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See Terms & Conditions for p&p rates. | |  | English Music of the 17th CenturyConsort Music, Music for Harpsichord, Virginal & Organ, Songs
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| |  | My Lady RichMusic inspired and written for Lady Penelope Rich. Works by Byrd, Coprario and Dowland
anon.: | How should I your true love know Hampton Court Masque Emily Van Evera (recorder), Susanne Heinrich (viola da gamba), Lynda Sayce (bass lute), Jacob Heringman (cittern) Vuestros ojos Susanna Pell (viol) Corranto Lady Riche Lucy Carolan (virginal) My little sweet darling A la volta Mistress Lettice Rich Sweet stay awhile Susanna Pell (viol) A toye He is dead and gone, lady | Bartlet: | Surcharged with discontent The thrush did pipe full clear The Hesperus on high | Byrd: | Weeping full sore Caroline Trevor (contralto), Daniel Norman, John Potter (tenors), Michael Dore (bass) In fields abroad Richard Campbell, Susanna Pell, Reiko Ichise (viols) | Coprario: | Funeral Tears Caroline Trevor (contralto), Daniel Norman (tenor), Susanna Pell (viol) | Dowland: | Mr Dowland's Midnight Lady Rich, her Galliard Come when I call Caroline Trevor (contralto), Daniel Norman, John Potter (tenors), Michael Dore (bass), Susanna Pell, Reiko Ichise, Asako Morikawa (viols) | Incerto: | The Funerals (Pavan) Richard Campbell, Susanna Pell, Reiko Ichise, Asako Morikawa, Susanne Heinrich (viols) | Jones, Robert: | O he is gone And is it night? Susanna Pell (viol) | Tessier: | Casche toy, celeste soleil Au joly bois Susanna Pell (viol) Reveillez vous, belle Cattin Caroline Trevor (contralto), Daniel Norman, John Potter (tenors), Michael Dore (bass), Christopher Morrongiello (lute), Susanna Pell, Reiko Ichise, Asako Morikawa (viols) |
Soprano Emily Van Evera is an uncommonly versatile singer. Her luminous voice blends sense with sensuousness, and can sound at once tender and thrillingly beautiful. Fittingly, Van Evera’s inspiration for this recording is Lady Penelope Rich, a “heart-stealing goddess” who was sister to the Earl of Essex, muse to poets and musicians and the devoted mistress to Lord Mountjoy. She also inspired some of the finest music by composers of Elizabethan England. The music on My Lady Rich ranges from the Shakespearean (How should I your true love know – from Hamlet, a mad song of Ophelia’s, the tragic character to whom Lady Rich’s predicament has been likened), to the Spanish Vuestros ojos (Lady Rich was famously fluent in Spanish), from the spirited (Hampton Court Masque in which Lady Rich took part in 1604) to the sorrowful (And is it night, a nocturnal yearning for a lost lover). Emily Van Evera has won international acclaim for her numerous ground-breaking and award-winning recordings, particularly of earlier repertoire. Her chart-topping CD of the music of Hildegard von Bingen was singled out by The Gramophone for her characteristic expressivity: “the sheer power of the words comes across nowhere else as strongly as in Van Evera’s performance.” | | | Usually despatched in 4 - 5 working days. |
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| |  | Jane Pickeringe's Lute Book
