Strauss, R: Blick vom oberen Belvedere, Op. 88 No. 2

Hyperion’s Strauss Lieder series continues to demonstrate that the composer’s achievements in this genre are among the most fascinating and accomplished of his works. This latest volume includes, for instance, the delicious Schlechtes Wetter from Op 69, and the lovely—and unknown—Waldesfahrt from the same group. The delicately beautiful Malven (never published in Strauss’s lifetime, and first performed by Kiri Te Kanawa in 1985), with which the recital ends, is known as Strauss’s ‘Fifth Last Song’.

The central work recorded here, Krämerspiegel, owes its genesis to Strauss’s long-lasting and bitter dispute with the German music publishing industry. A Berlin literary critic, Alfred Kerr, wrote him a witty set of satirical verses lampooning music publishers, mentioning many of Strauss’s principal enemies by name. Strauss set all twelve poems to music, and this practical joke finally saw the light of day in 1921. It is easy to understand why the cycle is now rarely performed, given that the texts consist entirely of in-jokes, and that the lion’s share of the music is given to the pianist. But Strauss’s music is well worth savouring, not least for its humorous references to Strauss’s own works, such as Der Rosenkavalier and Ein Heldenleben, and especially for the beautiful prelude to the eighth song and its reprise as the final extended postlude—used by the composer nearly a quarter of a century later, in his opera Capriccio.

Roger Vignoles is the curator and pianist of this series, and also writes the informative booklet notes. Making her Hyperion debut is soprano Elizabeth Watts, of whom The Guardian commented at a recent Strauss Lieder recital: ‘Watts, winner of the Lieder prize at Cardiff Singer of the World in 2007, is already a major artist, but this struck me as making a transformation into a great one, as well as allowing us to hear her in music she seems to have been born to sing. Watts has the right tonal glamour for Strauss along with that tricky combination of vocal ease and immaculate control that his work requires.’

Collected Teldec recordings from one of the most acclaimed coloraturas of recent decades.

35 CD + CD-ROM (including Stephen Jay Taylor's 'Richard Strauss: The Man and his Music')

A superb collection of some of the greatest performances of Richard Strauss’s orchestral, operatic, chamber and vocal works, brought together in a stunning 35-CD edition of fantastic value.

The collection begins with a survey of Strauss’s orchestral music, including the supremely popular symphonic poems - Don Juan, Don Quixote, Also sprach Zarathustra, Till Eulenspiegel, Tod und Verklärung, Eine Alpensinfonie and Ein Heldenleben are included, together with comparatively rare orchestral works such as the wonderful Burlesque for piano and orchestra. These recordings, performed by the Staatskapelle Dresden and conducted by Rudolf Kempe, are a particular highlight of this box set, some of the greatest recordings of the classical catalogue.

Of Kempe’s Aus Italien, Gramophone stated:‘The Dresden orchestra play superbly and this version undoubtedly sweeps the board’. Of another release in the series, Gramophone commented: ‘the splendour of the Dresden orchestra is most impressive: at that period and under this conductor they may have had equals in this music but surely no superiors’.

An extensive survey of Strauss’s chamber music, performed by major international instrumentalists including Wolfgang Sawallisch (piano), Erno Sebestyen (violin), Wenn-Sinn Yang (cello) and the Sinnoffer Quartet.

Includes definitive performances of Strauss’s best-loved operas – Der Rosenkavelier, Elektra, Salome, Die Frau ohne Schatten, Ariadne auf Naxos plus the rarely heard Friedenstag.

In particular, Herbert von Karajan’s Der Rosenkavalier remains unsurpassed.‘It really does triumph over them all - even the outstanding 1969 Solti/Decca - and the triumph is, almost entirely, Schwarzkopf's own’, wrote Gramophone.

This comprehensive box set concludes with 3 CDs of Lieder, including the enduringly popular Four Last Songs sung by Charlotte Margiono and a disc of historical recordings accompanied by Richard Strauss on piano.

A truly unique set (the only one on the market!):The Richard Strauss Edition.

Contains a wealth of repertoire: the complete Orchestral Works, the complete Chamber Music, a generous selection of songs, the most famous operas and a disc of rare choral works.

A fitting tribute to one of the most important Late-Romantic composers, who for such a long period reflected his “Zeitgeist” in his fascinating and highly personal music.

A star studded line-up of famous Strauss interpreters: Rudolf Kempe and his Staatskapelle Dresden (a Strauss orchestra par excellence!), Herbert von Karajan, Joseph Keilberth, Wolfgang Sawallisch, Giuseppe Sinopoli, Karl Böhm, and vocalists Elisabeth Schwarzkopf, Alessandra Marc, Deborah Voigt, Anne Sofie von Otter, Dietrich Fischer-Dieskau and Charlotte Margiono.

Containing a historical recording of songs accompanied by Richard Strauss himself on the piano.

Liner notes included on CD-ROM.