches Symphony Orchestra, Roger Eppie | Zemlinsky: | Drei Balletstucke 'Triumph der Zeit' Hamburg State Philharmonic Orchestra, Gerd Albrecht |
| | | Usually despatched in 2 - 3 working days. |
|
|
| |
|