Jacob Heringman is one of the foremost lutenists of his generation, “a master of his instrument” according to Classical Guitar magazine. He is the lutenist of choice for leading international musicians, including Barbara Bonney, Michael Chance, and The King’singers. His reputation for seeking out rare and unjustly neglected repertoire is well earned: previous solo recordings include the only solo lute CD devoted to Josquin des Prez. A veteran of the recording studio, Jacob appears on over 50 CDs as soloist, collaborator and ensemble member. Recorded 6th-8th February 2001, National Centre for Early Music, St Margaret's Church, York, England | | | Usually despatched in 4 - 5 working days. |
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| |  | The Gustav Leonhardt Edition
anon.: | Daphne Resonet in laudibus A toye | Bach, J C: | Harpsichord Sonata, Op. 5 No. 2 in D major | Bach, J S: | Concerto for Flute, Violin & Harpsichord in A minor, BWV1044 Keyboard Concerto No. 2 in E major, BWV1053 Keyboard Concerto No. 3 in D major, BWV1054 Keyboard Concerto No. 4 in A major, BWV1055 Keyboard Concerto No. 5 in F minor, BWV1056 Concerto for Harpsichord & Two Recorders, BWV1057 Keyboard Concerto No. 7 in G minor, BWV1058 Oboe Concerto in D minor, BWV1059 Concerto for Two Keyboards in C minor, BMV1060 Concerto for Two Keyboards in C major, BMV1061 Concerto for Two Keyboards in C minor, BMV1062 Concerto for Three Keyboards in D minor, BWV1063 Concerto for Three Keyboards in C major, BWV1064 Concerto for Four Keyboards in A minor (after Vivaldi), BWV1065 Goldberg Variations, BWV988 Chromatic Fantasia & Fugue in D minor, BWV903 Keyboard Sonata in D Minor, BWV964 Toccata in G major, BWV916 Lute Suite No. 1 in E minor, BWV996 Sonatas for Violin & Harpsichord Nos. 1-6, BWV1014-1019 Prelude in F major, BWV927 Quodlibet, BWV524 Prelude in E major, BWV937 Trio in G minor, BWV929 So oft ich meine Tobackspfeife, BWV515a Prelude in D minor, BWV940 Canon a 2 perpetuus, BWV1075 Canon super fa mi a 7 post tempus misicum, BWV1078 Prelude in D major, BWV925 Gib dich zufrieden, BWV511 Canon a 4 perpetuus, BWV1073 Canone doppio sopr'il soggetto, BWV1077 O Herzensangst, o Bangigkeit, BWV400 Nicht so traurig, nicht so sehr, BWV384 Dir, dir Jehovah, will ich singen, BWV452 Prelude in C major, BWV939 Fugue in C major, BWV952 Was betruebst du dich, mein Herze, BWV423 Vergiss mein nicht, BWV505 Chorale Prelude BWV691 'Wer nun den lieben Gott lässt walten' Capriccio sopra la lontananza del suo fratello dilettissimo, BWV992 Prelude & Fugue in A minor, BWV895 Suite in F minor, BWV823 Prelude & Fughetta in D minor, BWV899 Prelude & 'Fiddle' Fugue in D minor, BWV539 | Biber: | Harmonia artificiosa-ariosa: diversi mode accordata 120.Mensa sonora: seu musica instrumentalis Fidicinium sacro-profanum: Sonatas III, IV, V & VI | Böhm, G: | Suite No. 6 in E flat major Suite No. 8 in F minor Suite No. 9 in F minor | Bull, J: | Fantasia The duchesse of brunswick's toye [most sweet and fayre] | Byrd: | Pavan in D BK52a Pavan in D BK52b Fantasia a 3 in C BK27 Pavan & Galliard à 6 Miserere mei | Caccini, G: | Amarilli mia bella | Couperin, F: | Offertoire sur les grands jeux L'art de toucher le clavecin | Dowland: | Pavan Lachrimae Pavan, P. 15 Can she excuse my wrongs? (First Booke of Songes, 1597) | Farnaby, G: | Fantasia in D Fantasia in D The Old Spagnoletta | Frescobaldi: | Toccata Settima Toccata undecima (1627) Canzon terza Toccata in G major Fantasia sesta sopra doi soggetti Five Gagliardes | Froberger: | Capriccio No. II Fantasia No. 3 Toccata No. 11 (da sonarsi alla levatione) Ricercar II Canzona II Toccata No. 9 Allemande Suite No. 18 Suite No. 12 in C major | Gibbons, O: | Pavan | Grigny: | Cromorne en taille à deux parties | Handel: | Keyboard Suite, HWV 433 in F minor | Kuhnau: | The Biblical Sonatas | Lawes, W: | Suite No. 