This page lists all recordings of Tonadillas: No. 1, Amor y odio, by Enrique Granados (1867-1916) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Canciones españolas
A deeply seductive album of Spanish songs by composers including Granados and Turina, performed by the young Spanish soprano Sylvia Schwartz, whose commitment to this repertoire is described above, and is evident from her utterly enchanting performances. A work from Granados’ Goyescas, perhaps more familiar in the piano version, opens the programme, which continues with Tonadillas en estilo antiguo, a set also inspired by the paintings of Goya and in which this soprano demonstrates her wonderful emotional and dramatic range. The folk-influenced set of songs by Guridi is a beautiful series of Castillan melodies, creatively transcribed by the composer with aplomb. The recital is completed by works by Turina, Toldrá and Montsalvage, including the latter’s universally popular ‘Canción de cuna para dormir a un negrito’. “There's a tangy, lived-in quality in Schwartz's tone that is immediately appealing. She compensates for some metallic top notes and an occasional lack of fullness in her lower registers with a wide emotional range” The Guardian, 7th February 2013 **** “This is a delightful programme of early twentieth-century Spanish song...[Martineau] proves to be an instinctive Spaniophile in his enchantingly nuanced accompaniments. He brings us as close as it is possible in a purely aural medium to the sights and scents of Spain...[Schwartz] delivers these songs with impressive precision and security. On a purely technical level, these are performances of the highest order.” International Record Review, February 2013 “Hers is not a big, fruity Caballe voice but a soubrette - a voice small enough to convey subtlety without having to scale back but one that also encompasses the volatility of this repertoire without audible strain.” Gramophone Magazine, March 2013 “Sharpness and sweetness combine attractively in Sylvia Schwartz's voice.
The mixture is perfect for this programme of Spanish songs, some barely a minute long, all beautifully characterised by the soprano and her accompanist Malcolm Martineau” The Independent on Sunday, 3rd March 2013 **** | 
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Canciones españolas
Deborah Wai Kapohe (soprano), David Harper (piano) | |
|
| |  | A Spanish Song Recital
Granados: | Tonadillas: No. 1, Amor y odio Tonadillas: No. 2, Callejeo Tonadillas: No. 3, La maja dolorosa Tonadillas: No. 4, El majo discreto Tonadillas: No. 6, El majo timido Tonadillas: No. 7, La maja de Goya Tonadillas: No. 8, El mirar de la maja Tonadillas: No. 11, El tra la la y el punteado Tonadillas: No. 12, Elegia Eterna | Guridi Bidaola: | Llámale con el pañuelo - ¡Como quieres que adivine! | Montsalvatge: | Canciones negras (5) | Obradors: | La mi sola, Laureola - ¿Corazón por qué pasáis...? - Con amores, la mi madre - Del cabello más sutil - El Vito | Rodrigo: | Pastorcito santo - ¿Con qué la lavaré? - Vos me matasteis | Turina: | Farruca (from Triptico, Op. 45) Saeta en forme de Salve a la Virgen de la Esperanza, Op. 60 |
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | Nelly Miricioiu: Live at Wigmore Hall
| | | Usually despatched in 2 - 3 working days. |
|
|
| |  | The Catalan Piano Tradition
Albéniz: | Improvisations (3) for piano | Chopin: | Waltz No. 7 in C sharp minor, Op. 64 No. 2 Nocturne No. 9 in B major, Op. 32 No. 1 Waltz No. 2 in A flat major 'Grande Valse Brillante', Op. 34 No. 1 | Granados: | Danza española, Op. 37 No. 7 'Valenciana' Danza española, Op. 37 No. 10 'Melancólica' El Pelele Tonadillas: No. 9, Las Currutacas modestas Tonadillas: No. 2, Callejeo Tonadillas: No. 3, La maja dolorosa: III 'De aquel majo amante' Tonadillas: No. 1, Amor y odio Tonadillas: No. 11, El tra la la y el punteado Tonadillas: No. 4, El majo discreto Tonadillas: No. 6, El majo timido Tonadillas: No. 8, El mirar de la maja Tonadillas: No. 7, La maja de Goya Tonadillas: No. 5, El majo olvidado | Liszt: | Hungarian Rhapsody, S244 No. 13 in A minor Isolde's Liebestod (after Wagner), S447 | Malats: | Serenata espanola | Scarlatti, D: | Keyboard Sonata K190 in B flat major (trans. Granados) |
Alicia de Larrocha (piano), Conchita Badia (soprano), Conchita Supervia (mezzo-soprano), Enrique Granados (piano), Isaac Albéniz (piano), Joaquin Malats (piano) Includes composers' own recordings from early 20th century. | | | Usually despatched in 4 - 5 working days. |
|
|
| |
|
