Purcell: Mystery’s Song (from The Fairy Queen, Z629)

This page lists all recordings of Mystery’s Song (from The Fairy Queen, Z629), by Henry Purcell (1659-95) on CD & download (MP3 & FLAC).

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The Art Of Alfred Deller

The Art Of Alfred Deller

Classic Vanguard Recordings


Sumer is icumen in


Come, pretty babe


La Déploration de Johannes Ockeghem


Ode for the Birthday of Queen Anne HWV74 'Eternal source of light divine'


Matona mia cara


Lamento d'Arianna 'Lasciatemi morire'


Now is the month of maying

In Dew of Roses

Parsons, R:



Il est bel et bon


Music for a while, Z583

I attempt from love's sickness to fly in vain (from The Indian Queen)

Sound the trumpet, beat the drum, Z335

One charming night (from The Fairy Queen, Z629)

Mystery’s Song (from The Fairy Queen, Z629)

Fairest Isle (from King Arthur)

If music be the food of love, Z379


Da Te Parto


Erhöre mich, wenn ich rufe, SWV 289


The Three Ravens

The Cuckoo

Barbara Allen

Hey, Ho, the Wind and the Rain

I will give my love an apple

The Oak and the ash (A north country lass)

King Henry



To shorten winter's sadness


Thus Saith My Cloris Bright

Alfred Deller, Desmond Dupré (lute), Walter Bergman (harpsichord), Gustav Leonhardt (harpsichord)

The Deller Consort, Oriana Concert Choir and Orchestra, Ensemble of Baroque Instruments, Leonhardt Baroque Ensemble

Alto - ALC1018



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Purcell: Come all ye songsters

Purcell: Come all ye songsters

Recorded live at Wigmore Hall, London, on 17 March 2015





Draghi, G B:

The Italian Ground


Come All Yee Songsters

Ye gentle spirits of the air (from The Fairy Queen, Z629)

A dance of fairies (instr.) (from The Fairy Queen Z629)

Sing while we trip it (from The Fairy Queen Z629)

Suite No. 5 in C major, Z 666

The cares of lovers (from Timon of Athens, Z632)

Fly swift ye hours, Z369

Not all my torments can your pity move, Z400

From Rosy Bow'rs (from Don Quixote)

Let the dreadful engines (from Don Quixote, Z578)

Mystery’s Song (from The Fairy Queen, Z629)

Music from the guitar book of Princess Anne (instrumental)

I see she flies me ev'rywhere (from Aureng-Zebe or The Great Mogul, Z573)

What a sad fate is mine, Z428A

Pious Celinda goes to prayers, Z410

Tis Nature's voice (from Hail, Bright Cecilia, Z328)

Abdelazer or The Moor's Revenge: incidental music, Z570

Hark! The Echoing Air (from The Fairy Queen, Z629)

I attempt from love's sickness to fly in vain (from The Indian Queen)

spoken intro to encore

Fairest Isle (from King Arthur)

spoken intro to encore

Simpson, C:

A Division upon a Ground for Viola da gamba & B.c.from The Division Violist (London 1659)

Carolyn Sampson (soprano), Elizabeth Kenny (lute), Jonathan Manson (viol) & Laurence Cummings (harpsichord)

Carolyn Sampson has enjoyed notable success worldwide in repertoire ranging from early Baroque to the present day. She is in high demand by leading opera companies around the world, and regularly makes recital appearances too. Following the success of her first release ‘Not Just Dowland’, [WHLIVE0034] we are now delighted to present her second release on the Wigmore Hall Live label. She is joined by some of Britain’s most exciting exponents of historical performance – lutenist Elizabeth Kenny, harpsichordist Laurence Cummings, and viol player Jonathan Manson. This leading ensemble examines the colourful world of Purcell songs. Unlike his European counterparts, Purcell was unused to traditionally operatic terms and was unconstrained by them. Ignorance was certainly bliss in this case; for him ‘Song’ was a performers’ medium. Thoughout the course of this recital, recorded live at Wigmore Hall, we hear the musicians discovering and revealing the meaning of the texts, as they bring to life the works with sensitivity and charm.

“of course it’s soprano Carolyn Sampson’s peerless Purcell that steals the show – whether inhabiting tortured madness, or the airborne, caressing grace of an opening set from The Fairy Queen. By way of the final encore, ‘Fairest Isle’ bids farewell with a guileless, eloquent, spellbinding simplicity.” BBC Music Magazine, October 2016 ****

“Carolyn Sampson sings with rich yet clear soprano tone and pays keen attention to the texts she sings, as befits Purcell’s reputation as perhaps the greatest composer to set his native tongue to music…throughout it all, Sampson is royally supported by a trio of accompanists, and it’s good that they provide instrumental solos or duets too” Classical Ear, 26/08/16 ****

“What could be just another lovely solo recital is subtly but determinedly refocused here as an ensemble affair. Each of the musicians gets a chance to step into the spotlight, and the result is both a more interesting and a much more satisfying listen than a straight sequence of arias with the obligatory mid-programme instrumental breath-catcher … Any recording of Purcell songs enters a crowded market but Sampson makes a strong case for her contribution, with just a little help from some starry musical friends” Gramophone Magazine, September 2016

“Versatile and ever engaging, soprano Carolyn Sampson shines in this showcase of contrasting Purcell songs...As an encore, Sampson sings Fairest Isle, unhurried, with lovely ornament and pure tone.” The Guardian, 26th June 2016 ****

GGramophone Awards 2017

Shortlisted - Recital

Wigmore Hall Live - WHLIVE0083



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