Wagner: Im Treibhaus (No. 3 from Wesendonck-Lieder)

With Richard Wagner's bicentenary coming up on May 22, there are all kinds of sounds in the air and words to be read about the great Romantic music dramatist. But where among all this Wagneriana are we to find the truly original messages? Some of them are to be encountered right here, because when GERMAN BRASS tackles Wagner, expectations are always high. The brass ensemble is justly regarded as one of the world's finest, consisting of the best musicians from Germany's leading orchestras (including Bayreuth's!), so this is a special event, music made, played and recorded with total commitment.We still come back to the question: Wagner for brass – how is that going to sound? It seems a bold idea at first sight, but as soon as you hear it, it turns out to be a stroke of genius: Wagner was no stranger to fullbodied brass sound, and the musicians of GERMAN BRASS succeed brilliantly in coaxing the complex timbres of Wagner's mixed sounds from their instruments. This is due as much to their virtuosity as to the creative arrangements of their artistic director Matthias Höfs. The verve of the "Ride of the Valkyries" will astound the listener as much as the alternating blocks of sound at the start of the "Pilgrims' Chorus" from Tannhäuser, where original and arrangement seem to keep changing places. Familiar passages come over as well known and yet subtly different – a stimulating experience!

For this new recording on Capriccio mother and son unite. For more than fifteen years Renate Behle has been one of the world’s most outstanding interpreters of dramatic roles. With her “warm, sumptuous, full voice” whose “sound is etched in one’s memory” (Financial Times), she has thrilled audiences and critics alike on nearly every major opera stage in the world. Here she performs a recital of works by Mendelssohn, Schumann, Beethoven and Brahms amongst others, with her son Daniel, a tenor in great demand on the major opera and concert stages of the world.

On these best-selling CDs many classical masterpieces are given an original interpretation for choir. The Accentus Chamber Choir, under the direction of Laurence Equilbey, is unanimously recognised as one of the world’s finest vocal ensembles.

Bonus (audio): Interview with Laurence Equilbey / Recording of Der Doppelgänger (Schubert)

This recording presents three different, utterly contrasting responses to the quest for expression and the solution to the old problem of how to merge text and music into a unity. The common theme linking these compositions, "The Passion and Pains of Love", has been wrested from the texts of these choral works: they are poetic declarations of love, descriptions of nature with erotic and intimate imagery, poems that speak of unfulfilled yearning and breaking hearts. Their poetic quality opens a range of expression every bit as varied as the three musical settings they stimulated.