This page lists all recordings of Wer hat die Liebe uns ins Herz gesenkt, by Franz Lehár (1870-1948) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Elisabeth Schwarzkopf: Operetta Arias & Duets
Lehár: | Bitte meine Herren (from Die Lustige Witwe) Viljalied (from Die lustige Witwe) Heia, Madel, aufgeschauf (from Die Lustige Witwe) Ganz a Pariser art Lippen schweigen (from Die Lustige Witwe) Ich danke fur die Huldigung…Ger, gern wär’ich verliebt Es ist nicht das erstemal Bei einem Tee en deux Wer hat die Liebe uns ins Herz gesenkt Ich möcht wieder einmal die Heimat sehn (from Das Land des Lächelns) | Strauss, J, II: | Frutti di mare Annina! Caramello Was mir der Zufall gab Hör mich, Annina Gruss dich Gott, du liebes Nesterl Wiener Blut Waltz, Op. 354 Mein Herr Marquis (from Die Fledermaus) Dieser Anstand, so manierlich (from Die Fledermaus) Klänge der Heimat (from Die Fledermaus) So elend und so true…O habet acht (from Der Zigeunerbaron) Schatz-Walzer, Op. 418 Wer uns getraut? (from Der Zigeunerbaron) |
Schwarzkopf was famed for her operetta roles and is featured here, at super budget price, in arias and duets from Merry Widow, Land of Smiles, Die Fledermaus, A Night in Venice, Gypsy Baron and Vienna Blood. “The whole collection heightens admiration for the delights of the music and the quality of Schwarzkopf's soprano.” Gramophone Magazine, July 2008 | 
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| |  | Liebeslieder der KlassikClassical Love Songs
Bizet: | La fleur que tu m'avais jetée (from Carmen) | Brahms: | Liebeslieder-Walzer, Op. 52: excerpts O liebliche Wangen, Op. 47 No. 4 Neckereien, WoO 31 No. 2 Der Gang Zum Liebchen, Op. 31 No. 3 | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) | Flotow: | Ach, so fromm (from Martha) | Kalman: | Zwei Märchenaugen (from Die Zirkusprinzessin) Tanzen Möcht' ich (from Die Csárdásfürstin) | Lehár: | O Mädchen, mein Mädchen (from Friederike) Ich danke fur die Huldigung…Ger, gern wär’ich verliebt Dein ist mein ganzes Herz (from Das Land des Lächelns) Wer hat die Liebe uns ins Herz gesenkt | Lortzing: | Lebe wohl, mein flandrisch Mädchen (from Zar und Zimmermann) | Mendelssohn: | Ich wollt' meine Lieb' ergösse sich, Op. 63. No. 1 | Mozart: | Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Ein Mädchen oder Weibchen (from Die Zauberflöte) Donne mie la fate a tanti (from Così fan tutte) Un'aura amorosa del nostro tesoro (from Così fan tutte) Il mio tesoro intanto (from Don Giovanni) Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail) | Nicolai, C O: | Horch, die Lerche singt im Hain! 'Romance' (from Die lustigen Weiber von Windsor) | Puccini: | Che gelida manina (from La Bohème) Bimba dagli occhi pieni di malia (from Madama Butterfly) O soave fanciulla (from La Bohème) Marcello, finalmente...Mimì è una civetta (from La Boheme) | Raymond: | Schau einer schonen Frau nie zu tief in die Augen (from Maske in Blau) | Rossini: | Dunque io son? (from Il Barbiere di Siviglia) Armida: D'amor al dolce impero | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) | Schumann: | Ich denke dein, Op. 78, No. 3 | Strauss, J, II: | Eine Nacht in Venedig: Komm in die Gondel | Suppe: | Florenz hat schöne Frauen (from Boccaccio) sung in German as 'Florenz hat schöne Frauen' | Tauber: | You are the world to me from Der singende Traum sung in German as 'Du bist die Welt für mich' | Verdi: | La donna è mobile (from Rigoletto) Ah sì ben mio (from Il trovatore) |
2 CDs for the price of 1 This new release entited Classical Love Songs on Profil is a compilation of the most beautiful love songs by Mozart, Schumann, Brahms, Rossini, Donizetti and many more. The songs are sung by an exceptional array of artists including Fritz Wunderlich, Rudolf Schock, Hermann Prey, Richard Tauber, Elisabeth Schwarzkopf, Joseph Schmidt, Anneliese Rothenberger and Heinz Hoppe. | | | Usually despatched in 2 - 3 working days. |
