Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Sviatoslav Richter in Warsaw: The Scriabin Recital
Scriabin: | 12 Preludes Op. 11 Preludes, Op. 37 (4) Prelude, Op. 59 No. 2 Piano Sonata No. 2 in G sharp minor, Op. 19 'Sonata Fantasy' Piano Sonata No. 5 in F sharp major, Op. 53 Piano Sonata No. 9, Op. 68 'Black Mass' Poème in C major, Op. 52 No. 1 Étude Op. 42 No. 2 in F sharp minor Étude Op. 42 No. 3 in F sharp major 'La Moustique' Étude Op. 42 No. 4 in F sharp major Étude Op. 42 No. 5 in C sharp minor Étude Op. 42 No. 6 in D flat major Étude Op. 42 No. 8 in E flat major Prelude, Op. 39 No. 3 in G major Prelude, Op. 39 No. 4 in A flat major Prelude, Op. 74 No. 1 Prelude, Op. 74 No. 3 Prelude, Op. 74 No. 4 Prelude, Op. 13 No. 1 in C major Prelude, Op. 13 No. 4 in E minor |
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| |  | Valentina Lisitsa: Live at the Royal Albert Hall
Beethoven: | Für Elise (Bagatelle in A minor, WoO59) Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight' | Chopin: | Nocturne No. 2 in E flat major, Op. 9 No. 2 Nocturne No. 13 in C minor, Op. 48 No. 1 Nocturne No. 8 in D flat major, Op. 27 No. 2 | Liszt: | Grande Étude de Paganini, S. 141 No. 3 'La Campanella' Un Sospiro from 3 Concert Studies, S144 No. 3 Liebestraum, S541 No. 3 (Nocturne in A flat major) | Rachmaninov: | Prelude Op. 23 No. 5 in G minor Prelude Op. 32 No. 5 in G major Prelude Op. 32 No. 12 in G sharp minor Prelude Op. 32 No. 10 in B minor Étude-Tableau, Op. 39 No. 6 in A minor | Scriabin: | Deux poèmes, Op. 32 Étude Op. 42 No. 3 in F sharp major 'La Moustique' |
Valentina Lisitsa (piano) The DVD recording of Valentina’s Lisitsa’s 19th of June 2012 Royal Albert Hall concert. With more than 43 million views and over 52,000 subscribers to her YouTube channel, the young pianist is not only one of the fastest-rising stars of the international concert scene but probably the single most-watched classical musician, having rapidly overtaken long-established giants of the piano world in terms of global online viewing figures. “Critics love to trash this kind of 'semi-pops' programme, yet Lisitsa often plays beautifully. While her opening salvo, Rachmaninovs G minor Prelude, is rather rushed and glib, the pianist quickly settles down to a direct and eloquent Fur Elise, followed by a breathtakingly brisk, imaginatively shaded La campanella.” Gramophone Magazine, Awards Issue 2012 “there's an admirable lightness of touch and appreciation of rhythmic flow to her "Für Elise", and her negotiation of Liszt's "Un Sospiro" is captivating.” The Independent, 7th July 2012 **** “ This recital disc of short piano pops proves Lisitsa's technical skill rather than the potential depth or reach of her musicality. She opens, in reckless mood, with Rachmaninov's Prelude in G Minor, then settles into an elegant Für Elise” The Observer, 9th July 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Valentina Lisitsa: Live at the Royal Albert Hall
Beethoven: | Für Elise (Bagatelle in A minor, WoO59) Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight' | Chopin: | Nocturne No. 2 in E flat major, Op. 9 No. 2 Nocturne No. 13 in C minor, Op. 48 No. 1 Nocturne No. 8 in D flat major, Op. 27 No. 2 | Liszt: | Grande Étude de Paganini, S. 141 No. 3 'La Campanella' Un Sospiro from 3 Concert Studies, S144 No. 3 Liebestraum, S541 No. 3 (Nocturne in A flat major) | Rachmaninov: | Prelude Op. 23 No. 5 in G minor Prelude Op. 32 No. 5 in G major Prelude Op. 32 No. 12 in G sharp minor Prelude Op. 32 No. 10 in B minor Étude-Tableau, Op. 39 No. 6 in A minor | Scriabin: | Deux poèmes, Op. 32 Étude Op. 42 No. 3 in F sharp major 'La Moustique' |
Valentina Lisitsa (piano) Born in Kiev, Ukraine, Valentina began playing the piano at the age of three and performed her first solo recital just one year later. She has won prestigious awards for her playing internationally, including the Murray Dranoff Two Piano Competition (together with her husband Alexei Kuznetsoff). Valentina Lisitsa has already performed at major international venues including Carnegie Hall and Avery Fisher Hall in New York and the Vienna Musikverein, and in countries as far apart as the Netherlands and Brazil. She has played with renowned orchestras including Chicago Symphony, Seattle Symphony, San Francisco Symphony and the Pittsburgh Symphony, collaborating with conductors Manfred Honeck, Yannick Nézet-Séguin, and Jukka-Pekka Saraste, among others. Upcoming performances are confirmed with the Rotterdam Philharmonic, Philharmonie im Gasteig, Munich with Münchner Symphoniker and recitals at the Victoria Hall in Geneva and Philharmonie in Berlin. With more than 43 million views and over 52,000 subscribers to her YouTube channel, the young pianist is not only one of the fastest-rising stars of the international concert scene but probably the single most-watched classical musician, having rapidly overtaken long-established giants of the piano world in terms of global online viewing figures. “Lisitsa emerges as a hugely confident and spontaneous performer. There's grace in her turns of phrase and relish in her sense of rhetoric...Sometimes, though, a downside appears when loud passages