Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Schubert: Partsongs, Auf dem Strom & Der Hirt auf dem Felsen
Schubert: | Gebet (Du Urquell aller güte) D815 (Fouqué) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Nachthelle, D892 (Seidl) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Gott in der Natur D757 (Kleist) Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Jünglingswonne, D983 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Ständchen 'Zögernd leise', D920/921 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Der Gondelfahrer, D809 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Psalm 23 'Gott ist mein Hirt', D706 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Gott im Ungewitter, D985 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Chor der Engel, D440 Viola Tunnard (piano) Elizabethan Singers, Louis Halsey Auf dem Strom, D943, Op. post. 119 Robert Tear (tenor), Neill Sanders (horn) & Lamar Crowson (piano) Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Die Forelle, D550 Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Gretchen am Spinnrade, D118 Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Der Musensohn, D764 (Goethe) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) Du bist die Ruh D776 (Rückert) Suzanne Danco (soprano), Gervase de Peyer (clarinet) & Guido Agosti (piano) |
Two distinguished soloists – soprano Suzanne Danco and tenor Robert Tear – contribute to this disc of Schubert songs. Both of the composer’s ‘obbligato’ songs (Der Hirt auf dem Felsen and Auf dem Strom) are included, as are five of Schubert’s most popular Lieder in recordings by Danco previously unreleased on CD. But at the centre of this recital is a selection of Schubert’s Partsongs. Their origins lie in the vital demand for this kind of music in the context of the social life of Vienna during the composer’s lifetime. The male-voice quartet was a staple feature in the city’s concert halls, but even more so in the homes of the cultured middle-classes. Much of Schubert’s writing for this medium is in an ‘unbuttoned’ mood, providing material for friendly gatherings. Even so, we find among these partsongs for men’s or mixed voices, many which carry the unmistakable stamp of his genius – the gorgeous Ständchen, or the tranquil, other-worldly Nachthelle. “Schubert's secular choruses are among his least-known works, so a warm welcome for these charismatic performances of music beautiful enough to make you cry.” BBC Music Magazine, November 2012 ***** “This disc most delightfully extends the small number of Schubert's part-songs that has been recorded and these beautifully sung performances, very well recorded, capture the intimate spirit of music written primarily for friendly gatherings […] Robert Tear sings his part with lovely tone […] A contralto solo part woven into Ständchen is beautifully sung by Helen Watts […] this lovely disc gave me intense pleasure” Gramophone Magazine (Partsongs) “Der Hirt auf dem Felsen is marvellously clean and instrumental in execution” Gramophone Magazine (Danco) | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Mysterium: Sacred Arias
| | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
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| |  | Schubert: Sacred Music
Schubert: | Offertorium 'Intende voci', D963 Salve Regina in B flat major, D386 Magnificat in C major, D486 Psalm 23 'Gott ist mein Hirt', D706 Salve Regina in B flat major, D106 Tantum ergo in E flat major D962 Offertorium 'Totus in corde langueo' in C major, D136 Chor der Engel, D440 Offertorium 'Salve Regina' in F major, D223 Gott in der Natur D757 (Kleist) Stabat Mater in G minor, D 175 Deutsche Messe, D872: Heilig ist der Herr |
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| |  | Schumann: Sammlung von Musik-Stücken alter und neuer Zeit
Bach, J S: | Fugue in C minor, BWV575 Fugue in E minor, BWV945 Chorale Prelude BWV639 'Ich ruf' zu dir, Herr Jesu Christ' Chorale Prelude BWV614 'Das alte Jahr vergangen ist' Chorale Prelude BWV637 'Durch Adam's Fall ist ganz verderbt' | Baroni-Calvacabò: | Eigne Bahn | Beethoven: | Gesang der Mönche ('Rasch tritt der Tod'), WoO 104 | Berger, L: | Andreas Hofer | Burgmüller, N: | Frühlingslied | Elsner: | Trauermarsch | Heller, S: | Three German Dances Toccatina, Op. 16 No. 7 | Henselt: | Rhapsody in F minor Impromptu for piano, Op. 7 Romance in C sharp minor Der Dombau | Hetsch: | Abschied | Hiller, F: | Die Rheinmöve | Kinkel: | Trinklied | Kossmaly: | Mein erster Gedanke Von dir so ferne! | Lang, J: | Traumbild | Lorenz, O: | Mignons Lied | Mendelssohn: | Das Waldschloss Pagenlied | Moscheles: | Prelude & Fugue in E flat major | Püttlingen: | Die Geisterinsel ('Mein Liebchen, wir sassen beisammen') | Rieffel: | Der Pilger Ermunterung | Schefer: | Generalbeichte ('Lasset heut' im edlen Kreis meine Warnung gelten') | Schubert: | Chor der Engel, D440 Piano Sonata No. 15 in C major, D840 'Reliquie': II. Andante | Schumann: | Novelette, Op. 21 No. 3 in D major Klavierstücke (4), Op. 32: II. Gigue Intermezzo from Faschingsschwank aus Wien, Op. 26 Hauptmanns Weib, Op. 25 No. 19 Weit, Weit ('Wie kann ich froh'), Op. 25 No. 20 Klavierstücke (4), Op. 32: IV. Fughette Rastlose Liebe ('Dem Schnee, dem Regen'), Op. 33 No. 5 | Schumann, Clara: | Romance, Op. 11 No. 2 | Schuncke, L: | Gretchen am Spinnrad | Sechter: | Contrapuntal Studies (12) , Op. 62 | Spohr: | Was mir wohl übrig bliebe, Op. 139 No. 5 | Taubert: | Prelude in A major | Truhn: | An die Kunstgenossen | Verhulst: | Religioso Nocturne in E flat major | Viardot-Garcia: | Die Kapelle | Weber: | Sechs Fughetten |
Johanna Stojkovic (soprano), Miriam Sharoni (soprano), Veronika Winter (soprano), Jale Papila (alto), Jan Kobow (tenor), Michael Connaire (tenor), Ralf Grobe (bass), Andreas Pruys (bass), Cord Garben (piano), Klaus Sticken (piano), Tilman Benfer (organ) & Hans-Wilhelm Kaufmann (guitar) Alsfelder Vokalensemble, Wolfgang Helbich This new release is a collection of songs, piano pieces, organ pieces and choral works, all taken from volumes 1-16 of Robert Schumann’s Neue Zeitschrift für Musik. In 1834 Schumann founded the Neue Zeitschrift für Musik (NZfM) and four times a year published a ‘Collection of Compositions from Old and New Times’. It resulted in sixteen volumes of music with a total of sixty-nine compositions by thirty-nine male and female composers, and today offers us a unique glimpse at Schumann’s circle of musical friends. | | | Usually despatched in 2 - 3 working days. |
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