2 a 5 in F major : fantasia Suite No. 2 a 5 in F major : aire Suite No. 7 in D minor : fantasia Suite No. 7 in D minor : air 'almand' Suite No. 7 in D minor : 'galliard' Suite No. 3 in B-flat major : in nomine | Marini, B: | Balletto secondo a tre & a quattro | Mondonville: | 6 Sonatas Op. 3 | Morley: | Nancie | Muffat, Georg: | Sonata No. 2 from Armonico Tributo | Poglietti: | Ricercar primi toni | Purcell: | Rejoice in the Lord alway ('The Bell Anthem'), Z49 Blow up the trumpet in Sion, Z10 O God, thou art my god, Z35 Chacony in G minor - for Two Violins, Viola and Bass Z730 O God, thou hast cast us out, Z36 My heart is inditing, Z30 Remember not, O Lord, our offences, Z50 Overture in D minor Z771 Pavan in B flat major, Z750 Ground in D minor, ZD222 Suite in G major, Z 770 Pavan in A minor Z749 Three Parts upon a Ground in D major - Z731 Overture in G minor Z772 Suite No. 6 in D major, Z 667 Pavan for Three Violins and Bass in G minor - Z752 Sefauchi's Farewell, Z656 A New Ground in E minor, Z. T682 4-part Sonnata No. 3 in A minor - Z804 Fantasia No. 7 Fly swift ye hours, Z369 The father brave as e'er was Dane (from Who can from joy refrain?, Z342) Return revolting rebels (from Timon of Athens, Z632) | Rameau: | Nouvelles Suites de Pièces de Clavecin: La Triomphante L'Entretien des muses Menuet Pièces de Clavecin 1724: Les Tourbillons Sarabande La villageoise Pièces de Clavecin en concerts | Reincken: | Choralfantasie “An Wasserflüssen Babylon” | Rosenmüller: | Sonata Settima a 4 | Scarlatti, D: | Keyboard Sonata K3 in A minor Keyboard Sonata K52 in D minor Keyboard Sonata K215 in E major Keyboard Sonata K216 in E major | Scheidemann: | Praeambulum in D minor | Scheidt: | Paduan a 4 | Schmelzer: | Sacro-Profanus Concentus Musicus: Sonatas VII & IX | Tisdale: | Pavana Chromatica (Mrs. Katherin Tregians Paven) | Tomkins: | A sad Pavan for these distracted times Pavan Of Three Parts Galliard Of Three Parts | Turini: | Sonata |
Gustav Leonhardt (harpsichord/organ/bass viol/virginal/narration/director ), Agnes Giebel (soprano), Marie Luise Gilles (alto), Bert van t’Hoff (tenor), Peter Christoph Runge (bass), James Bowman (countertenor), Nigel Rogers (tenor), Max van Egmond (bass), Lars Frydén (violin), Anner Bylsma (cello), Frans Brüggen (flute), Sigiswald Kuijken (violin), Wieland Kuijken (viola da gamba) & Veronika Hampe (alto viol) The Choir of King’s College, Cambridge, Brüggen-Consort & Leonhardt-Consort, Gustav Leonhardt “Gustav Leonhardt's patrician demeanour and Calvinistic refusal to indulge his ego run contrary to the common trend for keyboard players to emulate performing seals. And yet he has the power to transfix an
audience, as he did throughout his Wigmore Hall recital, without the need for gratuitous showmanship or wild musical gestures. Austerity and sobriety are the names of his particular performing game, tempered by
a compelling mix of passion and commitment to the broad repertoire within his command.” Andrew Stewart, The Independent, 10th January 1996 “Among the scholar-performers who have sparked and led the early music revival, surely none has played a greater part and exerted a more benificent influence on younger musicians and the public than Gustav
Leonhardt. Harpsichordist, organist, conductor, teacher, musicologist and editor are all roles in which he has distinguished himself.” Howard Schott, The Musical Times, October 1992 | | | In stock - usually despatched within 1 working day. |
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