threaten to career a tad out of control and miss their point.” BBC Music Magazine, December 2012 *** “there's an admirable lightness of touch and appreciation of rhythmic flow to her "Für Elise", and her negotiation of Liszt's "Un Sospiro" is captivating.” The Independent, 7th July 2012 **** “This recital disc of short piano pops proves Lisitsa's technical skill rather than the potential depth or reach of her musicality. She opens, in reckless mood, with Rachmaninov's Prelude in G Minor, then settles into an elegant Für Elise” The Observer, 9th July 2012 “genuine gifts for lyricism and dazzling display...those musical gifts quickly hit the ears on this closely recorded CD.... Track three is Liszt’s La campanella, intelligently shaped, its bell sounds glittering as rarely before...Lisitsa tends to play with the lights fully on, with not enough shading in the wide expanse between loud and quiet. This gets rather tiring...But at the moment there is only one Valentina Lisitsa.” The Times, 13th July 2012 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Rachmaninov: Piano Concerto No. 3
(recorded live at Proms - The Royal Albert Hall) | | | In stock - usually despatched within 1 working day. |
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| |  | Great Pianists - Women at the Piano Volume 5An Anthology of Historic Performances (1923-1955)
Brahms: | Intermezzo in B flat minor, Op. 117 No. 2 Etelka Freund (piano) | Chopin: | Variations brilliantes in B flat major on 'Je Vends des Scapulaires', Op. 12 Tatiana Nikolayeva (piano) | Frescobaldi: | Fugue in G minor Johana Harris (piano) | Galuppi: | Sonata in C minor, Illy 34 Emma Contestabile (piano) | Griffes: | Fantasy Pieces, Op. 6, No. 3 (Scherzo) Lenore Engdahl (piano) | Lack, T: | Valse Arabesque, Op. 82 Jean Melville (piano) | Marx: | Six Piano Pieces: Prelude in E flat minor Grete Scherzer (piano) | Mayerl: | Marigold Carmen-Marie-Lucie Guilbert (piano) Robots, Op. 81 Carmen-Marie-Lucie Guilbert (piano) | Mendelssohn: | Andante and Rondo capriccioso in E major Op. 14 Dorothea Winand-Mendelssohn (piano) | Moszkowski: | Nouvelles Danses Espagnoles, Op. 65, No. 1 Denise Herbrecht, Lucien Petitjean (piano) Nouvelles Danses Espagnoles, Op. 65, No. 3 Denise Herbrecht, Lucien Petitjean (piano) | Mozart: | Fantasia (Prelude) & Fugue in C major, K394 Denise Lassimonne (piano) | Philipp: | Trois Études de Concert en doubles notes, Op. 56, No. 2 Ida-Marie-Louise Périn (piano) Trois Études de Concert en doubles notes, Op. 56, No. 1 Ida-Marie-Louise Périn (piano) | Poulenc: | Humoresque Annette Haas-Hamburger (piano) | Scriabin: | Étude Op. 42 No. 3 in F sharp major 'La Moustique' Cornelia Rider-Possart (piano) | Tchaikovsky: | The Seasons, Op. 37b: June (Barcarolle) Eva Wollman (piano) | Wagner: | Albumblatt in E flat major Felicitas Karrer (piano) | Williams, Alberto: | Two Milongas Madeleine Grovlez (piano) |
The fifth volume in this much admired series offers another fascinating anthology. Of the 17 pianists, the two oldest are the long-lived Cornelia Rider-Possart (1865-1963) who can be heard on an exceptionally rare, non-commercial 1926 Berlin disc, in the first recording of Scriabin’s Etude, Op. 42, No. 3, and Etelka Freund (1879-1977), a pupil of Brahms, who performs one of his Intermezzos in 1952. Jean Melville, a distant relation of Arthur Sullivan, plays Valse arabesque in London in 1923, whilst Johana Harris who, together with her husband, the American composer Roy Harris, enjoyed a highly successful career, can be heard playing Frescobaldi in Los Angeles. Marina A. Ledin & Victor Ledin, producers “Vol. 5 is absorbing and includes performances of great documentary interest. As with the previous issue, many of these are by pianists whose names long ago slipped into oblivion and the newer volume displays a conrucopia of talents.” Gramophone Magazine, November 2012 | | | (also available to download from $8.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| | | |  | Scriabin - Piano Pieces
The great Sviatoslav Richter plays Scriabin Recordings made between 1952 and 1955 | | | Usually despatched in 2 - 3 working days. |
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| |  | Horowitz plays Scriabin
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| |  | Scriabin - Piano Music
Scriabin: | Étude Op. 2 No. 1 in C sharp minor Mazurka, Op. 3 No. 3 Étude Op. 8 No. 12 in D sharp minor Prelude, Op. 16 No. 4 in E flat minor Prelude, Op. 27 No. 2 in B major Étude Op. 42 No. 3 in F sharp major 'La Moustique' Feuillet d'album, Op. 45 No. 1 Prelude, Op. 48 No. 4 in C major Danse languide, Op. 51 No. 4 Nuances, Op. 56 No. 3 Désir, Op. 57 No. 1 Caresse dansée, Op. 57 No. 2 Poèmes, Op. 69 Nos. 1 & 2 Vers la flamme, Op. 72 Piano Sonata No. 5 in F sharp major, Op. 53 Piano Sonata No. 7, Op. 64 'White Mass' Piano Sonata No. 9, Op. 68 'Black Mass' Piano Sonata No. 10, Op. 70 |
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Lang Lang plays Scriabin & Rachmaninov
“Lang Lang offers a resolutely poetical performance.” BBC Music Magazine, August 2008 | | | Usually despatched in 4 - 5 working days. |
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