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| |  | Great Operatic Arias 20 - Christine Brewer Volume 2
We were delighted when the internationally renowned soprano Christine Brewer agreed to record some of her favourite repertoire pieces on her first recital disc for Chandos in 2005. No surprise that it was a huge success – so we were even more delighted when she returned to record this second volume – repertoire which you would never hear in a single concert or operatic performance, but here capturing Brewer’s glorious range, wonderfully supported by Judith Howarth, Timothy Robinson and the London Philharmonic Orchestra, conducted by David Parry. Christine Brewer’s earlier recital (CHAN3127) introduced into this series the dramatic soprano voice and included in its programme, as does its successor, arias from Gluck’s Alceste and Wagner’s Tannhäuser. In a previous age both operas were sung by Kirsten Flagstad, by general consent the greatest heroic-dramatic soprano of all. Christine Brewer now adds one of the most formidable challenges in the repertoire, Leonore’s solo in Act I of Beethoven’s Fidelio. Otherwise, the two significant extensions are in time, backward to Handel and forward to Britten and Menotti. “This is a spectacular demonstration not only of Christine Brewer's vocal strength with every note firm from top to bottom, but of her extraordinary versatility in this wide range of repertory. She starts with a flawless account of the Countess's "Porgi amor" from Figaro with a wonderful range of tone colour. The Wagner items include both Elisabeth's Prayer from Tannhäuser and Elsa's Dream from Lohengrin, again both flawless, making one want to hear Brewer in a complete Wagner opera. ...when it comes to the aria from Korngold's Die tote Stadt and Magda's big aria from Menotti's The Consul one marvels at the power and tonal range of the voice.” Gramophone Magazine, July 2009 “[The Beethoven] is the finest piece of singing on this disc by a country mile. Brewer’s diction is superb, whilst the voice cuts through the orchestra with laser-like precision. Furious and unyielding, it is a performance to treasure.” Opera Britannia, 30th July 2009 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Joseph Schmidt: Songs and Arias by Smetana, Mascagni, Neiderberger, Lehar et al
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| |  | Freunde, Das Leben ist LebenswertRene Kollo conducts Lehar
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| |  | Great Swedish Singers: Per GrundenFor You Alone
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| |  | Richard Tauber - You Are My Heart's Delight
Bizet: | La fleur que tu m'avais jetée (from Carmen) | Giordani, G: | Caro mio ben | Jurmann: | Ein Lied aus meiner Heimat (from Melodie der Liebe) | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) Wer hat die Liebe uns ins Herz gesenkt Gern hab' ich die Frau'n geküßt (from Paganini) O Mädchen, mein Mädchen (from Friederike) Es steht ein Soldat am Wolgastrand (from Der Zarewitsch) Warum hat jeder Frühling, ach, nur einen Mai (from Der Zarewitsch) | Méhul: | Joseph in Ägypten: Ach, mir lachelt umsonst | Mendelssohn: | Ich wollt' meine Lieb' ergösse sich, Op. 63. No. 1 | Mozart: | Il mio tesoro intanto (from Don Giovanni) Dalla sua pace (from Don Giovanni) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) Konstanze, Konstanze...O wie ängstlich (from Die Entführung aus dem Serail) | Stolz, R: | Adieu, mein kleiner Gardeoffizier (from Das Lied ist aus) | trad.: | Gold und Silber lieb' ich sehr Flusterndes Silber, rauschende Welle | Weber: | Nein! länger trag' ich nicht die Qualen…Durch die Wälder (from Der Freischütz) | Weissmann: | Es war einmal ein Frühlingstraum (from Das lockende Ziel) |
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