Prokofiev: The Gambler, Op. 24

The Mariinsky label releases its second opera DVD & Blu-ray, Prokofiev’s 'The Gambler'. Filmed in the historic Mariinsky Theatre in 2010, it stars celebrated Russian tenor Vladimir Galuzin and bass Sergei Aleksashkin, and is conducted by Valery Gergiev. It is of fundamental significance that under Gergiev’s baton the Mariinsky Orchestra and opera company have performed all of Prokofiev’s symphonies, concerti and operas on numerous occasions.

Georgian director Temur Chkheidze, who also presented the Mariinsky’s last production in 1996 and directed the opera with critical success at the Metropolitan Opera in 2001, gives a fresh look to Prokofiev’s first opera.

Set in the fictional town of Roulettenburg in the mid-19th Century, 'The Gambler' is a four-act opera that displays the dramatic highs and lows involved in the game of chance. At the centre of the story is Alexei, who is in love with The General’s step-daughter, Pauline. All of the characters fall victim to the temptation of gambling, each one consumed by the obsession and greed that drives them.

Vladimir Galuzin, who plays the role of Alexei, is indisputably one of the world’s leading dramatic tenors, known for his unrivaled stentorious voice and extremely vivid characterisations of some of the most demanding roles. A Mariinsky soloist since 1990, he is much in demand internationally, performing regularly during the last two decades as a guest of most of the world’s most prominent opera houses, concert halls and festivals. The role of The General is played by Russian bass Sergei Aleksashkin. Three-time recipient of the Golden Sofit, St Petersburg’s most prestigious theatre prize, Sergei has been a Mariinsky Theatre soloist since 1989, singing title roles in Mussorgsky’s 'Boris Godunov' and Glinka’s 'Ruslan and Lyudmila'.

DURATION 2 hours 35'

Recorded at the Mariinsky Theatre, June 2010

Performed in Italian: subtitles in Russian, English, Japanese, German and French

Prokofiev’s first mature opera turned out to be the first notable musical theatrical composition based on Dostoyevsky in the history of Russian culture. He received the commission for this work from the directors of the Imperial Theatres, one of whom was Albert Coates, who persuaded the authorities that the Russian theatres would be enriched by such a commission. The resulting opera was premiered in 1929 after being postponed for many years due to economic and political turmoil during which time Prokofiev revised it considerably. Presented here on a 2-CD set performed by an all Russian cast, this new recording is an important addition to the catalogue.